Path: sipb-server-2.mit.edu!senator-bedfellow.mit.edu!bloom-beacon.mit.edu!grapevine.lcs.mit.edu!olivea!hookup!usc!howland.reston.ans.net!torn!mcshub!informer1.cis.McMaster.CA!muss.cis.McMaster.CA!not-for-mail
From: u8807385@muss.cis.McMaster.CA (P. Bhatia)
Newsgroups: alt.music.amy-grant,rec.music.christian,rec.music.info,rec.answers,alt.answers,news.answers
Subject: AMY GRANT FAQ: V-5.1 [1/2]
Followup-To: poster
Date: 31 Oct 1994 00:25:05 -0500
Organization: McMaster University, Hamilton, Ontario, Canada.
Lines: 847
Approved: dallin@cs.colostate.edu,news-answers-request@mit.edu
Expires: November 30, 1994
Message-ID: <391v3h$6kl@muss.cis.McMaster.CA>
NNTP-Posting-Host: muss.cis.mcmaster.ca
Summary: Provides useful info on the life and music of Amy Grant
Xref: sipb-server-2.mit.edu alt.music.amy-grant:1585 rec.music.christian:39229 rec.music.info:4405 rec.answers:8140 alt.answers:5340 news.answers:28362

Archive-name: music/amy-grant-faq/part1
Posting-Frequency: monthly
Last-modified: 1994-Oct-30
Version: 5.1


								      888
								      888
								      888
  8888b.  88888b.d88b.  888  888     .d88b.  888d888 8888b.  88888b.  888888
     "88b 888 "888 "88b 888  888    d88P"88b 888P"      "88b 888 "88b 888
 .d888888 888  888  888 888  888    888  888 888    .d888888 888  888 888
 888  888 888  888  888 Y88b 888    Y88b 888 888    888  888 888  888 Y88b.
 "Y888888 888  888  888  "Y88888     "Y88888 888    "Y888888 888  888  "Y888
			     888         888                                 
			Y8b d88P    Y8b d88P                                 
			 "Y88P"      "Y88P"                                  
					
		 d8b                           8888   d8 
		 8'  .d88 .d88     Yb  dP      8ww.    8
		w8ww 8  8 8  8      YbdP  wwww   `8    8
		 8   `Y88 `Y88       YP        Y88P w 888
			     8P                              
	  



	  =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
                      Frequently Asked Questions (1/2)
                     for newsgroup: alt.music.amy-grant 
                       x-posted to: rec.music.christian,
           rec.music.info, rec.answers, news.answers, alt.answers
          =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=


Contents:

 Part 1
   * Getting the FAQ
   * Biography
   * Factual
      * Trivia
   * Friends of AMY
      * Concert Itinerary
   * Obtaining pictures, newsletters, lyrics
   * ART Server subscriptions 
	(info on subscribing/posting for those without Usenet access)

 Part 2
   * Discography
      * Amy's Top 20
      * Videography
   * Video Reviews
   * The Collection
   * Amy's Achievements on Billboard Magazine
--
 Revisions from V-5.0:
   - New section, Getting the FAQ, has been added
   - 4 sections pertaining to audio/video have been shifted to part 2
   - Minor changes to Discography to account for vinyl releases
   - Concert Itinerary has been updated: some concerts have been dropped
      from the Pacific Rim, North American itinerary posted
   - Obtaining... section has been updated to include the new WWW site.
   - The Collection now includes a few more articles.

   =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
      .d88b         w    w   w               8888    db    .d88b.
      8P www .d88b w8ww w8ww w 8d8b. .d88    8www   dPYb   8P  Y8
      8b  d8 8.dP'  8    8   8 8P Y8 8  8    8     dPwwYb  8b wd8
      `Y88P' `Y88P  Y8P  Y8P 8 8   8 `Y88    8    dP    Yb `Y88Pw
                                     wwdP

   The latest version of the alt.music.amy-grant FAQ can usually be
   obtained from the following ftp sites:
                                      
     rtfm.mit.edu /pub/usenet/news.answers/music/amy-grant-faq/ 
  OR
     ftp.ipc.uni-tuebingen.de /pub/art/faq/ 
                            
   If you do not have access to ftp, you can send mail to:
                                                       
     mail-server@rtfm.mit.edu with first 2 lines of message containing:
             
     send /usenet/news.answers/music/amy-grant-faq/part1
     send /usenet/news.answers/music/amy-grant-faq/part2

   To access the FAQ by WWW, use one of the following URLs:

     http://www.ipc.uni-tuebingen.de/ftp/pub/art/faq.html
 OR    
     http://www.cis.ohio-state.edu/hypertext/faq/usenet/music/
            amy-grant-faq/top.html


   =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
		
	     888b. w                           8            
	     8wwwP w .d8b. .d88 8d8b .d88 88b. 8d8b. Yb  dP 
	     8   b 8 8' .8 8  8 8P   8  8 8  8 8P Y8  YbdP  
	     888P' 8 `Y8P' `Y88 8    `Y88 88P' 8   8   dP   
			   wwdP           8           dP    
     
	   At  the  tender  age  of 16, when  Amy  went  into  the
     recording studio to make her first recording, she was  scared
     stiff  and  couldn't  do it. Finally, this  was  resolved  by
     turning  off  all  the  lights in the studio.  This  let  her
     concentrate  on  her  feelings for  God  (since  this  was  a
     religious tune), and just sing her heart out about it. (a)
     
     Here are a few highlights from the biography written on Amy.
     by: Bob Millard (1986)
     
     [aside:  This  is  an  unauthorized  biography,  and  it   is
     interesting to  note that Bob has never met Amy in his  life.
     Shortly after the book  was published, Amy commented "He  was
     pretty kind to me, for the most  part"] (b)
     
     
	   Amy  entered her career rather naively.  There was some
     confusion in her mind when she was told that she could do her
     first  concert for $300.  Not realizing that her hosts  would
     pay  HER for the privilege, rather than the other way around,
     Amy  protested.  "I only have $500 in my savings and  I  need
     it," she said. (71)
     
	  "When I first started doing concerts I didn't have to go
     on  the road because there wasn't any big demand for me," Amy
     recalls. "People would just call about once a month  and  ask
     if  I  could  come to their place and sing.  I'd pack  up  my
     guitar and just fly out there. It has really only been [since
     1980  or  1981] that I've done any real touring at all.   But
     one   of  the first concerts I can remember doing I  had  one
     thousand  kids show up at the Will Rogers Memorial Auditorium
     in Fort Worth, Texas.
	   "I had no idea how the promoter did that.  I knew maybe
     three  people in Fort Worth and couldn't understand  how  the
     promoter  got one thousand people there.  I hardly  knew  any
     songs.  I just knew the songs I'd written plus maybe five  or
     six  more.  I remember playing everything I knew and I'd only
     played  for  like fifty-five minutes and I finally  said,  'I
     don't  know  any more songs.'  But the kids yelled  from  the
     balcony, 'Why don't you just sing your songs over again?'  It
     was  so  informal.  I just said okay and started singing  'em
     over again."  (79-80)
     
	   "I  had a dream," she says.  "I dreamed I was in heaven
     and  God put His arm around me and said, 'Amy, what have  you
     done for me?'  I had my album behind my back and said, 'Look,
     Lord, I've been singing for you.  Here's my album.'  He was a
     little  disappointed.  That's when I woke up and  realized  I
     was  a little too proud of myself and that my whole  life  at
     that time was just a piece of plastic, a round record." (83)
     
	   "Let  me  tell you what Amy did when she first  started
     writing  songs  and  getting a few royalties,"  Amy's  mother
     says.   "One  year  at Christmas she gave  each  one  of  her
     sisters  one  of her songs.  They each get a royalty  off  it
     twice a year." The sisters' names do not appear as writers on
     any  of the album jacket credits and no one in the family  or
     management team has revealed which songs they are.  Given the
     continued,  steady  sales  of  her  albums,  Amy's  gift   of
     songwriter  credits has undoubtedly been  worth  hundreds  of
     dollars  to  her  sisters  and  will  continue  to  ring   up
     royalties,  as  long  as her records stay  in  print.   Amy's
     generosity  to her sisters is a quiet, personal  thing  among
     the tightly knit family. (94)
     
	   Amy and Gary spent long hours together both on and  off
     the  road that summer.  Chapman's warmth and wit were winning
     one heart in the wings along with all the hearts and souls he
     was  winning over in the audience.  Amy learned a  lot  about
     performing by watching Chapman's timing and humor.  And  Gary
     couldn't  help  but  notice  the  forthright  honesty   which
     magnified  Amy's  charismatic rapport with her  audience.  In
     front of the largest crowd, a thirty-thousand-strong festival
     of  young people held in Kissimmee, Florida, Amy blurted  out
     something  to  the crowd of high school and college  students
     that immediately tore down all the barriers of pretense which
     an  elevated stage and musical message can create.  She  told
     them  that she was horny.      "We're sitting there, I do  my
     sound  check.   All  these girls are in  halter  tops,  great
     figures, everybody's wearing nothing, we're in Floriday," Amy
     says.   "I'm  eighteen and I know what they're  thinking.   I
     said, 'I really want to know Jesus and I really want to  love
     him  except...my  hormones are on ten and  I  see  you all...
     sitting  out there getting chummy and praying  together--and
     we're  horny.  My feeling is why fake it?  I'm not trying  to
     be  gross,  I'm  saying let's be honest about  what's  coming
     down.   Do  you  want to get to know Jesus?  Fine.  Let's  be
     honest about who we are.' " (103)
     
	   "I get tired of Christians trying to tell me what being
     a  Christian is," Amy said when she was twenty years old.  "I
     get tired of that kind of Christianity.  I don't mean that in
     a disrespectful way, but it's especially true in the college-
     age  group.   People asking, 'Have you had  your  quiet  time
     today?'   We have such a regimented idea of what Christianity
     is.  In college, everybody wears the same thing and they want
     their  walk  with the Lord to be the same way.   Sometimes  I
     just  want  to scream, 'I had a loud time with the Lord  this
     morning!'   Sometimes I just feel like Christians are  boxing
     themselves in." (107)
     
	   "I  felt that initially I was really accepted and well-
     received by the audiences, but among the music people  I  was
     really  looked  down  upon," she  recalls.   "They  were  all
     thinking...all  the  young  kids  buy  [her records]  because
     she  sings  so simply.  They all thought that the three-year-
     old  kid next door could write my songs.  But that's just it;
     the three-year-old next door was not writing them." (114)
     
	   "Sometimes I think it's a little unrealistic  to  think
     the  only thoughts a person has are Christian thoughts,"  Amy
     recalls.   "I  remember going to a fraternity party  and  you
     just   sense the electricity starting to happen.  Some  guy's
     paying you some attention and then somebody goes, 'Hey,  this
     is  the gospel singer' and phhht, there it goes.  I felt like
     saying, 'Hey, look, I can flirt, I can date, I will kiss good
     night,  we can embrace.'  But once the stereotype is  there--
     wham!" (118)
     
	  Many Vanderbilt boys were intimidated by her status as a
     "professional  Christian."  They avoided Amy  in  any  normal
     social  situation.  "They think you're a female Billy  Graham
     with a guitar," she complained (119).
     
		   "I'll never be a star.
		    I  just  prefer to  wish upon them,
		    Greet them at dusk,
		    And watch them fall."
     
	   That's  how the postcard poem read.  The message  comes
     from  her  heart, a young woman's rejection of the  Hollywood
     star-making machinery and its counterpart in the gospel music
     industry.  Recognitions of her in the world  of  professional
     entertainment   was  growing  each  month,  as   the   Grammy
     nomination  and  the GMA Dove Award nominations  of  the  two
     previous  years  attested.   The legion  of  Amy  Grant  fans
     continued to grow.  (122-123)
     
	   "Our  big  thrill was when we sang in  a  place  called
     Brugg.   This  is not Bruge, Belgium it's Brugg, Switzerland.
     We  sang  at  some kind of a ruin, it was like  a  circle  of
     stones  and  obviously  had pillars.  There  were  about  six
     thousand  people there and we were invited to be  part  of  a
     music  festival there. They were cheering when we walked  out
     and  at  first they told us to do six or seven songs, but  by
     the  time  we  got  up it was only two songs.   We  were  the
     nobodies  so they cut us way down.  We walked off  and  said,
     'This  will  be  incredible, the record company  will  be  so
     excited.  We've spread our names and spread our music.'
	   "We  walked off and someone came up to shake our  hands
     and they said, 'Now what is your name?'  We said Gary Chapman
     and  Amy Grant. They said,  'They didn't introduce you,  they
     just said here's the two Americans.' " (137)
     
	   "Historically,  any time a gospel artist has  tried  to
     cross  over, it has been just death for them in the Christian
     music  realm," Amy reflects.  "I don't understand it. I don't
     understand the mentality that says you can't express  several
     sides  of  your  life.  B.J. Thomas does it but  he's  highly
     criticized,  and unfairly so.  A person is a person  and  you
     have feelings. You know, I love my husband, I struggle in  my
     relationship  with my family, this is what I feel  like  when
     I'm  driving home from work, this is  how I brush  my  teeth.
     Not  everything  has some heavy spiritual  emphasis.   But  I
     feel  like there have been so few gospel artists that there's
     a real protective feeling in the gospel music industry."(141)
     
	   "I  felt  like  meat on a hook," Amy told  Contemporary
     Christian  Music  magazine.  "We'd go to places  like  Johnny
     Carson.   The  talent director would take me into  the  inner
     sanctum while Gary and my manager sat outside taking bets  on
     how I'd do." (151)
     
	   "Parents encourage their kids to go see Amy because her
     lyrics  are  clean, they're acceptable, and  her  venues  are
     wholesome," explains GMA executive director Don Butler.  "She
     doesn't want the conservative fundamentalists coming  to  her
     concerts.  She wants young people who will get up and move to
     the  beat, people who want to be pinned against the back wall
     by  the  volume for two hours.  That's what she  gives  them.
     Besides, Amy never had the traditional gospel music fans,  so
     how  could she turn them off?  She has never been the darling
     of the fundamentalists." (153-154)
     
	  "There are a lot of songs that I just write and the only
     differentiation  between them and secular pop  music  that  I
     would  say  is that they are an observation of everyday  life
     from  a Christian perspective," Amy explains.  "Like, I wrote
     a great song about my great grandmother one time and somebody
     who was really serious about what the lyrics should say might
     say,  'You know, you say you're a Christian singer, but  I've
     played  this song about your great grandmother for my  friend
     and  they  were  not saved.  You're a failure.'  A  hard-line
     gospel songwriter might say that.  But my point of view would
     be  that instead of just writing about this one little  piece
     of  the  spectrum,  I'm  just, as a  songwriter,  approaching
     life." (155)
     
	   "There  is  a point at which we all have to  say  we're
     satisfied,"  she says.  "I can't let the number of  albums  I
     sell dictate what I think of myself.  If you start equating a
     song with dollar signs, you'll lose your value of what a song
     is all about." (159)
     
	   "Gary's really great," she said.  "Sensitive--maybe too
     much  so--but  that's balanced by a terrific sense  of  humor.
     Like  most  couples  we fight about everything.   'You're  so
     pushy,' he'll say.  'Stop manipulating me,' I'll say.  It's a
     great marriage." (161)
     
	   In  Detroit,  Amy  was confronted  by  young  fans  who
     presented her with a bouquet  of flowers attached to  a  note
     that read: "Turn back. You can still be saved if you renounce
     what you've done."
	  "I cried in the shower, then went into the room and Gary
     was  in bed, and I said, 'Would you hold me for a while?' and
     I  just cried," Amy confesses.  "Gary prayed for us, then the
     words of my pastor echoed in my head: "You are called to love
     them."  (162)
     
	   "I  feel like in the past we have felt, we as Christian
     artists  have  felt  like  every song,  every  album  had  to
     encompass  everything that means to be Christian," she  says.
     "I  feel  like a lot of us now feel like 'let's approach  all
     aspects of life from a Christian perspective.' Now it doesn't
     mean  that  suddenly every song doesn't have to be 'Blood  on
     the  Cross.' That's never not included.  But it's just saying
     there's  so  many  areas  of life to be  discussed  and  it's
     important  to  have  somebody discuss  it  from  a  Christian
     perspective.  How great to have a song that says,  you  know,
     it's  really  bad between me and my husband but I  know  that
     love perseveres." (167)
     
	    Amy's  enuncitation  is  often  poor  from  behind   a
     microphone,  occasionally obscuring her lyrics, which,  after
     all,  are the heart of a gospel song. Many of her young  fans
     know  her  lyrics by heart anyway, so they found a  palatable
     invitation  to  faith  in  her Christian  witnessing  in  her
     performance.  There was the added communication of  her  mid-
     concert monolog, delivered partly while Amy lay flat  on  her
     back,  legs crossed and kicking into the air like the B-grade
     movie stereotype of a teenage on the telephone.  She came  as
     close  as  she ever has to delivering a full-scale  Christian
     witness during this part of the concert.
	   "For maybe five of ten minutes [during concerts],  I'll
     say who I am and what Jesus means in my life," Amy says.   "I
     don't want to browbeat a crowd for two hours." (168)
     
	   "I  do what comes the easiest to me and people fall  in
     the  aisles," she says.  "That's the difference  with  music.
     It's  a  talent that people will know who you are,  but  that
     doesn't mean it's a greater talent than any other.  There are
     times when I've felt, 'What a farce,' that my sisters work so
     hard  with their kids and get no attention.  I do what  comes
     naturally  and get enought attention for all of us and  forty
     times more.  It's a humbling thing." (173)
     
	   "When  people  express shock at the idea  of  crossover
     they're  assuming  that  you're leaving  something  essential
     behind,"  Amy said to her critics in the Christian community.
     "I  want to keep singing what I've always sung, but I see  an
     opportunity to do both--to sing for a larger audience and  to
     keep singing truth.  And then I just go woooooo!  Do it!   Go
     for it!" (176-177)
     
	   "What I want to do is to, in the way that I communicate
     and  express myself, is to say what it means to be a  vibrant
     Christian  woman  in the eighties," Amy explained.   "And  it
     doesn't  mean, hey, my breasts are going to hang out over  my
     shirt.   I  mean,  that's gross to me.  But it  means  to  be
     wholesome  and alive.  I think a lot of times to me something
     that's  very sexy, if you want to call it that, appealing  to
     me is something that's very alive." (177)
     
	   She  stopped  saying  "maybe"  to  the  possibility  of
     crossover  into  the  country or pop  industry  and  in  1985
     announced, "I want to play hardball in this business."
	   "I  want  to  be the U.S.A.'s top pop singer  with  the
     wholesome  image," she says.  "It's fun to fantasize  with  a
     Madonna.   All  through history there have been singers  that
     projected  a  popular  image: Carole King,  Karen  Carpenter.
     There's  no balance to what kind of image is being  presented
     to kids today.  I want to be there." (177)
     
	   "I  see  myself as sort of a combination performer  and
     evangelist," Amy explains.  "I hope people enjoy my  singing,
     but  at the same time their lives are affected by the words."
     (177-178)
     
     ----
     ==> From Friends In Motion.
     (a) Thanks to Traci Miklos for this information.
     (b) From Lori McAlister -- thanks for the update! :)
   
   =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

		   8888            w              8 
		   8www .d88 .d8b w8ww 8   8 .d88 8 
		   8    8  8 8     8   8b d8 8  8 8 
		   8    `Y88 `Y8P  Y8P `Y8P8 `Y88 8 


Name: Amy Lee Grant :^)   

Born: November 25, 1960 at St. Joseph Hospital in Augusta, GA 
Sisters: Mimi, Kathy, Carol
Brother-in-law: Dan Harrell (married to Kathy)
Husband: Gary Chapman (born August 19, 1957 in Waurika, OK)   
Married: Saturday June 19, 1982 - wedding at Vine Street Christian     
 Church in Nashville, TN
Father: Dr. Burton Paine Grant
Mother: Gloria Grant
Grandfather: Dr. Otis Grant
Great Grandfather: Andrew Mizell Burton (multimillionare and
 philanthropist) 
Great Grandmother: Lillie May Armstrong Burton (Mimi)
Cousin: Wilson Burton (founder of City magazine)
Cousin: Barry Burton (Vanderbilt Univ. football star)

First piano lesson: 10 years old
Baptized: at Church of Christ congregation in seventh grade
First took up guitar: seventh grade
Grammar school: Ensworth private
High School: Harpeth Hall
Got top honor at her school - Lady of the Hall
Switched to Belmont Church (of charismatic Christians) in her teens
Original album, 'Amy Grant' recorded at age 16, released in 1977 
 50,000 copies sold in first year--now more than 250,000 have sold!
Gave first concert for $300
Entered Furman University in Greenville, SC, in September, 1978
 majoring in  English.
Presented first Dove award at age 17.
First serious concert [according to her] in July 1978 at Lakeside
 Amusement  Park in Denver, CO.
Father's Eyes was most popular tune of the year.
First big tour in 1981 with Ed DeGarmo and Dana Key.
Went to Vanderbilt University next after taking a year off after
 sophomore year. 
Age To Age released in May 1982.
El Shaddai was most popular tune of the year.
Six Dove awards off Age to Age and a Grammy

--
===> from Friends in Motion newsletter. 

---
		     88888      w        w      
		       8   8d8b w Yb  dP w .d88 
		       8   8P   8  YbdP  8 8  8 
		       8   8    8   YP   8 `Y88 

Eyes: brown
Hair: brown, naturally curly (never permed it until I had children!)
Weight: 128.4 lbs.
Height: 5'7"
Worst year: sophomore in college
Fave food: spaghetti
Least fave food: can't think of any
Fave ice cream: Baskin Robbins Chocolate Chip, Haagen Dazs Chocolate
Fave dessert: Something that involves chocolate and peanut butter.  
 It can be a Reeses Peanut Butter Cup or just a blob of peanut butter 
 with Nestle chocolate chips.
Pets: 2 cats, 1 German Shepherd, several horses, a mule, some chickens
Hobbies: writing, long walks, manual labor, sitting in barns
Fave pasttime: gardening and cleaning
Fave thing not to do: scrub the toilet
Fave TV show: Seinfeld
Fave comic strip: The Far Side                                      
Fave recent movie rave: Forrest Gump                                   !!
Movies NOT my type: Terminator, Rambo, etc.  
How I started singing: sang at school for my friends
Wrote my first song: 15 years old
Colleges: Furman University in Greenville, SC and Vanderbilt University 
 in Nashville, TN.  I am only 20 hours short of graduating. :(
Number of A's in high school: 5
Number of F's in high school: 1 in English Lit
Major in College: English Lit
Number of traffic tickets: Speeding, 1; Parking, 14+...I stopped counting 
My own favorite source of trivia: Harper's Index
First romantic Kiss: Spring of 7th grade
Last romantic kiss: about 2 hours ago
Pet peeves: too many interviews
Scariest thing that happened to me: radial karetotemy eye surgery
Best thing that happened to me that same year: radial karetotemy eye
 surgery.  It corrected my vision and I no longer have to deal with
 contacts or glasses!  8^)
Fave casual restaurant in Los Angeles: California Pizza Kitchen
Current number of nieces and nephews: 19
Fave ethnic foods: crunchy shrimp rolls & bagels with smoked salmon 
 and capers 
6th grade music obsession: Cher
7th grade music obsession: Carole King
8th grade music obsession: Bette Midler
First car I learned to drive on: beat up, green, '63 VW bug
First car owned: maroon, '73 MG GT
Only album title shared by a book on the history of law in the frontier
 days of the South: Lead Me On
Longest tour: Unguarded (June 1984 - September 1, 1986)
Longest camping trip: 21 days, summer after 9th grade
Number of baths in those 21 days: 3
Longest flight: to Niarobi, Kenya to visit a friend
Fave sport to participate in: snow skiing and GOLFING
Fave professional sport: football

----
Thanks to David Ragsdale for compiling this section from the 
'Friends of Amy' newsletter, and a BIG ROUND OF APPLAUSE goes to 
Lori McAlister for researching it in the first place. ;^)

   =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 8888      w                8               d8b      db                     
 8www 8d8b w .d88b 8d8b. .d88 d88b   .d8b.  8'      dPYb   8d8b.d8b. Yb  dP 
 8    8P   8 8.dP' 8P Y8 8  8 `Yb.   8' .8 w8ww    dPwwYb  8P Y8P Y8  YbdP  
 8    8    8 `Y88P 8   8 `Y88 Y88P   `Y8P'  8     dP    Yb 8   8   8   dP   
               							      dP    

(...or everything you've wanted to know about FRIENDS OF AMY, but were
afraid to ask:)   (info provided by Lori McAlister)

"Where can I write to Amy Grant?"

 Send any and all correspondence to:
  Amy Grant
  Friends of Amy
  9 Music Square S., Suite 214
  Nashville, TN 37203-3203   e-mail: amy.grant@nashville.com

Anything  sent to Amy's attention at any other address (including
her home) is forwarded to FOA. For time and security reasons, Amy
doesn't  open mail from anyone she does not personally know.  She
does  receive  a random sampling of her mail which she  reads  as
time  permits. She also has a question/answer section in her tri-
annual  FOA  Newsletter. Every word of every letter Amy  is  sent
gets  read  and  dealt  with  in a confidential  and  responsible
manner.  "Brevity"  is  the  key to  getting  your  requests  and
questions answered most quickly.


HERE'S WHAT'S AVAILABLE: [ALL PAYMENTS MUST BE IN U.S. DOLLARS]

** FOA Newsletter (April, August and December issues)
  includes   post  card  notices  of  tour  itineraries, snapshots,
  recipies,  question/answer, sneak peek lyric previews, behind the
  scenes and whatever else Amy feels like writing about.
   $5/year US   $6/year CANADA  $8/year other foreign

** A personalized, autographed, 5x7 B&W photo of Amy
   $2 U.S.  $3 all  foreign  (be  sure  to  include  name  for
   personalization)
   
** "Meet Amy Grant Chapman" info package:
  autobiographical info, trivia, personal spiritual journey,
  discography, her career start and most current project news.
    $7 US  $8 all foreign

** "The  Music Business From Amy's Perspective"  info package:
   How  Amy  got started, her thoughts and  advice  for
   aspiring writes/performers, addresses to write for more
   information.
    $2 US $3 all foreign

ALL FUNDS MUST BE IN U.S. DOLLARS.

All  the above prices include shipping and handling. Make  checks
payable  to  FRIENDS OF AMY.  Include  your  COMPLETE  &  LEGIBLE
name and address with the order. Thanks!

====

"AMY GRANT merchandise availability..."

  At  this  time,  official Amy stuff is available  only  at  the
  concerts. We HOPE to be able to offer some items from the HOUSE
  OF  LOVE  tour, but have no confirmation of this as yet.  Music
  and  video product are available wherever WORD or A&M  products
  are  sold. If what you're looking for is not in stock, ask  the
  store  to special order it for you.  If that fails, in  the  US
  you can write to:
  
	  Family Music Club
	  P O Box 10659
	  Des Moines, IA 50336-0659
	  
====

"How can I meet Amy?"

 Occasionally, when Amy is touring, a local concert  promoter  or
 sponsor will arrange for an autograph party in that city. We  do
 not  attempt  to  make  arrangements for individuals  either  in
 their  cities or here in Nashville.  It would be a security  and
 logistical  nightmare to accommodate such requests. (Amy  wanted
 me  to  add  that  if  you ever pass her on  the  street,  don't
 hesitate to stop and introduce yourself!)

-----

"regarding packages and gifts..."

 As  of April 1990, we adopted a policy of not receiving packages
 or  gifts  of  any  kind.  Packages with  return  addresses  are
 returned. Those without are simply left at the post office.

-----

"regarding music, lyrics and demo tapes..."

 Amy   simply  does  not  have  the  time  nor  does   she   feel
 particularly  qualified to critique music  and  lyrics  sent  to
 her.  As  for  "pitching" your song to her,  she  only  receives
 material presented through a reputable publisher and by her  own
 request.   In the past, we have attempted to return  any  lyrics
 submitted  witha  note of explanation. As of  January  1992,  we
 will  only be returning those lyrics that are sent with a  self-
 addressed stamped envelope. For legal purposes, all others  will
 be destroyed.

-----

"regarding working for Amy or trying out for a band..."

 Honestly,  you've got to know somebody on the "inside track"  to
 even  be considered for a position either in her personal  staff
 or   touring  entourage.  Prospective  musicians/vocalists   are
 welcome  to  submit  resumes, demo tapes and inquiries  to  Mike
 Blanton at:
 
	  Blanton/Harrell, Inc.
	  2019 Poston Ave
	  Nashville,   TN  37203  (this is Amy's management office)

-----

	       .d88b                              w   
	       8P    .d8b. 8d8b. .d8b .d88b 8d8b w8ww 
	       8b    8' .8 8P Y8 8    8.dP' 8P    8   
	       `Y88P `Y8P' 8   8 `Y8P `Y88P 8     Y8P 
				  I T I N E R A R Y
				  

                   T h e   P a c i f i c   R i m

NOTE: At this time Australia has been POSTPONED. I have no further
information about when the tour might go to Australia, but it won't be
this fall. Sorry - I just post 'em as I see 'em.  -Lori Mc

NOVEMBER 1994:  updated Oct 27/94
15   Tokyo, Japan   Kanni Hoken Hall
16   Osaka, Japan   Imperial Hall
19   Manilla, Phillipines   Cuneta Astrodome
20   Manilla, Phillipines   Cuneta Astrodome
25   Singapore   Indoor Stadium
28   Tai Pei, Taiwan   Convention Center
29   Tai Pei, Taiwan   Convention Center

Michael W. Smith will open November 19-29


                      N o r t h   A m e r i c a

1995 HOUSE OF LOVE TOUR - Gary Chapman opening all shows
U.S. - Arena Tour    Updated Oct 27/94
                                                                       
JANUARY:
17 Little Rock, AR   Barton Coliseum
19 Tulsa, OK    Mabee Center
20 St. Louis, MO   Kiel Arena                     
21 Moline, IL    The Mark
22 Dayton, OH    Nutter Center                          
26 Knoxville, TN   Thompson-Boling Arena
27 Atlanta, GA   Omni                   
28 Charlotte, NC   Charlotte Coliseum
                                     
FEBRUARY:   
 2 Denver, CO    McNichols                              
 3 Lincoln, NE   Pershing Auditorium       
 4 Norman, OK   Lloyd Noble Center  
 5 Houston, TX   Summitt            
 9 Edmonton, CANADA  Northlands Coliseum
10 Calgary, CANADA  Saddledome                    
12 Vancouver, CANADA  PNE Coliseum
13 Tacoma, WA   Tacoma Dome                             
14 Portland, OR   Coliseum              
17 Oakland, CA   Coliseum               
18 Anaheim, CA   The Pond         
19 Las Vegas, NV   MGM Grand
20 Phoenix, AZ   America West                           
24 Austin, TX    Erwin Center                                             
25 Dallas, TX    Reunion Arena                                         
26 Wichita, KS   Century II        
27 Kansas City, MO   Kemper Arena                                      
                                     
MARCH:
 2 Cleveland, OH   Gateway 
 3 Chicago, IL    United Center 
 4 Minneapolis, MN   Target Center       
 5 Ames, IA    Hilton Coliseum    
 9 Ft. Wayne, IN   Coliseum           
10 Toronto, CANADA  Maple Leaf Gardens
11 Auburn Hills, MI  Palace At Auburn Hills
12 Kalamazoo, MI   Kellogg Center
16 Indianapolis, IN   Market Square
17 Pittsburgh, PA   Arena          
18 Buffalo, NY   Buffalo Arena
19 Worcester, MA   Centrum           
21 Philadelphia, PA   Spectrum                    
23 New York City, NY  Paramount Theatre
24 Washington, DC   US Air Arena                        
25 Roanoke, VA   Civic Center           
26 Lexington, KY   Rupp Arena    
30 Springfield, MO   Hammons Center  
31 Memphis, TN   The Pyramid          

APRIL:      
 1 Jackson, MS   Jackson Coliseum 
 2 Birmingham, AL   JCC             


All dates subject to change.
Contact local venues or promoters for specific ticket and time information.

** Advance/discounted tickets are available in blocks of 20 or more.
   Contact the venue or local promoter for exact details.

The  band personel that have been confirmed to date (July 20) are:
  
 Wayne  Kirkpatrick, band leader - guitar and background vocals (bgvs)
 Jerry McPherson - guitar
 Bill Owlsley - guitar, bgvs
 Rick Palombi - keyboard
 Chris McHugh - drums
 Millard Powers - bass, bgvs
 Tabitha Fair - bgvs


   =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
	       
	    .d88b. 8     w        w       w            
	    8P  Y8 88b. w8ww .d88 w 8d8b. w 8d8b. .d88 
	    8b  d8 8  8  8   8  8 8 8P Y8 8 8P Y8 8  8 
	    `Y88P' 88P'  Y8P `Y88 8 8   8 8 8   8 `Y88 
						  wwdP 

       P I C T U R E S,  N E W S L E T T E R S,  L Y R I C S
				
				
SITE INFO:
 There  are several sites I am aware of at the moment that  carry 
 Amy files:
	        1.  cs.uwp.edu
                2.  ftp.ipc.uni-tuebingen.de
                3.  http://www.ipc.uni-tuebingen.de/art/

  Note: I refer to the 1st one hereafter as 'uwp' and the 2nd one
  as  either 'art' or 'uni-tuebingen'.  The 3rd one is the  newly 
  established 'Amy Grant - the Archive' World-Wide-Web site.  The
  AGtA site  carries everything the art site carries, plus  sound
  files,  newsgroup  archives, photo thumbnails, plus much  more! 
  It's hot, it's here, check it out!!!

PICTURES:
  A lot of scanned images of Amy album covers and other poses can
  be  found  under  the /g/grant.amy/pictures  directory  at uwp,
  and under the /pub/art/pictures directory at uni-tuebingen.
  A big round of thanks goes out to Andreas Haug for his  initial
  picture scans.

  Some more recent additions include all of the pictures from the
  cd's:  House of Love,  My Father's Eyes, and In Concert.  Also, 
  there is Amy's layout from People Magazine's '50 Most Beautiful 
  People in the World 1992' issue, as well as her recent layout
  from the October '94 _Release_ Magazine.

  The art picture archive has now doubled with additions of  some 
  really  nice photos from the September '94 'Details'  magazine,
  October  issue of 'In Style' magazine, the August '94 issue  of
  the  'Friends of Amy'  newsletter, the House of Love '94  Radio
  Special,  as  well as her recent layout  from  the  October '94 
  'Release' Magazine, and finally, many scans from Lead Me On and
  Heart In Motion CD singles.
  So, check out uni-tuebingen for all the magazine and CD singles
  scans mentioned here. You'll find them under respective folders
  in the art/pictures/ directory.


NEWSLETTERS:
  As  well,  the  first 2 volumes of the newsletter,  Friends  in
  Motion,  can  be found under the directory /mail.list  or  /fim 
  respectively. The filenames appear to be incorrect; the correct
  filenames can  be found  at  the top of each newsletter.  There
  have been 4 volumes in total.


LYRICS:
  Both sites carry almost all the lyrics to her albums under  the
  /lyrics  directory.  Thanks  go out to Sam Stoddard  (alias the
  Rink)  for  his tremendous effort.  Credit also goes  to  David
  Yoshihara for his contributions.


  Since the music archive @ cs.uwp.edu is mostly based on logical
  directories,  you  can switch to the  /grant.amy  directory  by
  typing  cd /grant.amy at the main level.  In this fashion,  you
  can   switch   to  the  general  /lyrics  directory,   /picture
  directory, etc.


   =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

       db    888b. 88888    .d88b.                              
      dPYb   8  .8   8      YPwww. .d88b 8d8b Yb  dP .d88b 8d8b 
     dPwwYb  8wwK'   8          d8 8.dP' 8P    YbdP  8.dP' 8P   
    dP    Yb 8  Yb   8      `Y88P' `Y88P 8      YP   `Y88P 8    
				  S U B S C R I P T I O N S
				
For  those that are interested, a mailing list (server)  has  been
set  up  to  transmit articles for fans without access  to  Usenet
or to the alt groups hierarchy.

If  you  know  someone  who  wants to participate (ie.  friend  at
another  campus without alt group  access), please  tell  them  to
send a mail containing the word "subscribe"  to  the Amy  Response 
Team (ART), care of:

		art-request@ipc.uni-tuebingen.de

Note:  ART is a 2 way listserver.  All posts to the alt.music.amy-
grant  newsgroup  are  mirrored by  the  ART  server  to  all  ART
subscribers.   Articles posted _directly_ to the ART  server  will
also be mirrored to other ART subscribers AND posted via a gateway 
to  the  newsgroup.  To post to the ART server/gateway, write  out 
your mail as usual and send to:

		    art@ipc.uni-tuebingen.de

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
This FAQ maintained by Pradeep Bhatia. Thanks to all the contributors!
If you would like to add to this, send mail to: pbhatia@bnr.ca
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

|||| | | | | |  |  |  |   |   |    |     |    |   |   |  |  |  | | | | ||||
	   END  O F   T  H  E    A   M   Y    G  R  A  N T   FAQ 1
|||| | | | | |  |  |  |   |   |    |     |    |   |   |  |  |  | | | | ||||
 
