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From: richard@exxilon.xx.rmit.EDU.AU (Richard A. Muirden)
Newsgroups: alt.fan.shostakovich,rec.music.classical
Subject: alt.fan.shostakovich FAQ (Frequently Asked Questions)
Date: 30 Nov 1994 22:59:50 GMT
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FAQ (Frequently Asked Questions): alt.fan.shostakovich

Compiled by: Richard Muirden (email: richard@rmit.EDU.AU)

Last Updated: November 21, 1994

Contents:
--------

1. General Information (including what DSCH means)
2. Recommendations for Newcomers to Shostakovich 
3. Major Works and Recommended Recordings
4. "Testimony" - The Story
5. Shostakovich's music in Films and TV
6. Books of interest to Shostakovich Fans
7. "The DSCH Journal" - A newsletter!
8. Contributors to this FAQ 


1. General Information (including what DSCH means)
==================================================

DMITRI DMITRIEVICH SHOSTAKOVICH

Born: 25th September, 1906 in St. Petersburg (5PM local time)
Parents: Dimitri Boleslawowitsch Shostakovich
         Sofia Wassijewna Shostakovich (formerly Kokoulin).

Died: 9th August, 1975 in Moscow (at 7PM according to newspaper reports)  

Wives: Nina Vasilievna (Varzar) (from 1934 until she died on December 5th, 1954)
       * There was a temporary separation during the summer of 1934.
       Margarita (Kainova) (1956-1960 - he proposed to her on the spot -  
                          it was a failed marriage - he left her in November 
                          1960)
       Irina Antonova (Supinskaya) (December 1962)

All Children came during the marriage to Nina
 
Son: Maxim Shostakovich, born in 1937, currently lives in the USA and works
     as a conductor of many orchestras worldwide. Maxim's son, Dmitri jnr
     is also a recorded pianist and can be heard performing Dmitri snr's
     2 piano concertos under the baton of his father on 2 Chandos CD's
     (CHAN 8357/8443)
     
Daughter: Galya - Current status: Unknown??? but was also a pianist


DSCH: DSCH is a short form that many posters use for Shostakovich's name. This
      comes from his own use of these notes (in German Notation) to mean his
      own name. The most spectacular (and first major) use of the DSCH motif
      is in the 10th Symphony. In case you want to play it, it is:

	D  Eb  C  B

      However, the 8th String Quartet shows the "DSCH progression" much more
      vividly. The first movement alone being a fine example of the
      motif.  


Prizes and honours awarded:

1940: Order of the Red Banner of Labour.
1942: Honoured Artist of the RSFSR.
1946: Order of Lenin
1948: People's Artist of the RSFSR.
1954: People's Artist of the USSR.
      International Peace Prize.
1956: Order of Lenin
1958: International Jean Sibelius Prize
1959: Silver Medal, World Peace Council 
1962-75: Deputy of the Supreme Soviet of the USSR.
1965: Honoury Doctorate in Music
1966: Order of Lenin
      Hero of Socialist Labour
      Gold Medal of the British Royal Philharmonic Society
1967: Grand Decoration of Honour in Silver for Services to the Republic of
      Austria
1969: Mozart Memoial Medal of the Mozart Society, Vienna 
1971: Order of the October Revolution
1972: 'Great Star of trhe Friendship Among Peoples' in gold
1973: The Sonning Prize, Denmark

Stalin Prizes: 11 
	First Grade for Scores for film trilogy (Maxim's Youth, Maxim's Return
         & The Vyborg Side - Opp.41,45,50) in 1941.
        First Grade for Score of "The Great Citizen" in 1941. 
	First Grade for Symphony No. 7 "Leningrad" in 1942.
        First Grade for Score of "Zoya" in 1946.
	Second Grade for Piano Trio (Op.67) in 1946.	        
        Second Grade for Score of the film "Pirogov" in 1948.	
        First Grade for Score of film "The Young Guards" in 1949.
        Second Grade for Score of film "Minchurin" in 1949.
	First Grade for Score of film "Meeting at Elba" in 1950.
	First Grade for Song of the Forests (Op.81) in 1949. 
        Second Grade for Ten Choral Poems by Revolutionary Poets (Op.88) in 1952
       
 
2. Recomendations for Newcomers to Shostakovich
===============================================

Many new posters to alt.fan.shostakovich mention they have heard a piece or
two of DSCH and would like to hear more and what are some good pieces to
start with. I feel the best way to get into Shostakovich is slowly, and
to this end I have decided to list a few works and recordings that I feel
would be a good introduction to the works of Shostakovich. The recordings
chosen are in the mid-price bracket because I believe that when you are
'getting into' a composer (ie: exploring) you're more likely to want to
spend your money on a few good mid price recordings rather than unknown
full price ones - that way you lose less money if you really can't stand
what you've bought. It has been pointed out that the selection here is
very subjective. What I have tried to do is sift through the various
responses in the past on a.f.s in answer to the question of 'what can
I listen to next?' and cobble together what I hope to be a general consensus
of works.

Symphonies: Numbers 1,5,7,8,9,10,11,12 (Haitink Recordings on Decca)
String Quartets: Numbers 3,8,9,10 (Borodin Quartet on EMI)
Piano Concertos+Cello Concerto: (Previn/Rostropovich on Sony MPK 44850)

There is also the excellent (and mid-price) "Composers in Person" CD on
EMI containing Shostakovich playing both Piano Concertos, 3 Fantastic
Dances (Op. 5), and a selection of the Preludes and Fuges, Op. 87 all
on one CD. Good sound and good mixture. (EMI CDC 7 54606 2)

A CD for the more adventurous: "The Shostakovich CD" on Olympia (OCD 008) -
if you can get it (I ordered mine direct from Olympia) contains 'samples'
from just about every part of Shostakovich's output (with the notable
exception of chamber music, unless you include the 14th Symphony extract). A
bargain disk at around 5 pounds in the UK (So I am told).


3. Major Works and Recommended Recordings
========================================

This section of 'recommended recordings' of Shostakovich's major works
is only a 'guide' - This list compiles together the recommendations of
alt.fan.shostakovich readers as posted. Your view may differ - The 
like or dislike of a performance is a subjective quality - however 
these recommendations also reflect feelings of critics in general and
the readership of alt.fan.shostakovich in general. Performances
are not listed in any particular order.

Symphonies:
----------

#1 : Scottish National Orchestra/Jarvi [w/ #6] [DDD] (Chandos CHAN 8411)
     LPO/Haitink [w/ #3] [DDD] (Decca 425 063-2)

(#2 and #3 are widely considered to be politicially motivated works and also
 very unlike the 'normal' DSCH. It is rumoured that he made his son Maxim
 promise to never conduct these works, However, recordings by both Haitink
 on Decca/London and Rozhdestvensky (Olympia) are available)

#4 : Scottish National Orchestra/Jarvi [DDD] (Chandos 8640)
     LPO/Haitink [ADD] (Decca 425 065-2)
     Saint Louis Symphony Orchestra/Slatkin [DDD] (RCA Red Seal RD 60887)

#5 : Scottish National Orchestra/Jarvi [w/ 'the bolt'] [DDD] (Chandos 8650)
     Concertgebouw/Haitink [w/ #9] [DDD] (Decca 425 066-2)
     USSR Ministry of Culture SO/Rozhdestvensky [w/ #9] [DDD] (Olympia OCD 113)
     Leningrad Philharmonic Orchestra/Mravinsky [DDD] (Erato 2292-45752-2)
     NYPO/Bernstein [w/ #9] [ADD] (Sony SMK 47615)

#6 : Scottish National Orchestra/Jarvi [w/ #1] [DDD] (Chandos CHAN 8411)
     Concertgebouw/Haitink [w/ #12] [DDD] (Decca 425 067-2)
     Concertgebouw/Kondrashin [ADD] (Philips 438 283-2)

#7 : Scottish National Orchestra/Jarvi [DDD] (Chandos CHAN 8623)
     LPO/Haitink [DDD] (Decca 425 068-2)
     Czech PO/Ancerl [AAD] (Supraphon 111952-2)
     Chicago SO/Bernstein [w/ #1] [DDD/Live] (DG 426 632-2) 

#8 : Scottish National Orchestra/Jarvi [DDD] (Chandos CHAN 8757)
     Concertgebouw/Haitink [DDD] (Decca 425 071-2)
     Leningrad Phulharmonic Orchestra/Mravinsky [ADD] (Philips 422 442-2)
     Berlin PO/Bychkov [DDD] (Philips 432 090-2)
     
#9 : Scottish National Orchestra/Jarvi [w/ Festive Ov] [DDD] (Chandos CHAN 8587)
     LPO/Haitink [w/ #5] [DDD] (Decca 425 066-2)
     USSR Ministry of Culture SO/Rozhdestvensky [w/ #5] [DDD] (Olympia OCB 113)
     Concertgebouw/Kondrashin [ADD] (Philips 438 284-2)

#10: Scottish National Orchestra/Jarvi [DDD] (Chandos CHAN 8630)
     Leningrad Philharmonic Orchestra/Mravinsky [ADD] (Erato 2292-45753-2)
     USSR Ministry of Culture SO/Rozhdestvensky [DDD] (Olympia OCD 131)
     Berlin PO/Karajan [DDD] (DG 413 361-2)
     Leningrad Philharmonic Orchestra/Mravinsky [AAD] (Saga SCD 9017)     
      *1954 Premiere recording*
       
#11: Houston SO/Stokowski [ADD] (EMI CDM 7243 5 65206 2)
     Helsinki PO/DePriest [DDD] (Delos D/CD 3080)
     Concertgebouw/Haitink [DDD] (Decca 425 072-2) 
     Berlin PO/Bychkov [DDD] (Philips 420 935-2)
     National SO/Rostropovich [DDD] (Teldec 76262-2)

#12: Gothenburg SO/Jarvi [w/ Hamlet Op.32+Age of Gold] [DDD] (DG 431 688-2)
     Gewandhausorchester Leipzig/Durjan [ADD] (Philips 434 172-2)
     Concertgebouw/Haitink [DDD] (Decca 425 067-2)
     Leningrad Philharmonic Orchestra/Mravinsky [DDD] (Erato 2292-45754-2)

#13: Concertgebouw/Haitink [DDD] (Decca 425 073-2)
     CBSO/Kamu [DDD] (Chandos CHAN 8540)
     Moscow Philharmonic Orchestra/Kondrashin [ADD] (Russian Disc RD CD 11 191)
     
#14: Gothenburg SO/Jarvi [DDD] (DG 437 785-2)
     Concergebouw/Haitink [DDD] (Decca 425 074-2)
       [this recording uses the original texts to the poems, not in russian]
     Moscow Phil Ens/Rostropovich [ADD] (Melodiya SUCD 10-00241)
     Czecho-Slovak Radio SO/Slovak [DDD] (Naxos 8.550631)

#15: LPO/Haitink [ADD] (Decca 425 069-2)


Concertos:
---------

Piano Concertos 1 & 2: Shostakovich (p)/Orchestre National de la Radiodifusion
     Francoise/Cluytens [ADD] (EMI CDC 7 54606 2) or Alexeev (p)/ECO/Maksymiuk
     [DDD] (EMI CFP CD-CFP 4547) or Previn(p)/NYPO/Bernstein [ADD] 
     (Sony MPK 44850) there is also the Kissin recording with the Moscow
     Virtuosi/Spivakov [DDD] on (RCA Red Seal RD87947)

Violin Concertos 1 & 2: Mordkovitch (v)/Scottish National Orchestra/Jarvi [DDD]
     (Chandos CHAN 8820) or Oistrakh (v)/Various [ADD/live] (Intaglio INCD 7241)

Cello Concerto No. 1: Rostropovich (Cl)/Philadelphia/Ormandy [ADD] [w/ The piano
     concertos) (Sony MPK 44850) or Yo-Yo Ma (Cl)/Philadelphia/Ormandy [DDD]
     [w/ Symphony #5/Bernstein] (Sony MDK 44903)

Cello Concerto No. 2: Rostropovich (Cl)/Boston SO/Ozawa [ADD] (DG 431 475-2)


String Quartets:
---------------

#1-15: Borodin Quartet on EMI [ADD] 
       Brodsky Quartet on Teldec [DDD]
       Fitzwilliam Quartet on Decca [DDD]

The Borodin Quartet are recording a new series on the Virgin Label with
approx. 3 CD's released so far.


Preludes and Fuges, Op. 87:
--------------------------

Nikolayeva on Hyperion
Keith Jarrett on ECM New Series 


Other 'chamber' works:
---------------------

Piano Quintet. Op.57: Richter, Piano w/ Borodin String Quartet [ADD] 
	(EMI CDC 7 47507 2) (comes with 7th and 8th String Quartets) or
	in a recording coupled with the

Trio No. 2, Op.67: Beaux Arts Trio [DDD] (Philips 432 079-2)


Film Music:
----------

Suite from "The Gadfly"
	- USSR Cinema SO/Emin Khachuturian [ADD] (EMI CFP CD-CFP 4463)

Suites from "Minchurin", "Fall of Berlin" & "Golden Mountains"
	- Belgian Radio SO/Serbrier [ADD] (RCA Red Seal 60226-2 RC)

Suites from "The New Babylon"(first film score) & "Five Days - Five Nights"
	- Berlin Radio Symphony Orchestra/Judd [DDD] (Capricco 10 341/42) 


Other Works:
-----------

Jazz Suites 1 & 2: Concertgebouw/Chailly [DDD] (Decca 433 702-2)

Ballet Suites 1,2,3: Scottish National Orchestra/Jarvi [DDD] (Chandos CHAN 8730)

Funeral and Triumphal Prelude, Op.130 &
Novorossiisk Chimes: RPO/Ashkenazy [DDD] (Decca 436 763-2)

Suite on Verses of Michelangelo, Op.145a &
Four Verses of Captain Lebyadkin,Op.146: Dietrich Fischer-Dieskau, baritone 
	Radio-Symphonie-Orchester Berlin/Ashkenazy [DDD] (Decca 433 319-2)

"Song of the Forests"(Op.81) and "The Sun shines over our Motherland"(Op.90)
Vladimir Ivanovsky [tenor], Ivan Petrov [bass], Moscow State Boys Choir,
Moscow PO/Yurlov+USSR State Symphony Orchestra/Ivanov [ADD]
(Russian Disc RD CD 11 048)



CD's of interest to Shostakovich Devotees:
-----------------------------------------

I have listed this as a small section because I believe that there are some
CD's that only true devotees of Shostakovich would be interested in. I
list these CD's as having works of interest, or CD's that are hard to find
or are of a historic nature.

"Manuscripts of Different Years" - Including: Scherzo, Op.1 and Op.7, Theme
     and Variations, Op.3, Spanish Songs Op.100, Suite from "Alone" Op.26,
     "Adventures of Korzinskina" Op.59 & "La Comedie Humaine" Op.37.
     Various Orchestras [AAD-Great sound] (Olympia OCD 194)

Suite on Verses of Michelangeleo Buyonarroti, Op.145a & Four Verses of
     Captain Lebyadkin, Op.146
     Fischer-Dieskau/Radio-Symphonie-Orchester Berlin/Ashkenazy 
     [DDD] (Decca 433 319-2)

Violin Sonata, Op.134 , Bashmet (v) & Richter (p)
     [DDD] (Mezhdunarodnaya Kniga MK 418014)

Viola Sonata, Op.147 (His last work). Bashmet (va) & Richter (p)
     [DDD] (Mezhdunarodnaya Kniga MK 418015)

Arrangement of String Quartets 3&4 for Strings and Woodwinds (Op. 73a) and
     Chamber Orchestra (Op.83a) Orch. Barshai - Interesting versions 
     COE/Barshai [DDD] (DG 435 386-2)

"Hypothetically Murdered" (Op.31) Suite & 4 Romances on Poems of Pushkin(Op.46)
     Fascinating CD of this music (both premiere recordings)-gives clues to
     the 5th Symphony and more...
     CBSO/Elder [DDD] (United 88001)

"The Orchestral Songs" - Vol 1: Two Fables of Krylov(Op.4), Three Romances on
     Poems by Pushkin(Op.46a), Six Romances on Verses by Raleigh, Burns and
     Shakespeare(Op.62/140) and From Jewish Folk Poetry(Op.79a). Gothenburg
     SO/Jarvi with solists [DDD] (DG 439 860-2)


4. "Testimony" - The Story
==========================

In 1979 the book "Testimony - The Memoirs of Dmitri Shostakovich - As
related to and edited by Solomon Volkov" was published. This book, according
to Volkov, contains the words of Shostakovich as related to him in the last
years of his life. Shostakovich insisted the book be published after his
death with good reason considering the material in it paints him in a light
that the Soviet authorities of the day wouldn't have exactly been thrilled
with. However for the last 10 years or so there has been some criticism of
this book with comments from friends of Shostakovich saying that Volkov must
have made a lot of it up. Maxim Shostakovich remained silent for years on
the subject but finaly agreed that the book has the ring of truth about it. 
Ian McDonald's excellent book "The New Shostakovich" (ISBN 0-19-284026-6) goes
into some detail claiming the book to be fiction based on truth. Citing that
the 'signed' pages that Volkov claims Shostakovich signed as proof of the
book's validity are in fact from other sources, and are only produced as the
first pages of chapters. McDonald's book also delves into fascinating analysis
of the times, both personally and politicaly and bases an analysis of the
works of DSCH into this. 

Personally, I own both books and find each of them interesting. I owned
Testimony first, and it is an excellent read if just for the stories and
ideas within. McDonald's book goes into much more detail on everything
and provides a thoughtful, yet harrowing account of the life and times
of Shostakovich. I recommend McDonald's book for anyone interested in a
good analysis of the major works as well as the times they were written
in.


5. Shostakovich's music in films and TV
=======================================

Apart of course from the film of "Testimony", the Music of Shostakovich has
been heard in the following Films or TV shows:

The "Romance" From The Gadfly (Op.97/97a) is used as the theme to the
Television Series "Reilly, Ace of Spies." Chris Hillman writes:

    The TV series was based on a (dreadful) book by the same title about a 
    historical personage, one Sidney Reilly, who was apparently born in Russia
    late in the last century and who worked for the British secret service
    (and possibly others, as a double agent) in the early years of this
    century. He died under mysterious circumstances, as I recall, in the
    late twenties (in the TV series, he is show by a close associate of
    Felix Derzhinsky inside the USSR). The series and book were presented as
    historical fact but were in fact heavily fictionalized.
    Now in his excellent book the Codebreakers, David Kahn discusses the 
    Voynich manuscript, which was owned at one time by a publisher named
    Voynich. Kahn mentions that his widow, Mrs. Voynich, wrote a novel called
    "The Gadfly" which was based on the life of a historical character
    in revolutionary Italy. In one of the books I read on Reilly it was
    mentioned that Mrs. Voynich knew Reilly personally and based her novel
    in part on his experiences. Surely this is the same novel which is the
    source of Shostakovich's Gadfly? Kahn mentions that Mrs. Voynich was one
    of the very few American authors ever awarded a royalty by the Soviet 
    government--- apparently the revolutionary sentiments in the novel were
    felt to be politically correct.

Chris is, as I have found from my EMI classics for pleasure recording
of the Gadfly, correct. DSCH's "Gadfly" music (and the film) is based
on the book by E. L. Voynich.

---

Symphony No. 11 in Carl Sagan's "Cosmos" program

---

Symphony No. 5 (slow movement+finale) & Sym. 8 in "Rollerball"

---

Shostakovich's 12th Symphony (I think) was MENTIONED but not played in 
"Peggy Sue got Married"

---

The 3rd mvt. of the 8th was used in the movie "Fandango".

---

2nd mvt. of the Ninth Symphony in the Finnish film "Ariel" by
Aki Kaurismaki. 

---

1st mvt. of the Sixth Symphony in the Finnish film version of
"Crime and Punishment" (Dostoyevsky) by Mika Kaurismaki.

---

Apparently the 8th Symphony and perhaps other bits of DSCH's music
are used quite a lot in the UK TV Series "The Onedin Line"       

---

What sounds very much like a small section of the 3rd movement of the
5th symphony appears in James Horner's ripped off soundtrack for
"Clear and Present Danger" however it isn't DSCH but a copy of
the great man. (this track also has copies of Horner's own "Aliens"
music as well as a sister to some music from "Star Trek III" *sigh*)

---

Apparently in the mini-series "Traffic" (about drugs) the chamber
symphonies (Opp.110a/118a) are used. This comes from Falstaff.

---

This is from Daniel Gowans 

 
The movie "The Shining" uses the first movement of his Symphony 11 
in the opening scenes.  It isn't purely symphonic, it had been adaped
a little to different instruments, but it was unmistakaeable...

---

6. Books of interest to Shostakovich Fans
=========================================

Below are listed some books that might be of interest to Shostakovich
Fans:


Testimony: The Memiors of Shostakovich - as related to and edited by S. Volkov
	(Paperback)
	Edited by: Solomon Volkov
	ISBN 0-571-11829-1
	Publisher: Faber and Faber, Ltd.

The New Shostakovich
	(Paperback)
	By: Ian McDonald	
	ISBN 0-19-284026-6
 	Publisher: Oxford University Press

Shostakovich: A Life Remembered
	(Hardcover)
	By: Elizabeth Wilson
	ISBN 0-571-15393-3
	Publisher: Faber and Faber, Ltd

Galina-A Russian Story
	(Autobiography of Galina Vishnevskaya)
	ISBN 0-15-634320-7
	Publisher: Harcourt Brace Jovanovich
	Translation into English: Guy Daniels

Shostakovich Symphonies
       By: Hugh Ottaway
       Publisher: University of Washington and BBC

Shostakovich, The Man and his Music
       Edited by: Christopher Norris

DSCH: A Catalog, Bibliography and Discography
       By: Derek C. Hulm
       (the preface was by Irina Shostakovich, not the book itself)
       Publisher: Oxford University Press (Second Edition)


7. The "DSCH Journal" - a newsletter!
=====================================

Apparently there is a DSCH newsletter out there, called the DSCH Journal.
Here is the address to write to for more information:

DSCH Journal, 
D.C.McDonald, 
112 Yerba Santa Avenue, 
Los Altos, CA, 94022 
United States.

Apparently there is also a european address.
This information comes from LUISI@CUNYVM.CUNY.EDU.


8. Contributors to This FAQ
===========================

I would like to thank the following people for their input to this FAQ:

Tom McDonald, Sun Microsystems.
Justin Paulson <justin@sccs.swarthmore.edu>
Peter Herweijer <pieterh@sci.kun.nl>
Igor Zamberlan <igor@frege.mrg.dist.unige.it>
Robert Begley <rbegley@clpd.Kodak.Com>
Rainer Kalliany <rkallian@email.tuwien.ac.at>
Ed Oswalt <oswalt@netcom.com>
Christopher Colby  <acid+@cs.cmu.edu>
Timothy S Harris <tsh@world.std.com>
JAMES MICHAEL BLACK <blackj@ecf.toronto.edu>
Michael Good <mdgood@netcom.com> 
Holbrook Robinson <binso@lynx.dac.neu.edu>
Nico Verwer <nico@and.nl>   
V.-P. Tahvanainen <vpt@jytko.jyu.fi>
Erik Ekholm <d89-eek@nada.kth.se>
Chris Hillman <hillman@math.washington.edu>
Louis Blois <LUISI@CUNYVM.CUNY.EDU>
Falstaff <Falstaff@Tiberius.csa.com>
Daniel Gowans <daniel.gowans@m.cc.utah.edu>
Daria Wieczorek <Daria.Wieczorek@informatik.med.uni-giessen.de>

-- 
Richard A. Muirden, Sys. Admin |Fan of Shostakovich, "Star Trek" and the Boeing
Mailto: richard@rmit.EDU.AU    |777 (launch: May 15, 1995 - United Airlines).  
Phone: (+61 3) 660 3814        |I created alt.fan.shostakovich! Fly: UA,QF,WN
http://www.rmit.edu.au/richard |Can *YOU* beat my 99 Shost CD's? :-)
