@DATABASE The Problem Files Guide @REMARK Written by The Problem Stories Dept... @REMARK Distributed with every release from The Problem Collective. @REMARK ©1994-1995 by The Problem Stories Dept. All Rights Reserved. @REMARK Created using the The Problem ASCII-Editor! @FONT topaz.font 8 @HELP Help @NODE Main "TP-Files.Guide" @REMARK Created using The Problem's ASCII Editor! @{fg shine}@{b}The Problem Stor@{bg text}ies Depart@{bg back}m@{bg text}ent @{bg back}Pre@{bg text}sents: @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK MusicHome} Mus@{bg text}ic Department @{bg back} @{" " LINK GraphicsHome} Gr@{bg text}aphics Department @{bg back} @{bg text} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK CodeHome} C@{bg text}od@{bg back}i@{bg text}ng @{bg back}Department @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg text} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK StoryHome}@{bg text} S@{bg back}to@{bg text}ri@{bg back}es Depart@{bg fill}me@{bg back}n@{bg text}t @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg text} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK CommsHome}@{bg text} @{bg back}Co@{bg text}mm@{bg back}s Depar@{bg shine}@{fg text}t@{bg fill}@{fg shine}m@{bg shine}@{fg text}e@{bg fill}@{fg shine}n@{bg back}t@{ub} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} Ab@{bg back}out This Gu@{bg text}ide@{bg back} @{" " LINK AboutGuide} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} List Of @{bg text}Al@{bg back}l Artists i@{bg text}n T@{bg back}PC @{" " LINK Artists} @{bg text} @{bg back} List Of @{bg text}All@{bg back} Joint Efforts By T@{bg text}he P@{bg back}roblem Col@{bg text}lec@{bg back}tive @{" " LINK Joint} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} How To C@{bg text}ontac@{bg back}t Them @{" " LINK Contact} @{bg text} @{bg back} @{bg text} H@{bg back}o@{bg text}w did all th@{bg back}is happen? @{" " LINK Story} @{bg text} @{bg back} Respect to... @{" " LINK Respect}@{fg text} @ENDNODE @NODE Help "Help me, I'm stupid!" @{fg text}@{b}The@{ub} @{b}'The@{ub} @{b}Problem@{ub} @{b}Files@{ub} @{b}Guide'@{ub} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back}@{b}This guide is build u@{bg fill}p out o@{bg back}f several parts:@{ub} @{bg fill} @{bg back}On the @{b}main@{ub} @{b}pag@{bg fill}e@{ub} yo@{bg back}u see the names of all the de@{bg fill}partm@{bg back}ents of the @{b}The Problem@{ub} @{b}Collecti@{bg fill}ve@{ub}. @{bg back} If you choose one you will be taken t@{bg fill}o th@{bg back}e @{b}homepage@{ub} of that department@{bg fill}. @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg fill} @{bg back}From there @{bg fill} yo@{bg back}u @{bg shine}m@{bg back}ay p@{bg shine}r@{bg back}oc@{bg shine}e@{bg back}ed fur@{bg shine}t@{bg back}her in@{bg shine}t@{bg back}o th@{bg shine}e@{bg back} g@{bg shine}u@{bg back}ide. @{bg shine} @{bg back}If y@{bg fill}ou @{bg back}press the @{b}[Contents]@{ub} @{bg fill}bu@{bg back}tton@{bg shine} @{bg back} (top@{bg shine} @{bg back} l@{bg shine}e@{bg back}ft yo@{bg shine}u@{bg back} will @{bg shine}b@{bg back}e tak@{bg shine}e@{bg back}n t@{bg shine}o@{bg back} th@{bg shine}e@{bg back} main @{bg fill}pa@{bg back}ge of the department @{bg fill}yo@{bg back}u sel@{bg shine}e@{bg back}cted.@{bg shine} @{bg back} I@{bg shine}f@{bg back} you pr@{bg shine}e@{bg back}ss @{b}[Con@{bg shine}t@{bg back}ents]@{bg shine}@{ub} @{bg back}aga@{bg shine}i@{bg back}n, @{bg shine}y@{bg back}ou will@{bg fill} r@{bg back}eturn to the main pa@{bg fill}ge@{bg back}. @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg fill} @{bg back}You can u@{bg fill}se@{bg back} the@{bg shine} @{bg back} @{b}[Ret@{bg shine}r@{bg back}ac@{bg shine}e@{bg back}]@{ub} butto@{bg shine}n@{bg back} to ret@{bg shine}u@{bg back}rn to the previous pa@{bg fill}ge@{bg back}, or the @{b}[Browse]@{ub} bu@{bg fill}tt@{bg back}ons @{bg shine} @{bg back}to c@{bg shine}y@{bg back}cl@{bg shine}e@{bg back} throu@{bg shine}g@{bg back}h all @{bg shine} @{bg back}the pages@{bg shine} i@{bg back}n this@{bg fill} g@{bg back}uide (not recommended)@{bg fill}. @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back}Press the @{b}[Hel@{bg fill}p]@{ub} @{bg back}button to see this page again. You can ex@{bg fill}it @{bg back}this page by pressing any of @{bg fill}the @{bg back}buttons except for @{b}[Help]@{ub}. @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @ENDNODE @NODE Aalten "TP-Files.Guide:Aalten" @{fg fill}A Place Called... @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg text} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg text} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{fg shine}Aalten? What's that I hear you say...Well, we're no@{bg fill}t sure. Tak@{bg back}e a left turn at Grobbendonk, and then the third road on@{bg fill} your r@{bg back}ight. Don't accelerate to much, because if you brake at too high sp@{bg fill}eeds upo@{bg back}n seeing the plate with Aalten on it, YOU ARE ALREADY THROUGH IT!!! @{bg fill} @{bg back} @{bg fill} @{fg text}@{bg back} @ENDNODE @NODE BuglesText "TP-Files.Guide:BuglesText" @{fg text}@{b}Bugles@{ub} @{bg shine} @{bg back}Bugles are very crispy snacks, produced by a@{bg shine} com@{bg fill}@{fg shine}pany c@{bg shine}@{fg text}alle@{bg back}d Smiths. They are currently destroying their reputatio@{bg shine}n (@{bg fill}@{fg shine}g@{bg shine}@{fg text}o@{bg text}@{fg shine}od rep@{bg fill}uta@{bg shine}@{fg text}ti@{bg back}on) by giving Bugles a new (stupid) name: 3Ds!!! @{bg shine} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg shine} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg shine} @{bg back}The Problem is NOT happy with that, @{bg fill}@{fg shine}b@{bg shine}@{fg text}e@{bg fill}@{fg shine}c@{bg shine}@{fg text}au@{bg fill}@{fg shine}s@{bg shine}@{fg text}e they@{bg fill} @{fg shine}su@{bg shine}@{fg text}pp@{bg fill}@{fg shine}o@{bg shine}@{fg text}rte@{bg text}@{fg shine}d t@{bg fill}h@{bg text}ese@{bg fill} w@{bg shine}@{fg text}ond@{bg back}erful Bugles in almost all of their modu@{bg shine}les. Hell, t@{bg fill}@{fg shine}h@{bg shine}@{fg text}ey even nam@{bg text}@{fg shine}ed o@{bg fill}n@{bg text}e @{bg fill}of @{bg shine}@{fg text}th@{bg back}eir modules after them... @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg shine} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg shine} @{bg back}All of the artists notice@{bg fill}@{fg shine}d@{bg shine} @{fg text}tha@{bg fill}@{fg shine}t the@{bg shine} @{fg text}t@{bg fill}@{fg shine}a@{bg shine}@{fg text}ste @{bg fill}@{fg shine}o@{bg shine}@{fg text}f t@{bg fill}@{fg shine}he (@{bg shine}@{fg text}fo@{bg fill}@{fg shine}rmer)@{bg shine} @{bg fill}Bugl@{bg shine}@{fg text}es @{bg text}@{fg shine}i@{bg fill}s@{bg text} s@{bg fill}lo@{bg shine}@{fg text}wl@{bg back}y changing into somethin@{bg shine}g @{bg fill} @{bg shine}u@{bg fill}@{fg shine}n@{bg shine}@{fg text}de@{bg fill}@{fg shine}f@{bg shine}@{fg text}in@{bg fill}@{fg shine}a@{bg shine}@{fg text}b@{bg fill}@{fg shine}le@{bg shine}@{fg text},@{bg fill} @{bg shine}t@{bg fill}@{fg shine}ha@{bg shine}@{fg text}t@{bg fill} @{fg shine}un@{bg shine}@{fg text}d@{bg fill}@{fg shine}oubta@{bg shine}@{fg text}b@{bg fill}@{fg shine}ly S@{bg shine}@{fg text}mit@{bg fill}@{fg shine}hs ar@{bg shine}@{fg text}e call@{bg back}ing 3D... @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg shine} @{bg fill} @ENDNODE @NODE Love "TP-Files.Guide:Love" LOVE@{fg shine}LOVE@{fg text}LOVELOVELOVELOVE@{fg shine}LOVELOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVELOVELOVE@{fg text}LOVE LOVE@{fg shine}LOVE@{fg text}LOVELOVELOVE@{bg fill}LOVE@{fg shine}LOVELOVE@{bg back}@{fg text}LOVELOVE@{fg shine}LO@{bg fill}VE@{fg text}LOVELOVE@{fg shine}LO@{bg back}VE@{fg text}LOVE@{fg shine}LOVELOVELOVE@{fg text}LOVE LOVE@{fg shine}LOVE@{fg text}LOVELOVE@{bg fill}LOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOV@{bg back}E@{fg text}LOV@{bg fill}E@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LO@{bg back}VE@{fg shine}LOVE@{fg text}LOVELOVELOVE LOVE@{fg shine}LOVE@{fg text}LOVE@{bg fill}LOVELOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{bg back}@{fg text}LO@{bg fill}VE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LO@{bg back}VE@{fg text}LOVELOVELOVE LOVE@{fg shine}LOVE@{fg text}L@{bg fill}OVELOVELOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}L@{bg back}OVELOVELOVE LOVE@{fg shine}LOVE@{bg fill}@{fg text}LOVELOVELOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LO@{bg back}VELOVELOVE LOVE@{fg shine}LOVE@{bg fill}@{fg text}LOVELOVELOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LO@{bg back}VELOVELOVE LOVE@{fg shine}LOVE@{fg text}L@{bg fill}OVELOVELOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}L@{bg back}OVELOVELOVE LOVE@{fg shine}LOVE@{fg text}LOV@{bg fill}ELOVELOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOV@{bg back}ELOVE@{fg text}LOVELOVE LOVE@{fg shine}LOVE@{fg text}LOVEL@{bg fill}OVELOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}L@{bg back}OVELOVE@{fg text}LOVELOVE LOVE@{fg shine}LOVE@{fg text}LOVELOV@{bg fill}ELOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOV@{bg back}E@{fg shine}LOVE@{fg text}LOVELOVELOVE LOVE@{fg shine}LOVE@{fg text}LOVELOVELO@{bg fill}VE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{bg back}@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVELOVE LOVE@{fg shine}LOVE@{fg text}LOVELOVELOVE@{bg fill}@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVE@{fg shine}LO@{bg back}VE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVELOVE LOVE@{fg shine}LOVE@{fg text}LOVELOVELOVE@{fg shine}LO@{bg fill}VE@{fg text}LOVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVE@{bg back}@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVELOVE LOVE@{fg shine}LOVE@{fg text}LOVELOVELOVE@{fg shine}LOVE@{fg text}L@{bg fill}OVELOVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVEL@{bg back}OVE@{fg shine}LOVE@{fg text}LOVE@{fg shine}LOVE@{fg text}LOVELOVELOVE LOVE@{fg shine}LOVE@{fg text}LOVELOVELOVE@{fg shine}LOVE@{fg text}LOV@{bg fill}ELOVE@{fg shine}LOVE@{fg text}LOVEL@{fg shine}OVEL@{fg text}OV@{bg back}ELOV@{fg shine}ELOV@{fg text}ELOVE@{fg shine}LOVE@{fg text}LOVELOVELOVE LOVE@{fg shine}LOVE@{fg text}LOVELOVELOVE@{fg shine}LOVE@{fg text}LOVEL@{bg fill}OVE@{fg shine}LOVE@{fg text}LOVELO@{fg shine}VEL@{bg back}O@{fg text}VELO@{fg shine}VELO@{fg text}VELOVE@{fg shine}LOVE@{fg text}LOVELOVELOVE LOVE@{fg shine}LOVELOVELOVELOVE@{fg text}LOVE@{fg shine}LOVELOVE@{bg fill}@{fg text}LOVELOVELO@{bg back}V@{fg shine}ELOVELOVEL@{fg text}OVELOVE@{fg shine}LOVELOVELOVE@{fg text}LOVE LOVE@{fg shine}LOVELOVELOVELOVE@{fg text}LOVE@{fg shine}LOVELOVE@{fg text}LO@{bg fill}VELOVE@{bg back}LOVE@{fg shine}LOVELOVE@{fg text}LOVELOVE@{fg shine}LOVELOVELOVE@{fg text}LOVE LOVELOVELOVELOVELOVELOVELOVELOVELOVE@{bg fill}LO@{bg back}VELOVELOVELOVELOVELOVELOVE...etc. @ENDNODE @NODE Minds "TP-Files.Guide:Minds" @{b}Synchronized Minds@{ub} Synchronized Minds, Synchronizierte Gehirne, Cervelles Synchronize etc. (Are ya pulling me leg? Don't let the french and germans find out about this! -Ed.) quite simply means that the original TP members do and say the same things at the same time; Their minds are synchronized so to say... (It's all of bollocks to me! This was never my intention! -God) @ENDNODE @NODE MusicHome "TP-Files.Guide:MusicHome" @{fg text}@{b}The Problem Music Department Home Page. @{ub} @{" " LINK Warning} @{b}Warning!!!@{ub} @{bg fill} @{bg back} Some guys have been ripping us off, a note from th@{bg fill}e manageme@{bg back}nt. @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{" " LINK Remix} @{b}The Remix Project.@{ub} @{bg fill} @{bg back} @{bg fill} @{bg back} The Problem Music Dept. offers a remix service for@{bg fill} @{bg back}your mods! @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{" " LINK MusicNews} @{b}Music News.@{ub} @{bg fill} @{bg back} @{bg fill} @{bg back} All the latest gossip, rumours, and sneak-pr@{bg fill}eviews.@{bg back}.. @{bg fill} @{bg back} @{bg fill} @{bg back} @{" " LINK Modules} @{b}The Modules@{ub} @{bg fill} @{bg back} All their work at the click of a button. @{" " LINK Tracker} @{b}What about all these new trackers?@{ub} Love 'm, hate 'm or just leave them at your local BBS? @{" " LINK MusicRev} @{b}Module Reviews @{ub} The Problem's team of experts review the best modules in the scene! @{ub}@{uu}@{fg text}@{bg back} @ENDNODE @NODE Warning "TP-Files.Guide:MusicHome/Warning" @FONT Times.font 13 @{b}WARNING!!! Some guys that call themselves No Problem, have been releasing some of our stuff that was not meant for release (yet). We take no responsability! @{u}The Problem completely condemns this release.@{uu} Steer clear of this archive: Name: Size: NoProblem . Lha 657078 @{ub} One way or another, they have succeeded in putting this archive into the @{b}The Problem@{ub} specific area at our regular BBSes. Some of the material is actually pirated! Mod.06-Solutions was scheduled for a commercial release later this year, as part of a company presentation! The company concerned is after these guys called No Problem with a legal suit. They also claim that they got their hands on a top-secret omega-version of the wonderful all new TP-Files.Guide. We at @{b}The Problem@{ub} management are under the suspicion that this is not actually true, and that something went wrong along the way. One of the problems is that under the Free-BBS law, no upload may be deleted, no matter who the uploader is. Only when the upload itself is a trojan-horse or virus, it can be removed. Copyrighted software can also be removed but as these modules weren't fit for release yet, no copyright had been filed by The Problem. We apologise for any inconveniences caused by downloading this package, which, by the way, we think looks very unpolished indeed, but we are not liable for them. At the moment, we are looking for ways to put the culprits behind bars. They or their acomplices did break into the @{b}The Problem@{ub} Music HQ and quite possibly also into @{b}The Problem@{ub} Comms HQ. We also think we have found the mole inside @{b}The Problem@{ub} Stories Dept. and are questioning him at this moment. We hope all this can be settled and done with quickly and without a lot of fuss. @{b}The Management.@{ub} @ENDNODE @NODE Tracker "TP-Files.Guide:MusicHome/Tracker" @{b}Trackers@{ub} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text}@{fg shine}@{u} @{bg back}@{uu} @{bg text}@{u} @{bg back}@{uu} @{bg text}@{u} @{bg back}@{uu} @{bg text}@{u} @{bg back}@{uu} @{bg text}@{u} @{uu}@{fg text} @{bg back} @{fg text}00@{fg fill}|@{u}---@{uu}|@{fg text}000000 --- 000000 --- 000000 --- 000000 @{bg text}@{fg back}01@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000 @{bg back} @{bg text}02@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000 @{bg back} @{bg text}03@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000 @{bg back} @{bg text}04@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000 @{bg back} @{bg text}05@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000 @{bg back} @{bg text}06@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000@{bg back} @{bg text}--- 000000 @{fg text}@{bg back} @{b}As you know, we use ProTracker to compose our mods. But there are many others around (MusicLine Editor, OctaMed, Cybertracker, Symphony, to name but a few). Now why do we stay with ProTracker then?@{ub} Well, the other packages often seem to miss their purpose somehow. Some are simply too simple, others are too complicated (user-friendliness does everything for a tracker). Others boast 256 channels, 16-bit sample support, Multiple Quadradrilloscopes, Unusable Synthsound-editors, Built-in Microwave Ovens and Kitchen Sinks. Do we need all this? Do we? No we don't need all this! What we need is 6 or 8 non-processor destroying channels, because (honestly) what do you think you are going to be doing with 256 channels (You will have died of old age before finishing the first two patterns). Just think, even if you wanted to recreate the complete works of Bach, in the version as played by the New York Philharmonic, still all those channels wouldn't be necessary (I don't think they've got this many different instruments, do you?). Now I hear you say: @{i}"But I need at least half of those channels to create stereo modules".@{ui} Well, you don't! Just hook up your Amiga to an amplifier that has a button. Press the button to convert the 'Amiga-stereo' into mono. @{i}"I want stereo!"@{ui} Yes you do! But when you create a module with that so-called stereo, what most of you do is copying the first half of the channels to the other channels. And that my friends results in: MONO! (same thing through both speakers=Mono, same story as with the aforementioned button) @{i}"I ain't got no button!" @{ui} Shut up will you ?! We're getting to that now: Buy a Y-shaped cable... It's got two male plugs on one end, and one on the other. Connect the two-side end to the Amiga and the... @{i}"Yeah Yeah I get it..."@{ui} If don't want mono, you want stereo. Mmmm, try @{"this" LINK Stereo} Now: On with the show. 16 bit sample support. Great huh? Not really! There are still no decent soundcards that support 16 bit samples on multiple channels at a reasonable price. What's the use of a 16 bit module when virtually no-one is able to hear it in it's full glory? All these new options have been made possible by reducing the usefulness and ease of use. Next to that, various other options have been omitted. @{b}The final conclusion:@{ub} All these nice features will have some use later on, but not at the present time. Most of these programs seem to have been coded around a certain option, as if to show off the talent of the coder. The usefulness of these trackers is doubtful to say the least. In operation they have not benefitted from all these new things. @{" " LINK Progrev} @{b}We compare most new trackers to PT and eachother. @{" " LINK LikeTrac} What we'd like to see in a tracker.@{ub} @ENDNODE @NODE Stereo "TP-Files.Guide:MusicHome/Tracker/Stereo" @{b}Stereo@{ub} Well, sort of... If you wire up your Amiga to a mixer (with at least 3 channels. 4 is also possible...) and the mixer to your amplifier, just like in the picture: @{fg text}@{b}M I X@{ub} @{b}E@{ub} @{b}R @{ub} +------------------------------------+ +------+ | @{b}I@{ub} @{b}N@{ub} @{b}:@{ub} | @{b}O@{ub} @{b}U@{ub} @{b}T@{ub} @{b}:@{ub} | | @{b}A@{ub} | +------------------------+-----------+ | @{b}M@{ub} | | @{bg shine}@{fg text}O@{bg back}@{fg fill}@{b}-+@{ub} @{fg shine}@{b}O@{ub} @{fg text}@{b}+---@{bg shine}@{fg back}@{ub}O@{bg back} @{fg text}@{b}L@{ub} | @{bg fill}@{fg back}@{b}O@{bg back}@{fg text}--------------@{ub}|@{bg shine}@{fg text}@{b}O@{bg back}@{ub} @{fg text}@{b}P@{ub} | | @{fg fill}@{b}|@{ub} @{fg text}@{b}|@{ub} | | | @{b}L@{ub} | | @{b}1@{ub} @{fg fill}@{b}|@{ub} @{fg text}@{b}2@{ub} @{b}|@{ub} @{b}3@{ub} | | | @{b}I@{ub} | | @{fg fill}@{b}\ @{fg text}|@{ub} | | | @{b}F@{ub} | | @{b}+-@{bg shine}@{fg text}@{ub}O@{bg back} @{fg text}@{b}+@{fg fill}\ @{fg text}-@{bg shine}@{fg back}@{ub}O@{bg back} @{fg text}@{b}+@{ub} @{bg shine}@{fg text}O@{bg back} @{fg text}@{b}R@{ub} | @{bg fill}@{fg back}@{b}O@{bg back}@{fg text}--------------@{ub}|@{bg shine}@{fg text}@{b}O@{bg back}@{ub} @{fg text}@{b}I@{ub} | | @{b}|@{ub} @{b}/@{ub} @{fg fill}@{b}|@{ub} @{fg text}@{b}/@{ub} | | | @{b}E@{ub} | | @{b}|@{ub} @{b}/@{ub} @{fg fill}@{b}|@{ub} @{fg text}@{b}/@{ub} | | | @{b}R@{ub} | | @{b}|@{ub} @{b}|@{ub} @{fg fill}@{b}|@{ub} @{fg text}@{b}|@{ub} | | | | +---@{b}|@{ub}-@{b}|@{ub}----@{fg fill}@{b}|@{ub} @{fg text}@{b}|@{ub}-----------------------+ +------+ @{b}|@{ub} @{b}|@{ub} @{fg fill}@{b}|@{ub} @{fg text}@{b}| @{ub} @{b}|@{ub} @{b}|@{ub} @{fg fill}@{b}|@{ub} @{fg text}@{b}| @{ub} @{b}\ /@{ub} @{fg fill}@{b}\ @{fg text}/ @{ub} @{b}Y@{ub} @{b}Y @{ub} @{b}|@{ub} @{b}| @{ub} @{b}|@{ub} @{b}| @{ub} +------@{b}|@{ub}------@{b}|@{ub}--------+ | @{b}L@{ub} @{bg fill}@{fg back}@{b}O@{bg back}@{ub} @{fg text}@{b}R@{ub} @{bg fill}@{fg back}@{b}O@{bg back}@{ub} @{fg text}| | | | AMIGA SOUND OUT | +----------------------+ Now you can change to volume of the "Amiga-Stereo" with slider 1 and with sliders 2 and 3 you can change the amount of "left" you mix with "right" and vice-versa. @ENDNODE @NODE Progrev "TP-Files.Guide:MusicHome/Tracker/Progrev" @{b}Test of most of the new trackerclones.@{ub} (PT means Protracker 3.15) @{b}MusicLine Editor@{ub} @{u}Positive:@{uu} -Really nice options for synths-sound, like the ability to change it's phase resulting in a 303 like effect. -Patterns are now defined for each channel instead of X channels at the same time. -5 places for effect-commands. @{u}Negative:@{uu} -Because of the new pattern definition it is impossible to see what's playing. -No timer. -8 channel routine and 5 fx-commands need to much processor power. @{u}Comparison to PT:@{uu} PT is (ofcourse) much faster in operation. PT doesn't have the quite useful synth option, but Music Line Ed. has no sample-editing options and the synth format is not given. So what's the use if you can't make your own? @{b}OctaMed (V6)@{ub} @{u}Positive:@{uu} -Rather good 8 channel support. -Better interface then in previous versions. -Lots of configurable options, without the need to configure if you don't want to. -Support for multiple sample formats @{u}Negative:@{uu} -Still the strange speed format (SPD and BPM) that changes when you use 8 channels. Why not just use BPM and use it in a way that 134 BPM is actually 134 BPM ALSO IN 8 CHANNEL MODE! -The Med file-format is not really a standard. Perhaps the author should consider implementing something like S3M or XM file formats. -The stupid synth-editor still hasn't been reworked. It should be, else: just kill it. -Quite expensive. Time will tell wether it's worth it or not. @{u}Comparison to PT:@{uu} We were really surprised about this one. We really hated V4 and V5 because of all those buttons clogging up the screen. Not only did there used to be lots of buttons, but they used to be lined up in illogical ways. The new interface is really functional. Only the really needed buttons are there. It's screen/window update is quite fast, making this program starting to look like a decent alternative for PT perhaps in V7. @{b}Cybertracker@{ub} @{u}Positive:@{uu} -Modular structure. At the moment 4 channel and 16 channel support. New sound-modules can be added by putting them inside a specific directory. -Sample editing and other program elements are modules aswell. Anyone can program a new sample or synth editor to be easily added to the program. @{u}Negative:@{uu} -The interface looks a bit TOO clean. It's the most spartan interface we've ever seen. -Not much options in the menus. Perhaps the program relies to much on it's modular structure to have lots of options in the main program. -Almost non-existant documentation. @{u}Comparison to PT:@{uu} This program claims NOT to be a PT clone. It doesn't look like one either. Still the program is not really easy to use and having to load the sample/synth-editing program separately (both are not really that good, esp. not in the options department) instead of having the ability to load them in through a menu option in the program or to automatically preload them is not good. In PT you can quickly flip to the sample editing screen to change your sample a bit, now this needs much more work and a constant flipping of screens. @{b}Symphony@{ub} @{u}Positive:@{uu} -A completely new approach. -Non destructive sample usage. This a useful option because of: -The ability to "render" the module onto your HD in one huge 16 bit 48Khz sample (DAT quality) -Virtual samples. Quite tremendous! Take for example a sample you need to be played both forwards and backward. Normally you'd need disk-space for two samples. Now you can use a virtual sample that uses the sample data of a real sample, but with some effects you chose, let loose on it. These samples are recalculated each time you load the module saving diskspace. -Loads of other options @{u}Negative:@{uu} -Very bad manual -Memory hungry -The demoversion is not really capable of doing anything but playing the available mods. -Usefulness of the software DSP in this form is very doubtful. -Very expensive!!! @{u}Comparison to PT:@{uu} Almost impossible. We couldn't test the ease of use of this program since demoversion only seems to be a player. We could only play around with the sample-editor and the software DSP. The DSP works (nice fx but you can't change them in the module) but the sample-editor hasn't got many options. From the looks of it the interface is not really easy to use at all. The manual doesn't help on this subject, it only raves about the "terrific new things" in the program, the philosophy behind it and the price of the real version. @{b}Quadra Composer@{ub} @{u}Positive:@{uu} -Lots of sample editing options. (Like the cool 3D display!) -Nice interface, not to many buttons. -The brilliant resample option. (Put 4 channels of sound into one sample! Useful for for example drums!) (Why didn't they think of this before?) -Non destructive sample editing. (Uses a buffer that is only changed permanently when you say so!) -Online help! -Doesn't claim to be anything more than a tracker. -Virtually no important negatives. @{u}Negative:@{uu} -Is not capable of playing lots of sample offset commands (9xx) after eachother. -Perhaps sometimes too many windows. -Sample-editing window should have been resizeable. @{u}Comparison to PT:@{uu} At the moment this is the only real and cheap alternative to PT! It's easy to use, and has lots of useful options to play around with. @{u}End conclusion:@{uu} Most PT clones aren't worth your while, at least not yet. Quadra Composer and Med V6/V7 are the only trackers that are or could be PT successors. @ENDNODE @NODE LikeTrac "TP-Files.Guide:MusicHome/Tracker/LikeTrac" @{b}What TP's Musicians would like to see in a tracker@{ub} -6 or 8 channels (max!). -Fast in operation. (Not having to wait for hours for the buttons to redraw) -Virtual samples. -Good sample editor with lots of @{b}useful@{ub} effects like phasers and vocoder and timestretching -Comprehensible synth-editor. -Synth options ala Music Line Editor. -Able to load more that 32 samples. -Clean interface but not too clean. 'Thought out' is a better word. -Click and drag pattern-sequencer. -Multiple (3 perhaps 4) channels for effects. -A general effects channel. (For example: Phase the whole pattern!) -Able to use different fonts for each window. So a big font for for example the pattern-editor and a smaller ont for the rest. -Non destructive sample usage like Symphony. As you see, our ultimate tracker would be a bit of a hybrid... @ENDNODE @NODE Remix "TP-Files.Guide:MusicHome/Remix" @{b}The Problem Remix Project@{ub} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back}@{fg shine}So you@{bg text} think y@{bg back}ou ar@{bg text}e@{bg fill} a good@{bg text} @{bg back}modul@{bg text}e@{bg fill}-compos@{bg text}e@{bg back}r, h@{bg text}u@{bg fill}h? Wel@{bg text}l@{bg back}, per@{bg text}haps you @{bg back}are. Talent @{bg text}can be ju@{bg back}st ar@{bg text}o@{bg fill}und the@{bg text} @{bg back}corne@{bg text}r@{bg fill} these @{bg text}d@{bg back}ays!@{bg text} @{bg fill} (What @{bg text}c@{bg back}orner@{bg text}? Let's @{bg back}have a look!@{bg text} @{bg fill} -Ed.)(@{bg text}S@{bg back}hut U@{bg text}p Ed.!!! @{bg back} -TP @{bg text}S@{bg fill}tories @{bg text}D@{bg back}pt.)@{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back}If you@{bg text} @{bg fill}think y@{bg text}o@{bg back}u're @{bg text}good, we'@{bg back}d lik@{bg text}e@{bg fill} to kno@{bg text}w@{bg back} imm@{bg text}ediately,@{bg back} beca@{bg text}u@{bg fill}se... @{bg text}I@{bg back}f we think w@{bg text}e@{bg fill} can do@{bg text} @{bg back}somet@{bg text}h@{bg fill}ing wit@{bg text}h@{bg back} your@{bg text} @{bg fill}work, w@{bg text}e@{bg back} wil@{bg text}l do a re@{bg back}mix f@{bg text}o@{bg fill}r you!!@{bg text}! @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back}Yups! @{bg text} @{bg fill}You re@{bg text}a@{bg back}d th@{bg text}a@{bg fill}t corre@{bg text}c@{bg back}tly! @{bg text} We will @{bg back}remi@{bg text}x@{bg fill} and re@{bg text}l@{bg back}ease @{bg text}i@{bg fill}t under@{bg text} @{bg back}your name, a@{bg text}n@{bg fill}d menti@{bg text}o@{bg back}n you@{bg text} @{bg fill}in our @{bg text}b@{bg back}ig Th@{bg text}e Problem@{bg back} Fil@{bg text}e@{bg fill}s Guide@{bg text}.@{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back}If you@{bg text} @{bg fill} want @{bg text}o@{bg back}ne of@{bg text} @{bg fill}your mo@{bg text}d@{bg back}ules @{bg text}r@{bg fill}emixed @{bg text}b@{bg back}y Th@{bg text}e@{bg fill} Proble@{bg text}m@{bg back}, jus@{bg text}t@{bg fill} upload@{bg text} @{bg back}your module @{bg text} @{bg fill}to The@{bg text} @{bg back} Twil@{bg text}i@{bg fill}ght Zo@{bg text}n@{bg back}e on@{bg text} @{bg fill} +31-(0@{bg text})@{bg back}20-6@{bg text}7@{bg fill}64584 w@{bg text}i@{bg back}th a @{bg text}t@{bg fill}ag that@{bg text} @{bg back}says somethi@{bg text}n@{bg fill}g like @{bg text}'@{bg back}Remix@{bg text} @{bg fill}me! Re@{bg text}m@{bg back}ix me@{bg text}!@{bg fill}'. We @{bg text}c@{bg back}an't@{bg text} @{bg fill}promise@{bg text} @{bg back}you t@{bg text}h@{bg fill}at ever@{bg text}y@{bg back} mod will ge@{bg text}t@{bg fill} remixe@{bg text}d@{bg back}, but@{bg text} @{bg fill}if you'@{bg text}r@{bg back}e luc@{bg text}k@{bg fill}y... @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{ub}@{uu}@{fg text}@{bg back} @ENDNODE @NODE MusicNews "TP-Files.Guide:MusicHome/MusicNews" @{b}What else is new?@{ub} *Ofcourse you've all seen our latest release, The Australia EP!!! (Hell, this guide came with it!). The Music Department are now working on several remixes for other people (See @{"Remix Project" LINK Remix}) and are also planning a biiiiiig piece of music, like for example the Future Sound of London which will last for about 30 min.!!! *Next to this, there are plans to make a video that explains how to make good (house-)music with your computer and perhaps even a videoclip to go with it. *If you want a @{"remix" LINK Remix} of your mod and if you have any ideas for modules, let us know!!! (See @{"Contact" LINK Contact}) @ENDNODE @NODE Modules "TP-Files.Guide:MusicHome/Modules" @{b}All the modules....EVER! (by the problem) These are all our modules, listed in streams. Each stream has it's own explanation, and includes links to all the modules the Music Dept. made in this style. Also there are some record tips for you to check out! @{ub} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{" " LINK Club} @{b}Club/Mellow@{ub} @{bg fill} @{bg shine} @{bg fill} @{bg back} The Club sound redefined! @{b}The Problem@{ub} takes control... @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} @{" " LINK Techno} @{b}Techno/Trance@{ub} @{bg fill} @{bg back} @{bg text} @{bg back} Mindblowing stuff, and no 2Unlimited member in sight! @{bg fill} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} @{" " LINK Jungle} @{b}Jungle/Breakbeat@{ub} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} The UK strikes back, TP reports... @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} @{" " LINK Replication} @{b}Replication@{ub} @{bg fill} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} From 12" and from CD, no track is safe for TP's replication mania! @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK Others} @{b}Others@{ub} Some tracks do not fit into the above categories. You'll find them here! @{" " LINK All} @{b}All Modules!@{ub} All modules on one page, in alphabetical order... @ENDNODE @NODE MusicRev "TP-Files.Guide:MusicHome/MusicRev" @{fg text}@{b}The Module Reviews...@{ub} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{fg shine}The Problem started @{bg text}out @{bg back} by making modules,@{bg text} and@{bg back} some say they are quite good. But they are@{bg text} no@{bg back} the only ones in the modu@{bg text}le-@{bg back}making bizz, there are others aswell. Som@{bg text}e @{bg back} of@{bg fill} @{bg back} th@{bg fill}e@{bg back}m @{bg fill}a@{bg back}re@{bg fill} @{bg back}ba@{bg fill}d@{bg back}, @{bg fill}s@{bg back}om@{bg fill}e @{bg back}wo@{bg fill}rse@{bg back} @{bg text}an@{bg back}d some actually quite good! In this pa@{bg text}ge@{bg back} we @{bg fill}wa@{bg back}n@{bg fill}t @{bg back}to@{bg fill} @{bg back}gi@{bg fill}v@{bg back}e@{bg fill} @{bg back}you@{bg fill} @{bg back}a v@{bg fill}i@{bg back}e@{bg fill}w@{bg back} of@{bg fill} @{bg back}w@{bg text}ha@{bg fill}t @{bg back}i@{bg fill}s g@{bg back}o@{bg fill}ing@{bg back} @{bg fill}on@{bg back} @{bg fill}in @{bg back}t@{bg fill}he @{bg back} modules scene, by@{bg text} @{bg back}nami@{bg fill}n@{bg back}g@{bg fill} @{bg back} @{bg fill}a@{bg back}nd@{bg fill} @{bg back}re@{bg fill}vi@{bg back}ewin@{bg fill}g@{bg back} to@{bg fill} @{bg back}b@{bg fill}e@{bg back}st @{bg fill}m@{bg back}o@{bg text}ds@{bg back} @{bg fill}o@{bg back}f@{bg fill} @{bg back}t@{bg fill}h@{bg back}e@{bg fill} @{bg back}r@{bg fill}e@{bg back}ce@{bg fill}n@{bg back}t@{bg fill} @{bg back}p@{bg fill}a@{bg back}st@{bg fill}. @{bg back} Ofcourse everythin@{bg text}g @{bg back} her@{bg fill}e@{bg back} i@{bg fill}s@{bg back} jus@{bg fill}t@{bg back} @{bg fill}o@{bg back}ur view@{bg fill} @{bg back}a@{bg fill}n@{bg back}d s@{bg fill}h@{bg back}o@{bg text}ul@{bg back}d@{bg fill} @{bg back}y@{bg fill}ou @{bg back}f@{bg fill}eel@{bg back} w@{bg fill}e@{bg back} @{bg fill}for@{bg back}go@{bg fill}t @{bg back} your module becau@{bg text}se@{bg back} you@{bg fill} @{bg back}thi@{bg fill}n@{bg back}k @{bg fill}w@{bg back}e @{bg fill}t@{bg back}ho@{bg fill}u@{bg back}gh@{bg fill}t@{bg back} it@{bg fill} @{bg back}wa@{bg fill}s c@{bg back}ra@{bg text}p @{bg back}(???? -Ed.) then let us know! We are @{bg text} p@{bg back}erhaps not the best modules-r@{bg text}ev@{bg back}i@{bg fill}ewe@{bg back}r@{bg fill}s, @{bg back}b@{bg fill}ut@{bg back} @{bg fill}we'@{bg back}l@{bg fill}l @{bg back}g@{bg fill}et @{bg back} there. Modules wil@{bg text}l @{bg back}be@{bg fill} @{bg back}lo@{bg fill}oke@{bg back}d @{bg fill}at @{bg back}in@{bg fill} a@{bg back} @{bg fill}nu@{bg back}mb@{bg fill}er@{bg text} of@{bg fill} @{bg back}d@{bg fill}i@{bg back}f@{bg fill}f@{bg back}e@{bg fill}r@{bg back}e@{bg fill}n@{bg back}t @{bg fill}w@{bg back}a@{bg fill}y@{bg back}s@{bg fill},@{bg back} l@{bg fill}i@{bg back}ke@{bg fill}: @{bg back} Style, Sample use, Use @{bg text}Of E@{bg fill}f@{bg back}f@{bg fill}e@{bg back}cts@{bg fill} @{bg back}e@{bg fill}t@{bg back}c. @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg text} @{bg back} @{" " LINK Review1} @{fg text}@{b}Emphutured @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK Review2} Ruler of Arakis @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK Review3} Oasis@{ub} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @ENDNODE @NODE Review1 "TP-Files.Guide:MusicHome/ModuleReviews/Review1" @{bg fill} @{bg back}@{b}@{fg text}Module: @{bg fill} @{bg back}Group:@{ub} @{bg fill} @{bg back}Emphutured @{bg fill} @{bg back}Gods @{bg fill} @{bg back}@{b}Composer: @{bg fill} @{bg back}Stream:@{ub} @{bg fill} @{bg back}C-Quence @{bg fill} @{bg back}House-like @{bg fill} @{bg fill} @{b}@{bg back}Downloaded at:@{ub} @{bg fill} @{bg back}@{"Penthe" LINK PentheBBS} @{bg fill} @{bg fill} @{bg back}@{b}Review:@{ub} This module is well composed, with a good usage of samples and effects. Shame about the samples itself, they are clearly ripped for The Prodigy's Voodoo People, too bad! The style is quite good, although sometimes perhaps a little too much is happening at the same time, and you lose track of the melody. Down it anyway! @ENDNODE @NODE Review2 "TP-Files.Guide:MusicHome/ModuleReviews/Review2" @{bg fill} @{bg back}@{b}Module: @{bg fill} @{bg back}Group:@{ub} @{bg fill} @{bg back}Ruler of Arakis @{bg fill} @{bg back}!RAMP! @{bg fill} @{bg back}@{b}Composer: @{bg fill} @{bg back}Stream:@{ub} @{bg fill} @{bg back}Tyrone @{bg fill} @{bg back}HardTrance @{bg fill} @{bg fill} @{bg back}@{b}Downloaded at:@{ub} @{bg fill} @{bg back}@{"Thunderdome" LINK ThunderBBS} @{bg fill} @{bg fill} @{bg back}@{b}Review:@{ub} Personally I think this is the best of all the !RAMP! productions I've heard so far (And I've heard quite a lot!). Good buildup, nice style! Not many effects are used, but they are not neccesary here, the module is good enough without them! Tyrone doesn't make the mistake of putting 5 or 6 melodies in one module, but instead one melody gets fully exploited making this a good trancer! @ENDNODE @NODE Review3 "TP-Files.Guide:MusicHome/ModuleReviews/Review3" @{bg fill} @{bg back}@{b}@{fg text}Module: @{bg fill} @{bg back}Group:@{ub} @{bg fill} @{bg back}Oasis @{bg fill} @{bg back}Stellar @{bg fill} @{bg back}@{b}Composer: @{bg fill} @{bg back}Stream:@{ub} @{bg fill} @{bg back}Strobo @{bg fill} @{bg back}House @{bg fill} @{bg fill} @{b}@{bg back}Downloaded at:@{ub} @{bg fill} @{bg back}@{"Penthe" LINK PentheBBS} @{bg fill} @{bg fill} @{bg back}@{b}Review:@{ub} My first reaction to this mod was almost "WOW!". Finally someone that knows how to make house-modules. Mod sounds a bit like Felix but it isn't. Next to the fact that he has made superb melodies and very good samples, the composer doesn't make the mistake of putting 50 melodies in one mod and holding them together with a few pieces of sticky tape. No! This mod has a few themes that return throughout the track and this makes it a very production! This is one of my favourite mods! .... congrats! @ENDNODE @NODE Thijs "TP-Files.Guide:Artists/Thijs" @{b}Solution@{ub} -------------------------------------------------------- Full first name : Thijs @{" " LINK ThijsQuote} Read his quote... Last name : Stalenhoef Town : @{"Aalten" LINK Aalten} Country : The Netherlands Telephone number : +31-(0)5437-72450 E-Mail : FIDO: 2:280/315.2 NLA: 14:102/101.2 AMY: 39:150/108.2 PMNet: 17:200/100.2 UUCP: solution@twilight.xs4all.nl Age : 18 Equipment : Standard A1200 165Mb HD 9600 baud modem ext. drive. Occupation : Student -------------------------------------------------------- Department : The Problem Music Dept. Function(s) : Module composer Sampler -------------------------------------------------------- Comment : One of the original TP Artists! His girlfriend is called @{"Jelma" LINK Love} @ENDNODE @NODE Alco "TP-Files.Guide:Artists/Alco" @{b}AlcoRhythm@{ub} -------------------------------------------------------- Full first name : Alco @{" " LINK AlcoQuote} Read his quote... Last name : Lammers Town : @{"Aalten" LINK Aalten} Country : The Netherlands Telephone number : +31-(0)5437-75746 E-Mail : N/A Age : 19 Equipment : Standard A1200 130MB HD @{"WS2 Keyboard Workstation" LINK WS2} Sampler, Midi-interface, Samsung Stereoset Occupation : Technician (Practical Year MTS) -------------------------------------------------------- Department : The Problem Music Dept. Function(s) : Module Composer Sampler -------------------------------------------------------- Comment : TP's #1 composer and original TP Artist @ENDNODE @NODE WS2 "TP-Files.Guide:Artists/Alco/WS2" @{bg shine} @{bg back} @{bg shine} @{bg text} @{fg shine}| @{bg shine}@{fg text}@{u}_ @{b}The GE@{bg back}@{uu}M WS2 - Keyboard/Workstation @{bg shine}@{u}_ @{bg text}@{uu} @{fg shine}| | @{bg shine} @{bg back} @{bg shine} @{bg text} | @{bg shine}@{fg text}@{u}_ This @{bg back}@{uu}one was so expensive that we'll tell@{bg shine}@{u} you a @{bg text}@{uu} @{fg shine}| @{bg shine} @{fg text}little@{bg back} more about it.@{ub} @{bg shine} @{bg text} @{fg shine}| |@{fg text}@{u}_@{bg shine} @{bg back}@{uu} @{bg shine}@{u}_ @{bg text}@{uu} @{fg shine}| @{bg shine} @{fg text}The P@{bg back}roblem uses this device to compose@{bg shine} their @{u}_ melody@{bg back}@{uu}lines. They also use it to find ou@{bg shine}@{u}t what @{uu} chords@{bg back} the 'victims' in case of a replicatio@{bg shine}n use. @{bg text} @{fg shine}|@{fg text}@{u}_@{bg shine} The s@{bg back}@{uu}ounds of the keyboard is often samp@{bg shine}@{u}led if @{bg text}@{uu} @{fg shine}| | @{bg shine} @{fg text}sample@{bg back}s couldn'd be sampled from the or@{bg shine}iginal @{bg text} @{fg shine}| @{bg shine}@{fg text}@{u}_ source@{bg back}@{uu}. Thanks to GEM! @{bg shine}@{u}_ @{bg text}@{uu} @{fg shine}| @{bg shine} @{bg back} @{bg shine} @{bg text} | |@{fg text}@{u}_@{bg shine} The @{bg back}@{uu}GEM WS 2 Keyboard/Workstation is @{bg shine}@{u}a now @{bg text}@{uu} @{fg shine}| @{bg shine} @{fg text}somewh@{bg back}at aged Keyboard with some intelligent@{bg shine} stuff @{bg text} @{fg shine}|@{fg text}@{u}_@{bg shine} in i@{bg back}@{uu}t to make it Workstation. It h@{bg shine}@{u}as 61 @{bg text}@{uu} @{fg shine}| | @{bg shine} @{fg text}lightw@{bg back}eight fullsize keys. There are 128 @{bg shine}sounds @{bg text} @{fg shine}| @{bg shine}@{fg text}@{u}_ in it @{bg back}@{uu}(to wich you can add another 128). It@{bg shine}@{u} knows @{uu} 61 dr@{bg back}umsounds, 96 global settings, 32 bu@{bg shine}ilt in @{u}_ drum p@{bg back}@{uu}atterns and 32 realtime effects. Ther@{bg shine}@{u}e is a @{uu} pitchb@{bg back}all, a soundmixing system, MIDI supp@{bg shine}ort, a @{bg text} @{fg shine}|@{fg text}@{u}_@{bg shine} Disk @{bg back}@{uu}Drive Option, a (5 way) split function@{bg shine}@{u}, a 16 @{bg text}@{uu} @{fg shine}| | @{bg shine} @{fg text}note p@{bg back}olyphone, a sequencer (with chain comp@{bg shine}oser), @{bg text} @{fg shine}| @{bg shine}@{fg text}@{u}_ an al@{bg back}@{uu}pha dial, an audio in/out connection, @{bg shine}@{u}a 2*20 @{bg text}@{uu} @{fg shine}| @{bg shine} @{fg text}Watt b@{bg back}uilt in speaker set and a lot more. @{bg shine} @{bg text} @{fg shine}| |@{fg text}@{u}_@{bg shine} @{bg back}@{uu} @{bg shine}@{u}_ @{bg text}@{uu} @{fg shine}| @{bg shine} @{fg text}This @{bg back}was probably very boring, but we had @{bg shine}to put @{u}_ it in,@{bg back}@{uu} sorry! @{bg shine}@{u}_ @{uu} @{bg back} @{bg shine} @{ub}@{uu}@{fg text}@{bg back} @ENDNODE @NODE William "TP-Files.Guide:Artists/William" @{b}Infinity@{ub} -------------------------------------------------------- Full first name : William @{" " LINK WilliamQuote} Read his quote... Last name : Westrum Town : @{"Aalten" LINK Aalten} Have you seen this man??? Country : The Netherlands Then @{"contact" LINK Contact} us ASAP!!! Telephone number : +31-(0)5437-71331 He has been missing for E-Mail : N/A @{b}over 3 months now!@{ub} Age : 19 Equipment : Millions of CD's Occupation : Student/DJ -------------------------------------------------------- Department : The Problem Music Dept. Function(s) : Sample-source Sampler -------------------------------------------------------- Comment : Long lost TP member. He @{"loves" LINK Love} eggs better then sheep! (??? -Ed.) Oh yeah! He was also an orginal TP member. @ENDNODE @NODE Wanda "TP-Files.Guide:Artists/Wanda" @{b}Wanda@{ub} -------------------------------------------------------- Full first name : Wanda @{" " LINK WandaQuote} Read her quote... Last name : -Private- Town : @{"Aalten" LINK Aalten} Country : The Netherlands Telephone number : +31-(0)5437-An-Aalten-Something E-Mail : N/A Age : 18 Equipment : A Terrific Voice Occupation : Student -------------------------------------------------------- Department : The Problem Music Dept. Function(s) : Vocalist -------------------------------------------------------- Comment : First female Artist of TP. She's beautifull! (Stop it you silly bugger! -Wanda) (Flush Detected! -Ed.) @ENDNODE @NODE CSilla "TP-Files.Guide:Artists/CSilla" @{b}CSilla@{ub} -------------------------------------------------------- Full first name : CSilla @{" " LINK CSillaQuote} Read her quote... Last name : -Private- Town : Enschede Country : The Netherlands Telephone number : +31-(0)53-An-Enschede-Something Age : 19 Equipment : A Brilliant Voice Occupation : Student -------------------------------------------------------- Department : The Problem Music Dept. Function(s) : Vocalist -------------------------------------------------------- Comment : Ex-phonecompany employee and one of the most stubborn types in TP @ENDNODE @NODE Club "TP-Files.Guide:MusicHome/Modules/Club" @{fg shine}@{b}Club@{ub} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back}This is what T@{bg text}he Problem used to call Mellow. But sinc@{bg back}e the ter@{bg text}m Mell@{bg back}ow was associated @{bg text}with the modern everyday eurodance CRAP too m@{bg back}uch, Th@{bg text}e Prob@{bg back}lem adopted t@{bg text}he term Club. @{bg back} @{bg text} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back}Club i@{bg text}s a lot easier to listen to that techno. It is probably@{bg back} the@{bg text} @{bg shine}@{fg text}b@{bg back}@{fg shine}est way to ent@{bg text}er the EDLM (Electronic @{bg fill}Dance & L@{bg text}istening Music) scene (@{bg back}We @{bg text}d@{bg shine}@{fg text}o@{bg back}@{fg shine}n't use the w@{bg text}ord 'House' or 'Mellow'@{bg fill} anymore, beca@{bg text}use the terms aren't@{bg back} br@{bg text}o@{bg shine}@{fg text}a@{bg back}@{fg shine}d enough to co@{bg text}ver everything). Club @{bg fill}contains@{bg back} @{bg fill}more v@{bg text}ocals and happy vibe@{bg back}s a@{bg text}n@{bg shine}@{fg text}d@{bg back} @{fg shine}is made solel@{bg text}y for dancing-purposes@{bg fill}. @{bg back} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back}The Pr@{bg text}oblem did lot's of Club@{bg fill}-tracks: @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{" " LINK FloatSheep} @{b}Fl@{bg text}oating Sheep @{bg back}@{" " LINK Spring'95}@{bg text} Spring '95 @{bg back} @{bg text} @{bg shine} @{bg back} @{" " LINK Bugles2} Bug@{bg text}les @{bg back}@{" " LINK MellowInf}@{bg text} The Mellow Influence@{bg back} @{bg text} @{bg shine} @{bg back} @{" " LINK CSillaMod} CSill@{bg text}a* @{bg back} @{bg text} @{bg shine} @{bg back} @{" " LINK Thoughts} Thought@{bg text}s* @{bg back} @{bg fill} @{bg back} @{" " LINK GetDown} Get On Dow@{bg text}n* @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} @{" " LINK Impulse} Impulse @{bg text} @{bg back} @{bg fill} @{bg back} @{" " LINK Outback} Outback@{ub} @{bg text} @{bg back}Record Tips: Drum Warriors - Tell 'm What We Need! (Unda'ground Groove) Grooveyard - Watch Me Now (EC Records) - Watch Me Now (remixes) (EC Records) Album Tips: Spiritual Tracks vol. 4 (Outland) Static Tracks vol. 3 (Outland) DDR - Penetrate Deeper (Deep Dish Records) @{ub}@{uu}@{fg text}@{bg back} @ENDNODE @NODE Techno "TP-Files.Guide:MusicHome/Modules/Techno" @{fg shine}@{b}Techno@{ub} @{bg fill} @{bg text} @{bg back}"Oh no!" I hear yo@{bg fill}u s@{bg text}ay. "I @{bg fill} @{bg text}don't@{bg fill} @{bg text} like@{bg fill} @{bg text} 2Unlimi@{bg fill}t@{bg back}ed or Westbam or what-ever..." Don'@{bg fill}t wo@{bg text}rry. No@{bg fill}ne o@{bg text}f th@{bg fill}at @{bg text}aro@{bg fill}und@{bg text}... Tec@{bg fill}hno @{bg back}as the purists know it is ent@{bg fill}irely @{bg text}unlike@{bg fill} those @{bg text}comm@{bg fill}ercia@{bg text}l @{bg fill}hitpa@{bg text}rade bo@{bg fill}om-bo@{bg back}om crap! It ranges from t@{bg fill}he sil@{bg text}e@{bg fill}nt, gentle @{bg text}amb@{bg fill}ient-t@{bg text}e@{bg fill}chno to mi@{bg text}ndbl@{bg fill}owing @{bg back}trance and acid. No f@{bg fill}orm of music has s@{bg text}u@{bg fill}ch a wide variaty of s@{bg text}t@{bg fill}yles. @{bg back} There is something fo@{bg fill}r everybody. T@{bg text}his@{bg fill} is The Problem's be@{bg text}st @{bg fill}loved music. @{bg back} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg back}The Problem @{bg fill}did some techno too (ofcourse): @{bg back} @{bg fill} @{bg back} @{" " LINK SyncMinds} @{b}Synchro@{bg fill}nized Minds - Ambient-techno @{bg back} @{" " LINK B-Vision} Blurred@{bg fill} Vision* @{bg text} @{bg fill} - Intelligent Trance@{ub} @{bg text} @{bg fill} @{bg back} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg back}Record Tips: @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg back} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg back}Van Basten - Black @{bg fill}Dragon (Brut@{bg text}e) @{bg fill} @{bg back}Choice - Acid Ei@{bg text}f@{bg back}el (B@{bg fill}asic Beat) @{bg back} @{bg text} @{bg back}Aphex Twin - On (Warp@{bg text}) @{bg back} @{bg fill} @{bg back} @{bg text} @{bg back} - Ventolin @{bg text} @{bg back} @{bg text} @{bg back}Albums Tips: @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back}X-Mix 2 , 3 and 4 @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back}In Order 2 Dance 4 & 5@{bg text} (R&S) @{bg back} @{bg text} @{bg back}Aphex Twin - I Care B@{bg text}ecaus@{bg back}e You Do (WARP/PIAS) @{bg text} @{bg back}Reload - A Collection Of Short Stories (Infonet) @{bg text} @{bg back}Orbital - 2nd Album @{ub}@{uu}@{fg text}@{bg back} @ENDNODE @NODE Jungle "TP-Files.Guide:MusicHome/Modules/Jungle" @{bg text}@{fg back}@{b}Jungle@{ub} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} A rainforest? Not re@{bg fill}all@{bg text}y.@{bg fill}..Jung@{bg text}le is the@{bg fill} term@{bg text} use@{bg fill}d to discribe@{bg text} the latest thrill in music. Even t@{bg fill}hough @{bg text}it is@{bg fill} not@{bg text} new (as a lot @{bg fill}of magazi@{bg text}nes want you @{bg fill}to@{bg text} believe) it@{bg fill} i@{bg text}s getti@{bg fill}ng l@{bg text}ot's of publicity. @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill}It i@{bg text}s characterized by @{bg fill}breakb@{bg text}eats. Lots and lots of ex-hip@{bg fill}ho@{bg text}p,@{bg fill} ex@{bg text}-r@{bg fill}ag@{bg text}gae @{bg fill} @{bg text} @{bg fill}ex-@{bg text}what ever@{bg fill} s@{bg text}ampl@{bg fill}es@{bg text}/beat@{bg fill}s/@{bg text}ba@{bg fill}ss@{bg text} etc. The brea@{bg fill}kb@{bg text}ea@{bg fill}ts@{bg text} are @{bg fill}'b@{bg text}roke@{bg fill}n' @{bg text}in@{bg fill} t@{bg text}he@{bg fill} @{bg text} @{bg fill} str@{bg text}angest wa@{bg fill}ys a@{bg text}nd@{bg fill} samp@{bg text}le@{bg fill}s @{bg text}are mashed up l@{bg fill}ike@{bg text} fli@{bg fill}es. @{bg text}The bas@{bg fill}s is @{bg text}a @{bg fill}ve@{bg text}ry@{bg fill} very low@{bg text} sin@{bg fill}ew@{bg text}ave@{bg fill} one@{bg text}. @{bg fill}It co@{bg text}ul@{bg fill}d de@{bg text}stroy@{bg fill} y@{bg text}our sp@{bg fill}eaker@{bg text}s.@{bg fill}.. @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text}The Pro@{bg fill}blem has @{bg text}ma@{bg fill}de some j@{bg text}ungl@{bg fill}e-like @{bg text}trac@{bg fill}ks: @{bg text} @{bg back}@{" " LINK TwilightZone}@{bg text} @{bg fill}@{b}The Twilight Zone @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg back}@{" " LINK LongTerm}@{bg text} L@{bg fill}ong Term* @{bg text} @{bg fill} @{bg text} @{bg back}@{" " LINK JungleBlaze}@{bg text} Ju@{bg fill}ngle Blaze @{bg text} @{bg fill} @{bg text} @{bg back}@{" " LINK Penthe2}@{bg text} Pe@{bg fill}nthe 2 @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg fill} @{bg text} @{bg back}@{" " LINK RealHouse}@{bg text} Realhouse20 (The Problem's Jungl@{bg fill}e Re@{bg text}venge Mix)@{ub}@{bg fill} @{bg text} @{bg fill} @{bg text}Record Tips: @{bg fill} @{bg text} Metalheads - Innercity Life/Jah (Moving Shadow/FFFR) Omni Trio - Vol. 5 remixes (Moving Shadow) Two on One - Vol. 8 (With Essence of Aura and Foul Play) (Moving Shadow) D.O.P.E - Burning (Rugged Vinyl) Albums: Drum and Bass - Volume 3 (Suburban Base) The Joint - Volume 2 (Suburban Base/Moving Shadow) Hardleaders 6 - Jungle Dub 2 (Kickin' Records) A Guy Callled Gerald - Black Secret Technology (Juice Box) For more releases and info, get connected to the Triple Vision mailinglist! Details on the @{bg back}@{fg text}@{"Comms News" LINK CommsNews}@{bg text}@{fg back} page! @{ub}@{uu}@{fg text}@{bg back} @ENDNODE @NODE Replication "TP-Files.Guide:MusicHome/Modules/Replication" @{fg shine}@{b}Replicatio@{bg text}n@{ub} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back}The @{bg text} Problem buys records and t@{bg back}hey l@{bg text}i@{bg shine}@{fg text}s@{bg back}@{fg shine}ten to them. And once in a while so@{bg text}meone yells something like 'Hey, we@{bg back} ca@{bg text}n@{bg shine} @{bg back}do that too!' and a week (or two) l@{bg text}ater they do!@{bg fill} An (alm@{bg text}ost) perfect r@{bg back}ep@{bg text}l@{bg shine}@{fg text}i@{bg back}@{fg shine}cation in the form of a module is c@{bg text}reated. Th@{bg fill}e Problem a@{bg text}lways tries @{bg back} @{bg text}t@{bg shine}@{fg text}o@{bg back} @{fg shine}make the module as close to the o@{bg text}riginal as @{bg fill}possibl@{bg back}e@{bg fill}. @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg text} @{bg fill} @{bg back} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back}T@{bg text}he followin@{bg fill}g tracks wh@{bg text}ere replica@{bg back}te@{bg text}d@{bg shine} @{bg back} by The Problem. (The original a@{bg text}rtists shouldn@{bg fill}'t feel r@{bg text}ipped off, the@{bg back}y @{bg text}s@{bg shine}@{fg text}h@{bg back}@{fg shine}ou@{bg shine}@{fg text}ld be flattered!) @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{" " LINK Invention} @{bg text}@{fg shine}I Can't Take This @{bg back} @{bg fill} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK Hellsparty} He@{bg text}ll's Party @{bg back} @{bg fill} @{bg text} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK Armageddon} Armage@{bg text}ddon @{bg back} @{bg fill} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK LetMusic} U Got To Let Th@{bg fill}e @{bg back}Music @{bg shine} @{bg back} @{bg text} @{bg back} @{" " LINK O-Express} Orient Express @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK Doop} Doop @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK BellsNY} Bells Of New Yo@{bg fill}rk @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK HuckJam} Huckleberry Jam* @{bg fill} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{" " LINK ShortDick} (Don't Want No) Short Dick Man@{bg fill}* @{bg back} @{bg text} @{ub}@{uu}@{fg text}@{bg back} @ENDNODE @NODE Others "TP-Files.Guide:MusicHome/Modules/Others" @{b}Other Modules@{ub} In here are all the modules by TP that cannot be placed in the other streams like Hip-Hop and synthesizer modules. Some of these modules are a bit old-style and others....well...listen for yourself. @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK 06-Sol} @{b}06-Solutions @{" " LINK LoveParty2} The Love Party 2 @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK Armageddon} Armageddon @{" " LINK Euromayor} The Mayor - TP's Eurodanc@{bg text}@{fg back}e@{bg back} @{fg text}Mix @{bg text} @{bg back} @{" " LINK Birthday} Birthday @{" " LINK O-Express} Orient Express @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK Enraptor} Enraptor @{" " LINK Penthe} Penthe @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK GfxAttack} Grafix Attack @{" " LINK Spectacle} The Spectacle @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK Weekend} Weekend @{" " LINK Talk} Talk @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK LoveParty} The Love Party @{" " LINK WandaMod} Wanda @{bg text} @{bg back} @{bg text} @{bg back} @ENDNODE @NODE All "TP-Files.Guide:MusicHome/Modules/All" @{b}@{u}The Modules of @{b}The Problem@{ub} In Alphabetical Order@{ub}@{uu} This a list of all available modules by @{b}The Problem@{ub} until now: (* = Archive contains chapters of @{"the Wanda & CSilla story" LINK WhatsWC}) @{b} @{" " LINK 06-Sol} 06-Solutions @{" " LINK LoveParty} The Love Party @{" " LINK Armageddon} Armageddon @{" " LINK LoveParty2} The Love Party 2 @{" " LINK BellsNY} Bells Of NewYork @{" " LINK MellowInf} The Mellow Influence @{" " LINK Birthday} Birthday @{" " LINK O-Express} Orient Express @{" " LINK B-Vision} Blurred Vision* @{" " LINK Outback} Outback @{" " LINK Bugles2} Bugles @{" " LINK Penthe} Penthe @{" " LINK CSillaMod} CSilla* @{" " LINK Penthe2} Penthe 2 @{" " LINK Doop} Doop @{" " LINK RealHouse} RealHouse 20 - TP's Jungle Revenge Mix @{" " LINK Enraptor} Enraptor @{" " LINK ShortDick} Short-Dick Man* @{" " LINK Euromayor} The Mayor (TP's Euromix) @{" " LINK Spectacle} The Spectacle @{" " LINK FloatSheep} Floating Sheep @{" " LINK Spring'95} Spring '95 @{" " LINK GetDown} Get On Down* @{" " LINK SyncMinds} Synchronized Minds @{" " LINK GfxAttack} Grafix Attack @{" " LINK Talk} Talk @{" " LINK HellsParty} Hell's Party @{" " LINK Thoughts} Thoughts* @{" " LINK HuckJam} Huckleberry Jam* @{" " LINK TwilightZone} The Twilight Zone @{" " LINK Invention} I Can't Take This @{" " LINK LetMusic} U Got 2 Let The Music @{" " LINK Impulse} Impulse @{" " LINK WandaMod} Wanda @{" " LINK JungleBlaze} Jungle Blaze @{" " LINK WandaMod2} Wanda 2 - The Mellow Influence @{" " LINK LongTerm} Long Term* @{" " LINK Weekend} Weekend @ENDNODE @NODE ThijsQuote "TP-Files.Guide:Artists/Thijs/ThijsQuote" @{bg fill}@{fg text}@{b}Quo@{bg back}t@{bg fill}e..@{bg back}. @{ub} @{bg fill} @{bg back} @{bg fill} @{bg back} @{fg shine}O@{bg fill}h @{bg back} g@{bg fill}od@{bg back}! The last @{fg text}few months have been awfull@{fg shine}! Two of our members just le@{bg fill}f@{bg back}t! @{bg fill} @{bg back}Wether or no@{fg text}t they had good reasons to do @{fg shine}so doesn't matter, but The C@{bg fill}o@{bg back}lle@{bg fill}c@{bg back}tive seemed @{fg text}to crumble down before my e@{fg shine}yes. Next to that, the work on the Australi@{fg text}a EP never seemed to fin@{fg shine}ish with new bugs, errors and missteps becomin@{fg text}g apparent every day. @{fg shine}Thank god we s@{fg text}till got lots of positive fee@{fg shine}dback from several people and w@{fg text}e @{fg shine}actually got @{fg text}a new artist in our midst: @{fg shine}Cloak! Also the mailflow betwe@{fg text}en @{fg shine}me and Lee @{fg text}Geary (UK Artist) finally g@{fg shine}ot to a reasonable level after @{fg text}all @{fg shine}the problem@{fg text}s with internet had been sort@{fg shine}ed out. The Australia EP is al@{fg text}most @{fg shine}finished @{fg text}now, with only very little w@{fg shine}ork to be done. Aaaaah! Thing@{fg text}s are @{fg shine}starting @{fg text}to shape up! @{fg shine}When I @{fg text}pass me exams, I'll go @{fg shine}England together with Alco and @{fg text}William! @{fg shine}We'll @{fg text}take an egg with us. (prob@{fg shine}ably!) (What's with the egg bus@{fg text}iness all @{fg shine}the @{fg text}time? -Ed.) Hopefully we'l@{fg shine}l meet Lee there. And then the@{fg text}re is Leo. @{fg shine}The @{fg text}Problem wouldn't be The @{fg shine}Problem without him! He's goin@{fg text}g to manage @{fg shine}int@{fg text}ernet for us. That means: @{fg shine}All our mods on Aminet, and a @{fg text}WWW-Site!!! @{fg shine}Al@{fg text}l this ought to be great a@{fg shine}nd I'm getting ready for probab@{fg text}ly on@{bg fill}e o@{bg back}f@{bg fill} th@{bg back}e @{fg shine}b@{fg text}est summers EVER! @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} Signed: @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} Solution @ENDNODE @NODE AlcoQuote "TP-Files.Guide:Artists/Alco/AlcoQuote" @{bg fill}@{fg text}@{b}Quo@{bg back}t@{bg fill}e..@{bg back}. @{ub} @{bg fill} @{bg back} @{bg fill} @{bg back} @{fg shine}W@{bg fill}ow@{bg back}! @{bg fill} A@{bg back}ustr@{fg text}alia! Man, it seemed it @{fg shine}would never be finished, @{fg text}but now that it @{fg shine}(a@{bg fill}l@{bg back}mos@{bg fill}t@{bg back}) @{fg text}is, I have to say I @{fg shine}am quite pleased with @{fg text}all of it. Heavy @{fg shine}s@{bg fill}e@{bg back}ssi@{bg fill}o@{bg back}ns @{fg text}of scripting, programmin@{fg shine}g, composing, drawing and @{fg text}writing ended in @{fg shine}the bes@{fg text}t possible follow-up @{fg shine}to the SM-EP. And Austra@{fg text}lia isn't the only @{fg shine}positiv@{fg text}e development after that @{fg shine}bloody cold winter! What @{fg text}about my shiny new @{fg shine}JVC D@{fg text}olby Surround Pro Logi@{fg shine}c MX-S700R Compact Comp@{fg text}onent System... Wow! @{fg shine}Imagi@{fg text}ne that! Well, I've g@{fg shine}ot it! Modules DO sound g@{fg text}ood through this many @{fg shine}high @{fg text}power speakers. Well, @{fg shine}it also means we can now @{fg text}sample from tapes (MX @{fg shine}pro @{fg text}cassette deck) and @{fg shine}radio broadcasts, witho@{fg text}ut having trouble with @{fg shine}st@{fg text}atic. Now let's hope the we@{fg shine}ather this summer will be @{fg text}as good as last year. F@{fg shine}or @{fg text}now I think it's be@{fg shine}en too cold for too long. @{fg text}I've had the most horri@{fg shine}ble @{fg text}winter. I was workin@{fg shine}g for a software comapany @{fg text}and it sucked (too far @{fg shine}from @{fg text}home and a bit bo@{fg shine}ring). And because of th@{fg text}e f*cking cold, I fell o@{fg shine}ff my @{fg text}bike, flat on the @{fg shine}ground, for two times@{fg text}; they had to sew my fac@{fg shine}e back @{fg text}together again and @{fg shine}I walked like a penguin f@{fg text}or two months... I was h@{fg shine}ome way @{fg text}too late to be doi@{fg shine}ng anything (or to have t@{fg text}he spirit to do anything@{fg shine}) in the @{fg text}evenings and in @{fg shine}the weekends I was terri@{fg text}fied by the idea that it @{fg shine}would be @{fg text}monday in less t@{fg shine}han two days. Ofcourse th@{fg text}ere was some good in the @{fg shine}winter of @{fg text}'94 and that wa@{fg shine}s the SM-EP. @{fg text}But now I @{fg shine}am as happy as anyone can @{fg text}be, with only one week @{fg shine}to go@{bg fill} be@{bg back}f@{bg fill}ore @{bg back} @{fg text}the summerh@{fg shine}oliday! And if the wea@{fg text}ther isn't hot enough th@{fg shine}is summ@{bg fill}er,@{bg back} @{bg fill}The @{bg back} @{fg text}Problem Mu@{fg shine}sic Will Turn The HEA@{fg text}T ON FOR YOU WITH THE HO@{fg shine}TTEST TRa@{bg fill}ck@{bg back}s.@{bg fill}.. @{bg back} @{fg text}(...ahum..@{fg shine}.). @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{fg fill}Music from Jurassic Park, I still like it. But why? @{fg shine}/\ / @{fg text}Signed, @{fg shine}____/ \ / \ /\____ @{fg text}@{b}AlcoRhythm@{fg shine}@{ub}/ \/ @ENDNODE @NODE WilliamQuote "TP-Files.Guide:Artists/William/WilliamQuote" Didn't want to write it. @{i}("I haven't got the time...")@{ui} @ENDNODE @NODE WandaQuote "TP-Files.Guide:Artists/Wanda/WandaQuote" @{fg text}@{b}Quote @{ub} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} "Th@{bg fill}e@{bg back} w@{bg fill}o@{bg back}nderfu@{fg shine}lly new The Problem coll@{fg text}ective huh? Well, at @{fg shine}first I didn't @{fg text}re@{bg fill}a@{bg back}lly@{bg fill} @{bg back} like @{fg shine}the idea of a collecti@{fg text}ve. I thought that t@{fg shine}he group was big @{fg text}enough alre@{fg shine}ady. But I have to say @{fg text}I regret all my doubt@{fg shine}s! When Solution @{fg text}came off th@{fg shine}e phone with the first pe@{fg text}rson that reacted to @{fg shine}the advert for new @{fg text}Artists, @{fg shine}it seemed that we'd hit t@{fg text}he jackpot. We found @{fg shine}someone with a pure @{fg text}Problem @{fg shine}mind as we tend to call @{fg text}it. Now that we got @{fg shine}to know him better I @{fg text}am trul@{fg shine}y convinced that the The @{fg text}Problem Collective i@{fg shine}s going to be a biiig @{fg text}succes. @{fg shine}It's certainly somet@{fg text}hing I want to be pa@{fg shine}rt of. My work at The @{fg text}Proble@{fg shine}ms' is fun, but TP m@{fg text}usic doesn't always @{fg shine}need may voice, so I'm @{fg text}plann@{fg shine}ing on trying to some @{fg text}other things too. I @{fg shine}might try to write som@{fg text}e stuf@{fg shine}f for The Problem Sto@{fg text}ries, but I can't pro@{fg shine}mise you anything. Wel@{fg text}l, I'l@{fg shine}l probably update my qu@{fg text}ote, or write somethi@{fg shine}ng for the Guide To Stu@{fg text}ff, or @{fg shine}something like that. @{fg text}Okay, finally I wi@{fg shine}ll once again say thank@{fg text}s to e@{fg shine}verybody at The Proble@{fg text}m's Music department @{fg shine}for their continued @{bg fill}sup@{bg back}@{fg text}p@{bg fill}ort@{bg back}, @{fg shine}although my 'rough period@{fg text}' is over." @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{fg shine}(\/) @{bg fill} @{bg back} @{bg fill} @{bg back} \/ @{fg text}With Love... @{fg shine}(\/) \/ (\/) @{fg text}@{b}Wanda@{ub}@{fg shine} \/ @{ub}@{uu}@{fg text}@{bg back} @ENDNODE @NODE CSillaQuote "TP-Files.Guide:Artists/CSilla/CsillaQuote" @{b}Quote...@{ub} @{bg fill} @{bg back} @{bg fill} @{fg shine}"Ooo@{bg back}h@{bg fill}! I@{bg back}t's so @{fg text}nice to be a part of The Problem..@{fg shine}. There is nothing quite li@{bg fill}ke@{bg back} i@{bg fill}t @{bg back} anywh@{fg text}ere in the world! Eventhough @{fg shine}my study here at Enschede Uni@{bg fill}v@{bg back}ersi@{bg fill}t@{bg back}y ha@{fg text}s to come first I still like @{fg shine}to hang out with Solution, Al@{bg fill}c@{bg back}oRhy@{bg fill}t@{bg back}hm, @{fg text}Wanda and the rest in the weeken@{fg shine}ds at HQ and god knows where else. Rece@{fg text}ntly I had the pleasure of me@{fg shine}eting with our newest member, Ronald. H@{fg text}e is nice, and his work is very @{fg shine}funny indeed. I really wish I could spe@{fg text}nd more time with The Problem, be@{fg shine}cause my work has been a little 'low key@{fg text}' the past few months. This is s@{fg shine}omething that has to change, you just ha@{fg text}ve to wait and see what will happe@{fg shine}n. The rest of The Problem is so nice t@{fg text}o me, when I'm down, they cheer me @{fg shine}up etc. it really is the perfect team, @{fg text}and I wouldn't like to be part of @{fg shine}any other team like it. Oh, by th@{fg text}e @{fg shine}way, @{fg text}Solution showed me some of the t@{fg shine}hings that are to be included in t@{fg text}he @{fg shine}Aust@{fg text}ralia EP...it's so...no, I won't t@{fg shine}ell, see and hear for yours@{bg fill}elf.@{bg back}.@{bg fill}." @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{fg text}Signed: @{bg fill} @{bg back} @{bg fill} @{bg back} CSilla @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{fc text}@{bg back} @ENDNODE @NODE 06-Sol "TP-Files.Guide:MusicHome/Modules/06-Solutions" @{b}06-Solutions@{ub} This tracks was made for commercial purposes! Woooow! Back out now if this is against your principles...A software company asked us (and some others) to do a presentation for them. We made a good module, but the company said that the presentation had failed to work when it was needed, so we never got any money for it! Fuck Them! @{b} Playing Time : Loop BPM : 150@{ub} @ENDNODE @NODE Invention "TP-Files.Guide:MusicHome/Modules/I Can't Take This" @{b}I Can't Take This@{ub} This track came from the great album In Order To Dance 4. It's perhaps a bit monotonous, but really good when you listen to it all the way. The replication itself in quite good, but if they had made it today, it would be a little better... @{b} Original Title : I Can't Take This Original Artist: Rhythm Invention Playing Time : 6 Minutes and 15 Seconds BPM : 124@{ub} @ENDNODE @NODE HellsParty "TP-Files.Guide:MusicHome/Modules/Hell's Party" @{b}Hell's Party@{ub} The original came from 'Move The House 8'. It's a standard club afair but nice to listen to. The first version had a nasty high-frequency beep running through the samples, but this has been fixed! All in all a good replication. @{b} Original Title : Hell's Party Original Artist: GLAM Playing Time : 3 Minutes and 23 Seconds BPM : 130@{ub} @ENDNODE @NODE WandaMod "TP-Files.Guide:MusicHome/Modules/Wanda" @{b}Wanda@{ub} This mod was the first original one, that @{b}The Problem@{ub} is proud about. It's a wonderful tune, you won't easily forget. Lot's of different melodies and great vocals by Wanda herself! A @{b}The Problem@{ub} Classic! @{b} Playing Time : 6 Minutes and 2 Seconds BPM : 130@{ub} @ENDNODE @NODE LoveParty "TP-Files.Guide:MusicHome/Modules/Love-Party" @{b}The Love-Party@{ub} Something different...This is a non-house track made up solely out of house-samples. To be frank, it is not that good; it sounds like demo-music. But still, if you like demo-music, why not give it a try...You might like it anyway! @{b} Playing Time : 3 Minutes and 30 Seconds BPM : 100@{ub} @ENDNODE @NODE LoveParty2 "TP-Files.Guide:MusicHome/Modules/Love-Party 2" @{b}The Love-Party 2@{ub} The Love-party wasn't really impressive (actually it was a waste of technology and time and effort and so on. It was (let's face it...) CRAP! It was also meant to show that @{b}The Problem@{ub} could do other things than house (but they couldn't, could they?). Well now! It's time to forget the Love Party and move on to The Love Party 2! This one is MUCH better, and it's not house! So @{b}The Problem@{ub} CAN do non house to, it's just that they're not too enthusiatic about it... Anyway, if you want to know what a non house track by The Problem should sound like, then this module is the one you want! It makes up for The Love Party(1) and all other misakes The Problem have made or the ones they are going to make... A looping version of this track is going to be used in a BBS-tro for @{"Zooropa" LINK ZooropaBBS}, the WHQ of Genetics. @{b} Playing Time : 3 Minutes and 6 Seconds BPM : 94@{ub} @ENDNODE @NODE GfxAttack "TP-Files.Guide:MusicHome/Modules/Grafix Attack" @{b}The Grafix Attack@{ub} The Problem was a regular visitor at the @{"Grafix Attack BBS" LINK GfxBBS} already in it's early days, with one line and a relatively small HD. Kees Huizer was always very nice to us (still is! -Ed.) and when he asked for a theme, he got one...It is a bit short, but it's still a very good "rave" style mod. @{b} Playing Time : 1 Minute and 56 Seconds BPM : 132@{ub} @ENDNODE @NODE Armageddon "TP-Files.Guide:MusicHome/Modules/Armageddon" @{b}Armageddon@{ub} The english hardcore breakbeat sound has always fascinated The Problem, and when Solution bought an Album called 'Full On - Masked Hysteria' by Altern8, the idea was born to make an Altern8 module. Armageddon was the lucky track. It was quite difficult to do, but they succeed wonderfully. Hardcore breakbeat a it's best! @{b} Original Title : Armageddon Original Artist: Altern 8 Playing Time : 5 Minutes and 38 Seconds BPM : 134@{ub} @ENDNODE @NODE Penthe "TP-Files.Guide:MusicHome/Modules/Penthe" @{b}Penthe@{ub} @{"Penthe BBS" LINK PentheBBS} was actually the first board EVER to be called by Solution, The problem's Comms Nuttie, with a modem he had lent! He couldn't get anything to work let alone download something, and he ended up chatting for more 40 minutes to the sysop, Leo Elsinga. About a year later, when Solution got a modem himself, he called Penthe again. All the first releases by @{b}The Problem@{ub} where uploaded there. Penthe just simply had to have to theme... If you like it hard, down this! @{b} Playing Time : 3 Minutes and 7 Seconds BPM : 150@{ub} @ENDNODE @NODE Talk "TP-Files.Guide:MusicHome/Modules/Talk" @{b}Talk@{ub} Take some TV-samples, a heavy breakbeat and lots of strange synths and you find out about 'The Amazing Way In Which A Human Communicates'! Talk is a fast rave-style module, which does well with super-chips. (Huh? Well, I hope you mean the edible kind anyway! -Ed.) @{b} Playing Time : 5 Minutes and 8 Seconds BPM : 138@{ub} @ENDNODE @NODE Spectacle "TP-Files.Guide:MusicHome/Modules/Spectacle" @{b}Spectacle@{ub} This module was made after TP had released a lot of oldstyle breakbeat modules. It has a "normal" beat and it is very cool! Nice strings, and strange vocals....Also you can say that this is a red dash alpha module in two parts ("Break! Break!") (Not funny! -Ed.), because after the main part there is an easy, cooldown type of track...Listen for yourself! @{b} Playing Time : 5 Minutes and 41 Seconds BPM : 126 - 110@{ub} @ENDNODE @NODE Enraptor "TP-Files.Guide:MusicHome/Modules/Enraptor" @{b}Enraptor@{ub} Wanda sings!!! As the guy in the mod (It's John Cleese, it's John Cleese! -Ed.) (Shut up!) says, "something completely different". Guitars, a live audience and the sweet voice of Wanda. With did the drums ourselves too by the way! @{b} Playing Time : 5 Minutes and 59 Seconds BPM : 142@{ub} @ENDNODE @NODE LetMusic "TP-Files.Guide:MusicHome/Modules/U Got 2 Let The Music" @{b}U Got To Let The Music (Move Your Feet)@{ub} Because it was long ago since TP made a replication mod, they decided to do one. but only after AlcoRhythm received this single in his christmas stocking the work could begin. We needed more than 32 samples (ProTrackers limit) so we had to combine some in order to get the needed 38 samples!!! TP succeeded nicely! @{b} Original Title : U Got 2 Let The Music Original Artist: Cappella Playing Time : 5 minutes and 26 Seconds BPM : 136@{ub} @ENDNODE @NODE TwilightZone "TP-Files.Guide:MusicHome/Modules/The Twilight-Zone" @{b}The Twilight Zone@{ub} Time for breakbeats again! This mod was made for honour the mighty bbs called @{"The Twilight Zone" LINK TZoneBBS}!!! At the time of making this mod, The Twilight Zone became our WHQ! Nice breaks, beautifull pianos and whispering vocals... @{b} Playing Time : 5 Minutes and 15 Seconds BPM : 80 - 136@{ub} @ENDNODE @NODE Doop "TP-Files.Guide:MusicHome/Modules/Doop" @{b}Doop@{ub} Yes, yes, yes!!! Another remake! @{b}The Problem@{ub} proudly presents: Doop - Doop - Doop This module was created a long time before the track became popular. It was rereleased a few months later in a *STUPID* remix. This mod is the replication of the first release in the Urge 2 Merge Mix! It is MUCH MUCH MUCH better! Guaranteed! @{b} Original Title : Doop Original Artist: Doop Playing Time : 3 Minutes and 27 Seconds BPM : 130@{ub} @ENDNODE @NODE WandaMod2 "TP-Files.Guide:MusicHome/Modules/Wanda 2" @{b}Wanda 2@{ub} The longest module @{b}The Problem@{ub} ever made. There are two completely different parts. Part 1 and....Part 2. Part 1 was meant as a remix of the original @{"Wanda" LINK WandaMod} module. The only sample we used of that module was the 'Wanda?' sample. It has lots of pianos in it... The 2nd part is a more mellow-like (CLUB! CLUB!!! CLUB! I told you once, I told you a hunderd times...-Ed.) (SHUT UP! -CSilla) (What are you doing here CSilla? -Wanda) (None of your business! -CSilla) (Oooowwwww! -Wanda) (SHUT UP!!! All of you! -Solution) and was made after @{b}The Problem@{ub} had listened to the first (or was it the second) partynight on radio 538. Great stuff, satisfaction guaranteed! (Says who? -Ed.) (You're fired Ed.! -Solution) (You can't do that Solution sorry...-AlcoRhythm) The 2nd part is available seperately on the @{"Australia EP" LINK AustrEP} Total playing time (both parts) is over 9 minutes (ALL 63 Patterns!), and the time is really worth it!!! @{b} Playing Time : 9 Minutes and 7 Seconds BPM : 137@{ub} @ENDNODE @NODE BellsNY "TP-Files.Guide:MusicHome/Modules/Bells Of New York" @{b}Bells Of New York@{ub} This track was a summer hit in 1994! Solution bought the 12" and TP replicated it. It was a really tough job, and the mod became quite large, but it is an almost 100% replication! @{b} Original Title : Bells of New York Original Artist: Slo Moshun Playing Time : 8 Minutes and 43 Seconds BPM : 129@{ub} @ENDNODE @NODE SyncMinds "TP-Files.Guide:MusicHome/Modules/Synchronized Minds" @{b}Synchronized Minds@{ub} The synchronized minds syndrome that @{b}The Problem@{ub} suffers from is a now well known and documented @{"fenomenon" LINK Minds}. This module was made in honor of it. It tends to build up to a number of climaxes, seperated by very nice, synthy/dreamy parts. A very interesting beat by the way! This mod is included in the SM-EP, and therefore not available seperately. @{b} Playing Time : 5 Minutes and 49 Seconds BPM : 142@{ub} @ENDNODE @NODE FloatSheep "TP-Files.Guide:MusicHome/Modules/Floating Sheep" @{b}Floating Sheep@{ub} A floating sheep is one free of pressure! A floating sheep is one at ease! This mod contains (house :-) ) lots of 'twinkling' sounds, etnic drums, there are no sheep, and they don't float! You @{b}WILL@{ub} after hearing this fantastic module... This mod is included in the SM-EP, and therefore not available seperately. @{b} Playing Time : 4 Minutes and 46 Seconds BPM : 134@{ub} @ENDNODE @NODE LongTerm "TP-Files.Guide:MusicHome/Modules/Long Term" @{b}Long Term@{ub} It's fast! It has dub-samples! It has breakbeats! It has...etc. Reggae-breakbeat at it's best! General Levy put this in your joint and smoke it!!! :-) This was something new for TP but it's no worse than any of their other mods! The Archive also contains chapter 1 to 3 of the @{"Wanda&CSilla" LINK WhatsWC} story! @{b} Playing Time : 4 Minutes and 17 Seconds BPM : 160@{ub} @ENDNODE @NODE Bugles2 "TP-Files.Guide:MusicHome/Modules/Bugles" @{b}Bugles@{ub} The title "Bugles" is obvious ofcourse! @{b}The Problem@{ub} live on @{"Bugles" LINK BuglesText} No Bugles, no party! That is why TP decided to make this their theme! Nowadays, @{b}The Problem@{ub}'s main theme is @{"Blurred Vision" LINK B-Vision} but Bugles is still the music department's... A phat bassline, a hard beat and lots of bleepy little noises... Just GREAT! @{b} Playing Time : 5 Minutes and 29 Seconds BPM : 134@{ub} @ENDNODE @NODE Birthday "TP-Files.Guide:MusicHome/Modules/Birthday" @{b}Birthday@{ub} Incredible... Marilyn Monroe in a @{b}The Problem@{ub} production! @{b}The Problem@{ub} used the voice of this woman (singing Happy Birthday) in a Eurodance style module. Sounds really nice. Is your birthday coming soon, or do you know someone whose birthday is coming? Are you, or someone you know a Marilyn Monroe Fan? Then hurry up and get this module, it was made for you! @{b} Playing Time : 4 Minutes 35 Seconds BPM : 131@{ub} @ENDNODE @NODE Thoughts "TP-Files.Guide:MusicHome/Modules/Thoughts" @{b}Thoughts@{ub} This was made in spring-94 and it was dedicated to @{"Lee Geary" LINK Lee}, the first person outside holland to react to TP's modules. Lee is now a Artist of The Problem! Lots and lots upon heaps and heaps of piano's, some very good bleeps and a string-ensemble :-)))... This mod is a killer! The Archive also contains chapter 4 to 6 of the @{"Wanda&CSilla" LINK WhatsWC} story! @{b} Playing Time : 4 Minutes and 32 Seconds BPM : 134@{ub} @ENDNODE @NODE Penthe2 "TP-Files.Guide:MusicHome/Modules/Penthe2" @{b}Penthe 2@{ub} This mod was originally created to save @{"Penthe BBS" LINK PentheBBS} from almost certain temptation..eeuh I mean extinction. It had just suffered a major HD crash, and the idea was that you paid fl 10,- to save Penthe and get this module as a gift. That idea didn't catch on, so in the end we released it all the same. The module is a (very) rough one (mainly because of its speed!). It was created using samples from some very old records like: Guy Mitchel - 'My Truly, Truly Fair' and Hank the Knife and The Jets - 'Guitar King' This mod is part of the SM-EP and therefore not available separately. Please note that some module players have some trouble playing this module, playing it in ProTracker is a good solution for this little problem. @{b} Playing Time : 4 Minutes and 50 Seconds BPM : 162@{ub} @ENDNODE @NODE CSillaMod "TP-Files.Guide:MusicHome/Modules/CSilla" @{b}CSilla@{ub} After days of whining, TP succeed in making CSilla sing! To get her to do this, TP gave her at least 20 bags of Bugles, 7 boxes of chocolat and 12 roses! (That's NOT true! I wish they had! -CSilla) The module itselfs is a bit strange perhaps, but very very good once you get used to it. Ofcourse it contains lots of voice samples, but also a good drum-section and good bleeps. The Archive also contains chapter 7 to 9 of the @{"Wanda&CSilla" LINK WhatsWC} story! @{b} Playing Time : 4 Minutes and 23 Seconds BPM : 150@{ub} @ENDNODE @NODE GetDown "TP-Files.Guide:MusicHome/Modules/Get-On-Down" @{b}Get On Down@{ub} A jazzy, disco type o' thing. That was the idea TP had when they started this module. And a jazzy, disco type o' thing was what came out. That's very odd, considering that usually tracks end up entirely different from the way they started out! ("Wanda" was meant as a house-version of 'Popcorn' -Ed.) (Shut your mouth Ed.! And you readers didn't read this! -TP Music Dept.) The Archive also contains chapter 10 to 12 of the @{"Wanda&CSilla" LINK WhatsWC} story! @{b} Playing Time : 4 Minutes and 56 Seconds BPM : 134@{ub} @ENDNODE @NODE JungleBlaze "TP-Files.Guide:MusicHome/Modules/Jungle-Blaze" @{b}Jungle Blaze@{ub} Jungle you say? TP has done jungle tracks from the very beginning! I think you say that TP is really "avant le garde" on that subject. But because there are a lot of shitty breakbeat-like mods out there, TP decided to do a good jungle/breakbeat track...The result: Jungle Blaze. The module that has the most bleeps of all in it! This mod is part of the SM-EP and therefore not available separately. @{b} Playing Time : 4 Minutes and 57 Seconds BPM : 150@{ub} @ENDNODE @NODE Impulse "TP-Files.Guide:MusicHome/Modules/Impulse" @{b}Impulse@{ub} A recipe: Take a pinch of Candy Dulfer, some Eric Clapton, 2 litres of bleeps, a handfull of beats and 6 bags of bugles and you'll get Impulse, one of the best mods yet! (Nice chords too -Ed.) TP is really quite proud about this one. This mod is part of the SM-EP and therefore not available separately. @{b} Playing Time : 6 Minutes and 55 Seconds BPM : 136@{ub} @ENDNODE @NODE Huckjam "TP-Files.Guide:MusicHome/Modules/HuckleberryJam" @{b}Huckleberry Jam@{ub} TP replicated the first track by Doop (Called @{"Doop" LINK Doop}) and now here they are with the second one called "Huckleberry Jam". It is nice but you can't call it civilised...Or something anyway. The replication itself is quite good, but TP says working on it was not much fun. Well listen for your selves... The Archive also contains chapter 13 to 21 of the @{"Wanda&CSilla" LINK WhatsWC} story! @{b} Original Title : Huckleberry Jam Original Artist: Doop Playing Time : 4 Minutes and 52 Seconds BPM : 149@{ub} @ENDNODE @NODE ShortDick "TP-Files.Guide:MusicHome/Modules/Short Dick Man" @{b}Short Dick@{ub} A quicky really. It was quite easy to "modulize" this track. TP did it in 4 hours, but still the quality is excellent and the replication 100%! It's the 4th track of the CD single, the version played on radio 538. Everything is there, including the obscene vocals... The Archive also contains chapter 22 to 25 of the @{"Wanda&CSilla" LINK WhatsWC} story! @{b} Original Title : (Don't want no) Short Dick Man Original Artist: 20 Fingers Playing Time : 4 Minutes and 49 Seconds BPM : 127@{ub} @ENDNODE @NODE B-Vision "TP-Files.Guide:MusicHome/Modules/B-Vision" @{b}Blurred Vision@{ub} (This one is so good, nobody else at TP stories dept. wanted to write this text because they were afraid not to be able to do full justice to this one!!! It consist of lots of drums, a killer baseline and strange strings. It has quite a nice buildup; a very long one...All very mysterious and spooky, until it bursts into a wild trance-track...Great stuff! -Ed.) The Archive also contains chapter 26 to 29 of the @{"Wanda&CSilla" LINK WhatsWC} story! @{b} Playing Time : 7 Minutes and 21 Seconds BPM : 144@{ub} @ENDNODE @NODE Weekend "TP-Files.Guide:MusicHome/Modules/Weekend" @{b}Weekend@{ub} Eeeerm....Yes..It's Hip Hop. At least our version of it. This mod was made to be performed LIVE on stage at the big festival around liberation day on the 5th may. There even are some rap-lyrics with it, which we will NOT give you...Do with it what you want, we don't care if you like it or not: We don't really like it ourselves... @{b} Playing Time : 4 Minutes BPM : 105@{ub} @ENDNODE @NODE O-Express "TP-Files.Guide:MusicHome/Modules/Orient Express" This a Jean Michel Jarre replication. Eventhough TP had to use low quality tape, the replication is quite good, but not complete. The mod was used in the first demo of Revelation. @{b} Original Title : The Orient Express Original Artist: JM Jarre Playing Time : Loop BPM : 141@{ub} @ENDNODE @NODE Realhouse "TP-Files.Guide:MusicHome/Modules/RealHouseMix" @{b}RealHouse 2.0 TP's Jungle Revenge Mix@{ub} Way back in 1992 (Or was it 1991?) Leo Elsinga, sysop of Penthe and TP Artist made the original Realhouse module. When TP offered to remix some of his tracks, they choose for this one. Breakbeats that will shatter your windows. A bass that will shake the place! There are even some pitched vocals in it. But that does not mean it sounds like Westbam!!! @{b} Original Title : Realhouse 2.0 Original Artist: Penthe (Leo Elsinga) Original BPM : 125 Playing Time : 5 Minutes 10 Seconds BPM : 160@{ub} @ENDNODE @NODE MellowInf "TP-Files.Guide:MusicHome/Modules/Mellow-Influence" @{b}Mellow Influence@{ub} This module is actually a standalone version of the 2nd part of Wanda 2. That part is the mellow, cool one! In the description of @{"Wanda 2" LINK WandaMod2} you can read all about it! Within this module, there is a nice surprise...Just listen, and you'll hear it! This track is part of the Australia EP and therefore not available separately!!! @{b} Playing Time : 5 Minutes BPM : 136@{ub} @ENDNODE @NODE Spring'95 "TP-Files.Guide:MusicHome/Modules/Spring'95" @{b}Spring '95@{ub} This module was made in the spring of 1995, just after Lee Geary had joined The Problem. Our previous mod for Lee Geary was Thoughts, and that was made in the spring of '94! ;-)) Is this a follow up then? Perhaps... It has the pianos, but there is also a saxophone-player coming in! (I thought we shot the guy! -Ed.) There are even some hiphop beats... Just listen, it's great! This track is part of the Australia EP and therefore not available separately!!! @{b} Playing Time : 6 Minutes 31 Seconds BPM : 139@{ub} @ENDNODE @NODE Outback "TP-Files.Guide:MusicHome/Modules/Outback" @{b}Outback@{ub} The australian outback...the origin of the Australia EP...This is the module that made it all happen! After making it, TP decided on the spot to make a new EP, the Australia EP. The sound of the didgeridoo brings a special kind of ambience to this mod, which BTW is one of the best yet! This track is part of the Australia EP and therefore not available separately!!! @{b} Playing Time : 5 Minutes 53 Seconds BPM : 134@{ub} @ENDNODE @NODE EuroMayor "TP-Files.Guide:MusicHome/Modules/The Mayor (Euromix)" @{b}The Mayor - TP's Eurodance Mix@{ub} TP was asked by OVL to do a remix of one of their tracks. The Mayor was the chosen one! ;-))) The original was a hardcore gabber track, and TP made it into a Eurodance a-la Haddaway, Cappella, Maxx, Magic Affair etc. etc. Everything you'd expect from a eurodance track is there,it even has some rap-lyrics in it! This track is part of the Australia EP and therefore not available separately!!! @{b} Original Title : The Mayor Original Artist: Giz! Original BPM : 185 Playing Time : 5 Minutes 1 Second BPM : 140@{ub} @ENDNODE @NODE CommsHome "TP-Files.Guide:CommsHome" @{bg text} @{bg back} @{fg text}@{b}The Problem Comms Department Home Page@{ub} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{" " LINK CommsBBS} @{b}TP's Bulletin Boards@{ub} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} All the TP boards and affiliate boards! @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{" " LINK CommsNews} @{b}Comms News@{ub} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} What are those sysops doing with their BBSes? @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{" " LINK TPAdd} @{b}We are still looking for new sysops to join us!@{ub} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{fg shine}100010111100101101101011100000111101000110101011110 @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{fg back}@{bg text}@{u} @{bg back}@{uu} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text}@{u} @{bg back}@{uu} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text}@{u} @{bg back}@{uu} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @ENDNODE @NODE CommsBBS "TP-Files.Guide:CommsHome/CommsBBS" @{b}@{fg text}All TP's BBSes...@{ub} The Problem distinguises two forms of BBSes in their catalogue:@{bg text} @{fg back}Offi@{bg back}@{fg text}cial TP Boards and Affiliate TP Boards. The difference? The sy@{bg text}@{fg back}s@{bg shine}@{fg text}o@{bg text}@{fg back}ps of @{bg back}@{fg text}the Official TP Boards are Artists of The Problem, those of th@{bg text}@{fg back}e@{bg shine} @{bg text}affilia@{bg back}@{fg text}te boards are, for several reasons (for example already bein@{bg text}@{fg back}g@{bg shine} @{bg text}member @{bg back}@{fg text}of something else), not. Both types of BBSes should have most o@{bg text}@{fg back}f ou@{bg shine}@{fg text}r@{bg text}@{fg back} re@{bg back}@{fg text}- leases online! @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back}@{b}The Official The Problem Boards: @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{" " LINK TZoneBBS} The Twilight Zone @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK PentheBBS} Penthe @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{" " LINK TyphoonBBS} Typhoon Lagoon @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg back}The Affiliate The Problem Boards: @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{" " LINK GrafixBBS} The Grafix Attack @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{" " LINK ThunderBBS} Thunderdome @{bg text} @{bg back} @{bg back} @{" " LINK ZooropaBBS} Zooropa @{ub}@{uu}@{fg text}@{bg back} @ENDNODE @NODE TZoneBBS "TP-Files.Guide:CommsHome/CommsBBS/TZoneBBS" @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{fg back}@{u} @{bg fill}@{uu}@{fg text} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg 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shine}...@{bg back} @{bg shine}...@{bg fill} @{bg back} @{bg shine}... @{bg back} @{bg shine}...@{bg back} @{bg fill} @{bg back} @{bg shine}...@{bg back} @{bg shine}...@{bg fill} @{bg shine}...@{bg back} @{bg shine}...@{bg back} @{bg shine}...@{bg back} @{bg shine}...@{bg back} @{bg fill} @{bg back} @{bg shine}...@{bg back} @{bg shine}...@{bg back} @{bg fill} @{bg text} @{bg back} @{bg shine}... @{bg back} @{bg shine}...@{bg fill} @{bg text} @{bg back} @{bg shine}...@{bg back} @{bg shine}...@{bg back} @{bg shine}...@{bg back} @{bg shine}...@{bg back} @{bg shine}...@{bg back} @{bg shine}...@{bg back} @{bg fill} @{bg text} @{bg back} @{bg shine}..........@{bg back} @{bg fill} @{bg back} @{bg shine}... @{bg back} @{bg shine}:::@{bg fill} @{bg back} @{bg shine}:::@{bg back} @{bg shine}:@{bg back} @{bg shine}:::@{bg back} @{bg shine}:::@{bg back} @{bg shine}:::@{bg back} @{bg shine}:::@{bg back} @{bg shine}:::@{bg text} @{bg fill} @{bg back} @{bg shine}::::@{bg back} @{bg shine}:::@{bg back} @{bg shine}:::@{bg back} @{bg text} @{bg fill} @{bg shine}::: @{bg back} @{bg shine}:::@{bg back} @{bg shine}:::@{bg back} @{bg shine}:::::@{bg back} @{bg shine}:::@{bg back} @{bg shine}:::@{bg text} @{bg shine}:::@{bg back} @{bg shine}:::@{bg back} @{bg shine}:::@{bg fill} @{bg back} @{bg shine}:::@{bg back} @{bg shine}:::@{bg back} @{bg shine}:::@{bg back} @{bg fill} @{bg shine}::: @{bg back} @{bg shine}:::@{bg back} @{bg shine}:::::@{bg back} @{bg shine}:::::@{bg back} @{bg shine}:::@{bg fill} @{bg shine}::::::::@{bg back} @{bg shine}:::@{bg back} @{bg shine}::::::::@{bg back} @{bg shine}:::@{bg back} @{bg shine}:::@{bg back} @{bg shine}::: @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg shine}::::::@{bg back} @{bg shine}:::::@{bg back} @{bg shine}::@{bg back} @{bg shine}::@{bg back} @{bg shine}::::: @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg shine}::@{bg back} @{bg shine}::@{bg back} @{bg shine}::@{bg back} @{bg shine}:::@{bg back} @{bg shine}::@{bg back} @{bg shine}::@{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg shine}::@{bg back} @{bg shine}::@{bg back} @{bg shine}::@{bg back} @{bg shine}::@{bg back} @{bg shine}:@{bg back} @{bg shine}::@{bg back} @{bg shine}::::@{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg shine}::@{bg back} @{bg shine}::@{bg back} @{bg shine}::@{bg back} @{bg shine}::@{bg back} @{bg shine}:::@{bg back} @{bg shine}::@{bg back} @{bg text} @{bg back} @{bg text} @{bg shine}::::::@{bg text} @{bg shine}:::::@{bg text} @{bg shine}::@{bg text} @{bg shine}::@{bg text} @{bg shine}::::: @{bg back} @{b}Name : The Twilight Zone @{b}Sysop :@{ub} @{"Folkert de Gans" LINK Folkert} @{b}Cosysops: :@{ub} @{"Arnoud Smit " LINK Arnoud} Jeff Jangli @{b}Phonenumber :@{ub} +31-(0)20-6764584 @{b}Networks :@{ub} UUCP/FIDO/AMY/NLA/DAN/PMNet @{b}What's Online :@{ub} Modules, Demos and Graphics. @{b}The Problem says:@{ub} Folkert is the best sysop there is! Hell, The Twilight Zone is our WHQ!!! It's growing everyday and almost everything is free, including the downloads...(That's his policy, ya know!) Ofcourse there is a special The Problem Collective menu! @ENDNODE @NODE TyphoonBBS "TP-Files.Guide:CommsHome/CommsBBS/Typhoon Lagoon" @{bg back} @{b}Name : Typhoon Lagoon@{ub} @{b}Lifeguard :@{ub} @{"Arnoud Smit " LINK Arnoud} @{b}Ass. Lifeguards :@{ub} @{"Folkert de Gans" LINK Folkert} @{b}Phonenumber :@{ub} +31-(0)2975-32521 @{b}Networks :@{ub} NLA/PMNet @{b}What's Online :@{ub} Stuff with a tropical flavor, Blitz support. @{b}The Problem says:@{ub} This BBS is beautiful! Lot's of nice coloured ANSI graphics, and good programmers support aswell. The sysop is a jack of all trades, that is, is you can get a hold of him... @ENDNODE @NODE PentheBBS "TP-Files.Guide:CommsHome/CommsBBS/Penthe" @{fg shine}@{bg fill} . . . .. . .. . . . . . . . . . . _ . _ . _ . _. . _ . _ . __ . __ . ___ . ./ \ . / \ / \ . / \ / \ / \ . / / / / / __) . / O \ / O \ / _ \ / _ \ / /. / O \ _ . / / . / / / ( . . / ____)/ ____)/ / ) )/ / \_)/ ( / ____) / \ / \ / \ . \ \ / / / (___ / / / // / . / /\ \/ (___ \_/ / o \ / o \ __) / . . \/ . \____//_/ /_//_/. /_/ /_/\____/ . \____/ \____/ (___/ . . . ....... .. . . . . . . . . @{bg back}@{fg text} @{b}Name : Penthe@{ub} @{b}Sysop :@{ub} @{"Leo Elsinga" LINK Leo} @{b}Cosysops :@{ub} Mark de Bruijn @{b}Phonenumber :@{ub} +31-(0)1736-98146 @{b}Networks :@{ub} NLA/PMNet @{b}What's Online :@{ub} Quality Music and groovy utils!!! @{b}The Problem says:@{ub} The first BBS ever to be called by TP! The sysop is really nice and he will see to it that only the best music gets a place on his BBS. So everything should be worth downing! @ENDNODE @NODE GrafixBBS "TP-Files.Guide:CommsHome/CommsBBS/Grafix Attack" @{bg back} @{b}Name : The Grafix Attack@{ub} @{b}Sysop :@{ub} Kees Huizer @{b}Cosysops :@{ub} Edwin Rusche @{b}Phonenumber :@{ub} +31-(0)10-4745816 -4741062 -4744682 @{b}Networks :@{ub} NLA/PM_Net/Fido/UUCP/Amy/LDY/Anime @{b}What's Online :@{ub} Lot's of grafix (Manga!) and utils!!! @{b}The Problem says:@{ub} Probably one of the largest Amiga only BBSes in the Netherlands. You just GOT to have an account here! Everything that's something is here! Besides that, the sysop is always around and will to help you with anything. @ENDNODE @NODE ThunderBBS "TP-Files.Guide:CommsHome/CommsBBS/Thunderdome" @{bg back} @{b}Name : Thunderdome@{ub} @{b}Sysop :@{ub} Giz @{b}Cosysops :@{ub} ???? @{b}Phonenumber :@{ub} +31-(0)50-188054 @{b}Networks :@{ub} - @{b}What's Online :@{ub} Lot's of music stuff! @{b}The Problem says:@{ub} This board is a bit underground. Next to TP releases it also supports !RAMP! and Crazy Acid modules. Besides, it's an Overlords BBS...The sysop is online quite often! @ENDNODE @NODE ZooropaBBS "TP-Files.Guide:CommsHome/CommsBBS/Zooropa" @{bg back} @{b}Name : Zooropa@{ub} @{b}Sysop :@{ub} One @{b}Cosysops :@{ub} Solo Tib Crew One Tefflar @{b}Phonenumber :@{ub} +31-(0)53-328902 @{b}Networks :@{ub} - @{b}What's Online :@{ub} Raytracing gear! @{b}The Problem says:@{ub} If I wouldn't have know any better, I would have thought that this board is a U2 support board. If you are a raytracer, call! The board is actually a Genetics board. The Problem and Genetics have a history together, because they both left the (now-dead) DD Style to continue for them selves! TP made the music for their forthcoming BBS promo-demo. TP used @{"The Love Party 2" LINK Loveparty2} for it! In return One has raytraced some stunning Logos for @{b}The Problem@{ub}. @ENDNODE @NODE CommsNews "TP-Files.Guide:CommsHome/CommsNews" @{b}What's new in the world of comms?@{ub} @{b}Penthe Music Net@{ub} There is one big new thing, and it is called @{b}Penthe Music Net@{ub}!!! Penthe Music Net (PM_Net) is a new music network (I wouldn't have noticed! -Ed.) that covers all forms of music. House/Techno/Rock/Hip Hop etc. There are areas that cover: MIDI, General Chat, New Module Releases, Demos etc. Next to that, if you become a point of PM_Net you will receive all the latest releases from @{b}The Problem@{ub} through the socalled 'tick-' or file-areas. When you collect your mail, the modules will be automatically sent with it! Cool huh? These are the BBSes where you can get PM_Net! @{u}Name: Number: Sysop: Nodenumber:@{uu} Grafix Attack 010-4741062 Kees Huizer 17:100/100 Penthe BBS 01736-98146 Leo Elsinga 17:100/101 Backstage BBS 053-300^288 Selim Yilmaz 17:100/102 Double Impact 01819-19936 Jacob Van Balen 17:100/103 The Hell 070-3468783 Robin Vermaat 17:100/200 Droopy BBS 070-3462376 Jascha Hoogenraad 17:100/201 Twilight Zone 020-6764584 Folkert De Gans 17:200/100 Amiga Connection 02503-25063 Tom de Ruyter 17:200/101 @{b}Triple Vision Mailing List@{ub} Secondly, the dutch Jungle import firm called @{b}Triple Vision@{ub} has started a mailinglist. This list is managed by TP's very own Solution and will give you updates of all available new jungle releases! To get yourself connected to this list, send an E-Mail to: @{b}solution@twilight.xs4all.nl@{ub} and you will receive a confirmation of your subscribtion. The service is complete free and you are not obliged to buy anything or become a member of Triple Vision. @{ub}=> Anyone can subscribe!!! <=@{b} So do it! @ENDNODE @NODE Folkert "TP-Files.Guide:Artists/Folkert @{b}Hellraiser@{ub} -------------------------------------------------------- Full first name : Folkert @{" " LINK FolkertQuote} Read his quote... Last name : de Gans Town : Amsterdam Country : The Netherlands Telephone number : - Private - E-Mail : FIDO: 2:280/315.0 NLA: 14:102/101.0 AMY: 39:150/108.0 PMNet: 17:200/100.0 UUCP: fdg@twilight.xs4all.nl Age : 22 Equipment : 2x Amiga 2000/030/Dual CD-Rom/+500MB HD (BBS) Amiga 4000/030/VLAB (Fav. Toy!) Occupation : Student at training school for Cooks -------------------------------------------------------- Department : The Problem Comms Dept. Function(s) : Sysop -------------------------------------------------------- Comment : The complete vidiot (literally 100s of tapes!) @ENDNODE @NODE Arnoud "TP-Files.Guide:Artists/Arnoud" @{b}Grinder@{ub} -------------------------------------------------------- Full first name : Arnoud @{" " LINK ArnoudQuote} Read his quote... Last name : Smit Town : Uithoorn Country : The Netherlands Telephone number : +31-(0)2975-66486 E-Mail : NLA: 14:102/111.0 Age : 26 Equipment : Amiga 2500/030 550MB HD 5MB Ram Amiga 500 20MB HD 2MB Amiga CD32 Occupation : Weather Man at Schiphol Airport -------------------------------------------------------- Department : The Problem Comms Dept. Function(s) : Sysop Coder -------------------------------------------------------- Comment : A real jack of all trades! @ENDNODE @NODE Leo "TP-Files.Guide:Artists/Leo" @{b}Leo Elsinga@{ub} -------------------------------------------------------- Full first name : Leo @{" " LINK LeoQuote} Read his quote... Last name : Elsinga Town : Pijnacker Country : The Netherlands Telephone number : - Private - E-Mail : PMNet: 17:100/101.0 UUCP: leo@grafix.xs4all.nl Age : 29 Equipment : Amiga 2000 Amiga 500 Occupation : - Private - -------------------------------------------------------- Department : The Problem Comms Dept. Function(s) : Sysop -------------------------------------------------------- Comment : The man behind @{"PMNet" LINK Commsnews}! @ENDNODE @NODE FolkertQuote "TP-Files.Guide:Artists/Folkert/FolkertQuote" @{bg fill} @{bg back} @{bg fill} @{bg back}@{fg text}@{b}Qu@{bg fill}ote@{bg back}:@{bg fill}@{ub} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back}@{fg shine}The @{bg fill} @{bg back}fir@{bg fill}s@{bg back}t t@{fg text}ime I heard a module by @{fg shine}The Problem was way b@{fg text}ack in '93, it was @{fg shine}one@{bg fill} @{bg back} of@{bg fill} @{bg back} th@{fg text}e first they ever rele@{fg shine}ased called 'HellsPart@{fg text}y'. From that time @{fg shine}on, I wa@{fg text}s sold, I was one @{fg shine}of their biggest fans. @{fg text}I just HAD to be a @{fg shine}member, @{fg text}but since I don't know @{fg shine}a thing about music I @{fg text}suggested I could run @{fg shine}a suppo@{fg text}rt board, and I did. @{fg shine}From that time on The @{fg text}TWiLiGHT Zone BBS has @{fg shine}been t@{fg text}he one and only Supp@{fg shine}ort Board for the Prob@{fg text}lem, let's call it WHQ@{fg shine}! Thanks @{fg text}to The Problem for tr@{fg shine}usting me! Now that t@{fg text}he Problem founded the@{fg shine}ir own c@{fg text}ollective, nothing much @{fg shine}will change on the BB@{fg text}S, except for the fact @{fg shine}we migh@{fg text}t get more stuff comin@{fg shine}g out! I would like t@{fg text}o take this opportunit@{fg shine}y to tha@{fg text}nk all the users that @{fg shine}have supported the Pr@{fg text}oblem, and all the fan@{fg shine}s out th@{fg text}ere. Some of the m@{fg shine}od's on the BBS are th@{fg text}e most frequently donw@{fg shine}loaded f@{fg text}iles EVER, for insta@{fg shine}nce The TWiLiGHT Zon@{fg text}e BBS Support module h@{fg shine}as been @{fg text}downloaded a staggeri@{fg shine}ng 39 times!! I ha@{fg text}ve PC users calling my @{fg shine}BBS for @{fg text}Problem Mod's, that'@{fg shine}s all they want. @{fg text}Now I have written en@{fg shine}ou@{bg fill}gh,@{bg back} @{bg fill}I'm @{bg back}@{fg text}signing off... Remem@{fg shine}ber: A Problem Mod a @{fg text}day, keeps the doctor @{fg shine}awa@{bg fill}y!!@{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{fg fill}The skin is still rocking.... N-JOY!! @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back}@{fg text} Signed: Folkert @ENDNODE @NODE ArnoudQuote "TP-Files.Guide:Artists/Arnoud/ArnoudQuote" @{fg text}Quote @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back}@{fg shine}Hm@{bg fill}m@{bg back}..@{bg fill} @{bg back} Some wor@{fg text}ds from me. Th@{fg shine}e Problem and me. @{fg text}When was my first @{fg shine}e@{bg fill}n@{bg back}co@{bg fill}u@{bg back}nter with @{fg text}The Problem? Mu@{fg shine}st have been at least a @{fg text}year ago when the @{fg shine}board where I'@{fg text}m co-sysop became @{fg shine}the first ever official @{fg text}Problem site. Now @{fg shine}I've got my ow@{fg text}n board, and ofcou@{fg shine}rse, right from the beg@{fg text}inning, I putted all @{fg shine}the Problem @{fg text}modules on-line. @{fg shine}Those modules. Don't @{fg text}ya love them? So you @{fg shine}can imagine @{fg text}that I didn't @{fg shine}hesitate when The Probl@{fg text}em asked me to take m@{fg shine}y board one @{fg text}step further and b@{fg shine}ecome a part of the Pro@{fg text}blem Comms section. @{fg shine}So here I am. @{fg text}Thinking of some@{fg shine}thing to write over her@{fg text}e. So, ya know I've @{fg shine}got a board @{fg text}up and running, @{fg shine}but what else do I @{fg text}use my setup for? W@{fg shine}ell, graphics @{fg text}is one thing, @{fg shine}coding the other. Eno@{fg text}ugh to keep my days f@{fg shine}illed with A@{fg text}miga pleasure. We@{fg shine}ll, enough about me, ti@{fg text}me for you to read on@{fg shine}.@{bg fill} @{bg back} @{bg fill}I'@{bg back}m outta @{fg text}here. @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} Greetz from Grinder..@{bg fill}.@{bg back}..@{bg fill}. @ENDNODE @NODE LeoQuote "TP-Files.Guide:Artists/Leo/LeoQuote" Not finished yet... @ENDNODE @NODE StoryHome "TP-Files.Guide:StoryHome" @{b}The Stories Department Home Page@{ub} @{" " LINK GuideStuff} @{b}The Big Guide To Stuff@{ub} TP Artists give you tips on TV-@{bg shine}series, Movies, Video, Books etc@{bg back}. @{bg shine} @{bg fill} @{bg back} @{" " LINK Cuts} @{b}The Problem's Essential Cut@{bg shine}s@{ub} @{bg fill} @{bg back} The most essential records of t@{bg shine}he moment according to TP. @{bg fill} @{bg back} @{bg shine} @{bg fill} @{bg back} @{" " LINK WC} @{b}The Wanda and CSilla story @{bg shine} @{ub} @{bg fill} @{bg back} These are the last chapters for@{bg shine} the moment. Wether there will b@{bg fill}e @{bg back}a sequal we don't know yet. @{bg shine} @{bg fill} @{bg back} @{bg shine} @{bg fill} @{bg back} @{" " LINK Mail} @{b}The Mailbox @{bg shine}@{ub} @{bg fill} @{bg back} A letter sent to TP HQ by an an@{bg shine}gry father. Read why! @{bg fill} @{bg back} @{bg shine} @{bg fill} @{bg back} @{" " LINK Story1} @{b}The Collector @{bg shine}@{ub} @{bg fill} @{bg back} A story by Solution. @{bg shine} @{bg fill} @{bg back} @{bg shine} @{bg fill} @{bg back} @{" " LINK TPOpi} @{b}Outside Opinions @{bg shine}@{ub} @{bg fill} @{bg back} What's the word on the informatio@{bg fill}n-superhighway? @{bg back} @{" " LINK ZAM} @{b}ZAM, John Major's choice!@{ub} Read all about this fabulous project and not much else besides. @{bg back} @{" " LINK StoryNews} @{b}The Stories Department News Page@{ub} What are they working on right now while you are reading this? @{bg back} @{" " LINK TPAdd} @{b}We are still looking for talented writers!@{ub} @ENDNODE @NODE Mail "TP-Files.Guide:StoryHome/Mail" @FONT Times.font 13 Recently @{b}The Problem@{ub} received the folloing snail-mail: @{b}To Whom It May Concern, I am a 43 year-old father. The reason why I write this letter is the injury that caused my son, and to which I hold the people who call themselves "The Problem" personally responsible.@{ub} Yesterday, my 18 year-old son, Dennis, fell of his chair and broke both his legs and one arm. Dennis' mental status and social behaviour had been transformed into something...I would call it primitive, over the last four weeks, and this horrifing climax could have somehow been foreseen. My son, who is a very extrovert and decent boy, recently purchased a so called @{b}'modem'@{ub},whith which,so he told me,he could communicate with other people. I didn't think any bad of it, social development being a good thing. At the beginning, everything seemed alright. He just spent a little more time on his room, and the phonebill increased a bit. However, after a week or two, @{b}I frequently caught him mumbling. It sounded like he was trying to sing@{ub}, but somehow he couldn't pronounce the lyrics. It sounded a bit like the strange noise that kept coming from his room, I can't really explain how it sounds. I don't suppose you call that music, do you? Anyway, if it were only for the mumbling and the phonebill it would have been o.k. Only it didn't. Dennis suddenly felt the need to eat strange looking chips,I believe you call them @{b}@{"Bugles" LINK BuglesText}@{ub}. And I mean lots of 'em. In fact, he ate 15 bags in one week. (I dont know what they put in those things, but @{b}at a certain stage I even thought his face turned @{u}yellow and ribbled@{uu}@{ub}.) The situation was not funny anymore, because he was often too stuffed with @{"Bugles" LINK BuglesText} to eat his meal. I thought I could end it by declaring that I was no longer willing to pay for his addiction, but that didn't turn out effective. Unfortunally, he found various ways to obtain money. He started, for instance, selling perfectly good CD's. Now does that make any sense? I have to admit that I'm not attracted to the genre, @{b}but why would one sell his `Two-Unlimited' CD's?@{ub} And why did he sell his brandnew Pentium-pc, and bought a second-hand Amiga instead? I mean, he was @{b}really@{ub} declining. And then it happened. I was on my way back from home, and when I passed my son's window, I witnessed the whole accident. Dennis was lifting himself on his chair. He wanted to attach a silly poster on the wall, which read something like `How About A Bugle'-The Problem. But then he did something that must be every father's nightmare-@{b}he started dancing on his chair!@{ub}. Even from the outside I could hear the usual, mindnumbing beats, and this, together with those dangerous and addictive @{"bugles" LINK BuglesText} must have caused the state of mind Dennis was in at that moment. I saw him losing his balance, helplessly waving his arms when he fell. And let me tell you, that fall wasn't a pretty sight. I already mentioned the outcome of the accident, and right now my laywer is looking for any legal steps to be taken against `The Problem'. Dangerous, fanatic maniacs like them should be stopped, and if possible, I would personally see to their emprisonment. This declamation probably wont stop "The Problem" from producing and distributing their perversions, but hopefully it will convince you to @{b}remove "The Problem"from your hard disk - @{u}For Good!@{ub}@{uu} Yours, H.M.Fischer @{b}@{i}Dear mister Fischer,@{ub} First of all, our deep condolences for what has happened. We are very sorry to hear that Dennis isn't going to be able to walk, or dance or whatever for a while. However,`The Problem' doesn't accept ANY responsability @{b}whatsoever @{ub}. Infact, we think that YOU are the maniac here, accusing us of irresponsible and dangerous behaviour. What do you think we are, the devil?(No comment-Ed.) `The Problem Legal Dept.' is ready for you, and to Dennis: you still have one hand to type and eat @{"bugles" LINK BuglesText} with left! Good Luck!!! The Management...@{ui} @ENDNODE @NODE Story1 "TP-Files.Guide:StoryHome/Story1" @{b}The Collector@{ub} The doorbell rang with a sharp sound. Mr. Higgins opened the door. On the doorstep was a blond girl, probably about 11 or 12 years old, with a bit of a wavery look on her face. "Good afternoon...Are you Mr. Higgins?" she asked with a careful voice. "Yes...I am...and you are?" "Amy Peterson...from the schoolpaper...We spoke on the phone...about the interview" "Oh yes! That's true, do come in!" Amy stepped over the threshold and came inside the hall. It was a small room with a mirror and a hatrack. There were two doors, probably one for the toilet. Mr. Higgins stood in the other doorway. It was quite warm inside the house, a kind of temperature usually associated with older people. Mr. Higgins was "older", about 65, but he still looked rather solid, not weak like Amy's grandfather had been at that age. On the hatrack there where two coats. One battered Barbour, Amy presumed of Mr. Higgins, and an other, smaller, a ladies jacket...Perhaps the coat of Ms. Higgins, perhaps a bit small for the wive of this man, but love is strange...You can expect anything! After putting her coat on a peg, she walked inside the livingroom. A heavy, brownish, pluche couch and matching chair and table we're about the only furniture, while the wall was filled with pictures. One guy kept returning on the photos and Amy decided that that had to be Mr. Higgins in younger days, on safari, on a raft on some big tropical river and with one of those typical helmets they used to wear those days. On some photos he had a gun and on others a big net with him. The ex-explorer asked her to sit down and Amy did, in the far corner of the big couch. "Let's begin then..." said Amy looking a her list of questions she had prepared. "What made you go to all these far away countries? Was it the adventure?" "Well, ofcourse it was adventurous but it had more to do with my one hobbies...I used to collect butterflies.". "You do? Sounds nice! So you went on all these long trips just catch butterflies?" "Yes...Would you like a cup of tea by the way?" "Oh yes, I'd really like to have some, it was quite a long bicycle ride...". The butterfly-collector shoveled away into the kitchen. You could hardly hear him walk. "That's probably the way he caught those butterflies...he sneaked up behind them and then caught them with a quick swoop of his net..." shot through Amy's mind. Noises of cups being taken from shelves and water being poured into a cettle came from the kitchen. "It used to be quite an obsession of me, butterfly collecting." said Mr. Higgins from the kitchen. Even though she had only just met him, Amy had memorized his face already. A typical single older man, probably forgotten to shave himself and put on new clothes. He had a distinguished voice and talked in a relaxed way. it sounded like he always was on top of the situation. The heat in the house was beginning to become a little opressive. "Oh..." "I used to do anything to enlarge my collection you know" said Mr. Higgins as he re-entered the halfdark room with two cups of tea in his hands. "I'm sorry I have nothing else to offer you, I forgot to buy some cookies." "Quite a peculiar hobby isn't?" "What? Oh, butterflies, well I don't think so...Lot's of people do it." "Did you say 'used to'?" "Yes..." "Not anymore? Why not?" "I was getting to old for it I gues..." "Oh...What do you do now?" "Oh I found other things to collect..." "Like stamps?" "Something like that yes...Would you like to see the butterfly collection?" "Well...Yes! Why not? I've never seen a butterfly collection before." "It's upstairs, just follow me..." The shadey, unshaven Mr. Higgins opened a door behind which was a small staircase. He climbed up with the agileness of a butterfly, something you wouldn't expect if from him. "Must be from running after all those butterflies..." Amy thought "I bet he could still do it!" and aloud "Do you live here all by yourself?" "Eeeeerm...Yes..." Upstairs was a small room with lots of glass cases in it. On standards, along the wall, others on the floor, and all containing different butterflies. Big red ones, small blueish ones, with stripes, dots, or swirly patterns on their backs. "Woooow" said Amy to herself, almost in trance from all the those insects on display. She wrote several things on her clipboard. "This ought to become quite a story for the schoolpaper" thought the schoolgirl. "I have to get something from downstairs, just take your time...I'll be back in a moment" said Mr. Higgins who had been watching Amy with a peculiar smile on his face. Amy let her eyes glide along all the butterflies on the wall. Next to every one the pupated caterpillars were a small cards with strange names on them, like "Polygonia C-album", "Lycaena phlaeas" and "Lasiommata megara". She heared the stumbling Mr. Higgins downstairs. Her eye caught a clipboard, very much like hers. I had 'Mr. Higgins, collects butterflies' written on it. It didn't interest her much, the butterfly were much more interesting. She continued along the long line of spiked butterflies. One of the specimen caught her attention. The card said 'Acherontia atropos', it was a big one, with a strange drawing on his back...it looked like a skull. She was so enchanted by the alienlike butterfly that she didn't notice when Mr. Higgins sneaked up behind her and she didn't even scream when he caught her with a quick swoop of his net. "For my new collection..." he said to himself with that distinguished voice and that same peculiar, mysterious smile on his face. @{b}The End.@{ub} Solution: I can't remember where the idea came from, perhaps I read it somewhere before! Still, if it does exists, I didn't copy anything but the idea. The story itself is 100% my work... @ENDNODE @NODE GuideStuff "TP-Files.Guide:StoryHome/GuideToStuff" @{bg back} @{u} @{uu} @{u} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back}@{uu} @{fg text}| | | | | | | | | | | | | | | @{u}| | | | | | | | | | | | | | | @{uu} @{u} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{uu} @{bg back} @{b}The Big The Problem Guide To Stuff... Anything that The Problem finds interesting can be found here. All The Problem Artists can write in, and tell the people about the book they read lately, the movies or TV-series they saw or whatever comes to their mind.@{ub} @{fg shine}X-Files (TV) For people@{bg text} @{bg back}who li@{bg text}ke@{bg back} to spen@{bg text}d thei@{bg back}r@{bg text} TV-@{bg back}e@{bg text}ve@{bg back}ning @{bg text}sittin@{bg back}g o@{bg text}n the@{bg back} tip of their chairs, X-F@{bg text}il@{bg back}es i@{bg text}s @{bg back}the numbe@{bg text}r @{bg back}one ch@{bg text}oi@{bg back}ce@{bg text}. @{bg back} Broa@{bg text}dc@{bg back}asted @{bg text}on@{bg back} BBC2 on thursday evenings and o@{bg text}n Ve@{bg back}ronic@{bg text}a on@{bg back} t@{bg text}uesd@{bg back}ays,@{bg text} i@{bg back}t @{bg text}dr@{bg back}aws t@{bg text}he v@{bg back}iewer@{bg text} int@{bg back}o a world full of strange e@{bg text}vent@{bg back}s and wei@{bg text}rd@{bg back} scie@{bg text}nc@{bg back}e.@{bg text} @{bg back} Two @{bg text} F@{bg back}BI agents @{bg text}in@{bg back}vestigate the unexplained.@{bg text} @{bg back}Thei@{bg text}r @{bg back}slogan is@{bg text} "@{bg back}The Tr@{bg text}ut@{bg back}h @{bg text}Is@{bg back} Out @{bg text}Th@{bg back}ere". 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(Solution) (Editors Note: X-Files season 1 has finished, season 2 will begin at the end of this year!) @{fg text} @{bg back} @{u} @{uu} @{u} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back}@{uu} @{fg text}| | | | | | | | | | | | | | | @{u}| | | | | | | | | | | | | | | @{uu} @{u} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{uu} @{bg back} @{fg fill}The Stand (Video) Staying on the mystery track,@{bg text} 'The S@{bg back}t@{bg text}and' by @{bg back}St@{bg text}ephen@{bg back} K@{bg text}in@{bg back}g i@{bg text}s @{bg back}a@{bg text}lso @{bg back}strongly recommended, that is, if @{bg text}yo@{bg back}u got time@{bg text} o@{bg back}n yo@{bg text}ur@{bg back} si@{bg text}de@{bg back}.@{bg text} @{bg back}Why@{bg text}? @{bg back} @{bg text}Be@{bg back}c@{bg text}au@{bg back}se this tale @{bg text} about @{bg back} @{bg text}t@{bg back}he @{bg text}e@{bg back}nd@{bg text} of t@{bg back}he w@{bg text}or@{bg back}ld as we k@{bg text}no@{bg back}w it@{bg text} s@{bg back}pan@{bg text}s @{bg back}a@{bg text}bou@{bg back}t @{bg text}6 @{bg back}h@{bg text}ou@{bg back}rs@{bg text}. @{bg back}Sounds boring? @{bg text} @{bg back} Tha@{bg text}t@{bg back}'s @{bg text}w@{bg back}ha@{bg text}t@{bg back} we thoug@{bg text}ht! Lu@{bg back}ckil@{bg text}y @{bg back}for @{bg text}us (and@{bg back} @{bg text}you)@{bg back} @{bg text}it@{bg back} @{bg text}is@{bg back}n't@{bg text}. @{bg back} When you sta@{bg text}r@{bg back}t in@{bg text} the @{bg back}ea@{bg text}rly @{bg back}afternoon yo@{bg text}u'@{bg back}ll @{bg text}re@{bg back}aliz@{bg text}e @{bg back}it'@{bg text}s @{bg back}d@{bg text}in@{bg back}n@{bg text}erti@{bg back}m@{bg text}e @{bg back}bef@{bg text}or@{bg back}e you know it.@{bg text} @{bg back}Step@{bg text}h@{bg back}en @{bg text}K@{bg back}in@{bg text}g@{bg back}'s best movie e@{bg text}ve@{bg back}r! @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} (AlcoRhythm&Solution) @{fg text} @{bg back} @{u} @{uu} @{u} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back}@{uu} @{fg text}| | | | | | | | | | | | | | | @{u}| | | | | | | | | | | | | | | @{uu} @{u} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{uu} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{fg shine}The Hitchhikers Guide To The @{bg fill}Galax@{bg back}y@{bg fill} (Book) @{bg text} If it's hilarity you a@{bg fill}re@{bg back} @{bg fill} l@{bg back}ookin@{bg fill}g for, @{bg back}look@{bg fill} n@{bg text}o further than 'The Hitch Hikers Guide To The @{bg fill}Gala@{bg back}xy' the f@{bg fill}a@{bg back}bulous tr@{bg fill}ilogy@{bg text}-in-five-parts (???) by Douglas Adams. Absurd @{bg fill}coin@{bg back}cidences, the@{bg fill} @{bg back}ans@{bg fill}we@{bg back}r @{bg fill}to th@{bg text}e ultimate question of life, the universe a@{bg fill}nd @{bg back} everyth@{bg fill}ing@{bg back}, @{bg fill}an@{bg back}d pe@{bg fill}r@{bg back}ha@{bg fill}p@{bg back}s @{bg fill}ev@{bg text}en the question to the answer to the ultimate @{bg fill}ques@{bg back}t@{bg fill}i@{bg back}on @{bg fill}of life,@{bg back} the u@{bg fill}niv@{bg back}er@{bg fill}se@{bg text} and everything. Are rats the most intel@{bg fill}lige@{bg back}nt li@{bg fill}ving org@{bg back}anism@{bg fill}s i@{bg back}n @{bg fill}th@{bg text}e entire universe? Can you really travel throu@{bg fill}gh al@{bg back}l po@{bg fill}ints in@{bg back} space@{bg fill} at t@{bg text}he same time? What does God say?!? @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg text} @{bg fill} @{bg back} @{bg fill} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} (AlcoRhythm&Solution) @{fg text} @{bg back} @{u} @{uu} @{u} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back}@{uu} @{fg text}| | | | | | | | | | | | | | | @{u}| | | | | | | | | | | | | | | @{uu} @{u} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{uu}@{ub}@{uu}@{fg text}@{bg back} @{b}Jurassic Park@{ub} @{bg fill} @{bg back}Steven Spielberg's amazing movi@{bg fill}e, you probably know al@{bg back}l about it. But have you really seen it? I mea@{bg fill}n, do you know everythin@{bg back}g that is happening? Well, I just finished watchi@{bg fill}ng the @{bg back}video for t@{bg fill}he 7th@{bg back} or 8th time. To my surprise I saw something I hadn@{bg fill}'t seen@{bg back} before and @{bg fill}I don@{bg back}'t understand it! I take it that if you know t@{bg fill}he film@{bg back}, you also r@{bg fill}ememb@{bg back}er the scene where a gassed jeep is being chased@{bg fill} by t@{bg back}he animated@{bg fill} T-Rex@{bg back}. At a certain time during this scene you see the @{bg fill}T-Rex in the rear-view m@{bg back}irror running behind the jeep, and closing in fast.@{bg fill} It looks quite unreal@{bg back}istic, as many people would agree, because the Tyran@{bg fill}nosaurus is way too cl@{bg back}ose to it. But... on the mirror itself are two @{bg fill}white @{bg back}lines of text, which are not really readable if you don't freez@{bg fill}e the @{bg back}image at this point. 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You@{bg back} @{bg shine}can't @{bg back}aff@{bg shine}o@{bg back}rd t@{bg shine}o miss@{bg back} @{bg shine}t@{bg back}his @{bg shine}o@{bg back}ne! @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} (Solution) @{bg back} @{u} @{uu} @{u} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back}@{uu} @{fg text}| | | | | | | | | | | | | | | @{u}| | | | | | | | | | | | | | | @{uu} @{u} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{uu} @{bg back} @ENDNODE @NODE Cuts "TP-Files.Guide:StoryHome/Cuts" @{b}The Problem's Essential Cuts: @{bg text} @{bg back} @{bg fill} @{bg back}The best tracks of the moment according t@{bg text}@{fg back}o The Problem! All styl@{bg shine}@{fg text}e@{bg text}@{fg back}s a@{bg back}@{fg text}re @{bg fill}in @{bg back}here, not just club or techno, but a@{bg text}@{fg back}mbient and jungle aswell.@{bg shine} @{bg text} All the@{bg back}@{fg text}se@{bg fill} @{bg back}tracks are in no particular order, al@{bg text}@{fg back}l are worth checking out!@{bg shine} @{bg text} @{bg back} @{bg fill} @{bg back} @{bg text} @{bg fill} @{bg text} @{bg back} @{bg fill} @{bg back}@{fg text}Groove Yard - Hard Groovin'/W@{bg text}@{fg back}atch Me Now@{ub} @{bg fill}@{fg text}(EC)(Re@{bg back}m@{bg fill}ixes al@{bg text}@{fg back}so available@{bg back}@{fg text}) @{bg back} @{bg fill} @{bg back} @{bg text} @{bg fill} @{bg back} @{bg fill} @{bg text} @{bg back}A real club stomper! Lot's of per@{bg fill}c@{bg back}u@{bg text}@{fg back}ssion and an u@{bg fill}@{fg text}nforgettabl@{bg text}@{fg back}e "break"! @{bg back} @{bg fill} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back}@{b}@{fg text}Upadhmaniya - Hasiya/What's U@{bg fill}p@{ub}@{bg back} (@{bg text}@{fg back}4th Gro@{bg shine}@{fg text}o@{bg text}@{fg back}ve) @{bg back} @{bg fill} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back}@{fg text}Whispers, Didgeridoo samples and extre@{bg fill}me@{bg back}ly high@{bg text} @{fg back}bleeps make th@{bg back}@{fg text}is record an essential one! @{b}Underworld - Born Slippy (Junior Boys Own)@{ub} Woooow! This is a real tribal/trance track. Anyone who has their album 'Dubnobasswithmyheadman' will be very surprised, if not shocked, by this one. It's more like the previous 12" releases of Underworld. Harder and rougher. If you're not a real trance-fan, steer clear of this! Karl Hyde screams his lungs out and the beats keep flying past. If this doesn't put you in a trance, nothing will... @{b}Aphex Twin - Ventolin EP (Warp)@{ub} Richard D. James has done it again! An EP with 6 tracks that are impossible to describe! From strange experimental metal sounds to weird discolike grooves, this EP has everything you can wish for, even one of the most beautiful covers I've ever seen (By The Designers Republic). Remixes by Aphex Twin himself as well as Luke Vibert are also available! @{b}Two On One - Vol. 8 (Moving Shadow)@{ub} Two loooong tracks by two great artists: @{b}Essence of Aura - Northern Lights Foul Play - Cuttin' Loose@{ub} Both are superb intelligent metal jungle (Pffff, a mouthful! -Ed.) the likes of which you don't hear often! @{b}D.O.P.E - Burning/Travelling Remix (Rugged Vinyl)@{ub} The best intelligent Jungle record at the moment! No boring long synths with a very light breakbeat, but a real danceable track with great beats @{bg text}@{fg back}and beaut@{bg back}@{fg text}ifull sounds. The 'burning' sample (ofcourse) @{bg text}@{fg back}was ripped @{bg shine}@{fg text}o@{bg text}@{fg back}ut@{bg back}@{fg text} of Naomi Daniel's - Burning record... @{bg text} @{bg shine} @{bg text} @{bg back} @{fg text} @{ub} @{bg text}@{fg back}@{b}Drum Wa@{bg shine}@{fg text}r@{bg text}@{fg back}riors @{bg back}@{fg text}- Tell 'm What We Need! (Unda'Ground Groove)@{ub} @{bg fill} @{bg text}@{fg back} @{bg back} @{fg text}T@{bg fill}@{fg text}his rec@{bg text}@{fg back}ord has a ha@{bg back}@{fg text}rd jazz groove. Both sides are absolutely wicked! @{bg fill}T@{bg back}h@{bg fill}e beat@{bg text}@{fg back}s are out of@{bg back}@{fg text}the ordinairy! A funky @{bg fill}vibe r@{bg text}@{fg back}ules the A-sid@{bg back}@{fg text}e, while the B-side carries a heavenly mix by Roc&Kato. @{bg fill} @{bg text} @{bg back} @{bg text}@{fg back}@{b}The Blunt Funkers@{bg back}@{fg text} - God's an astro-ų (Country Code 46)@{ub} @{bg text} @{bg back} @{bg text}@{fg back}'Tonight,@{bg back}@{fg text} you leave the natural world behind...' This sample sets the tone for a very good record indeed. It captures the real club-vibe, with a groovy bass and acid-bleeps in the 'original experience'. The stonebridge mix on the other side is equally good, although a bit more on the trance-tip. Strangely enough, Stonebridge (Swemix) are the same guys that did the version of Robin S.'s record 'Luv 4 Luv' that became a hit. Well, I don't recognise any 'Robin S. vibes' in this record, so that can only be a good thing! (Or isn't it?) @ENDNODE @NODE WC "TP-Files.Guide:StoryHome/W&C" @{fg shine}@{b} * @{fg fill} __ __ __ _ _ ___ __@{fg shine} @{fg fill} / ) / \/_ \ / \ / |/ \ /_ \ @{fg shine} * * @{fg fill} / /\/ / L) \ \ || |\ \ L) \ @{fg shine} * * @{fg fill} / / _ | || |/ )_ | @{fg shine} * @{fg fill} \___/\__/|_/ |_|__/\__//____// |_| @{fg shine}AND @{fg fill} ____ ___ ___ __ __ __@{fg shine} * @{fg fill} / _) / )(___) / )/ )/_ \ @{fg shine} * * @{fg fill} | / / / ---- / // // L) \ @{fg shine} * @{fg fill} | \/\\ \/ // // /_ _ | @{fg shine} * * @{fg fill} \____/(___/____)\____)___)/ |_| @{fg shine} @{fg text}@{ub} @{" " LINK WhatsWC} @{b}What is the Wanda&CSilla story anyway? @{" " LINK ShortWC} A short-short version of what happend in the previous episodes.@{ub} @{b}Chapter 29: Voices from within@{ub} Wanda slowly shuffled along the road. Once in a while a car past, but she didn't seem to notice (or she didn't care). Suddenly she decided that it was time to walk faster again. She rose her head and looked around, her eyes half closed. Then she whispered: "This world is sick! SICK! And I am going to fix it". She got over to the middle of the road and started running. "Illiminate the bad..." she whispered, trying to run faster. Her legs soon felt like lead pipes, but she forced them forward and continued doing so until she saw a black limo approaching. Her mind tried to figure out what was happening. The car, like herself, was in the middle of the road. It didn't move fast, but it was getting closer. "I have to move, that thing isn't going to..." she thought to herself. She was still running towards the car, exactly along the white line that marked the midle of the road. "You have to move to the side!" a voice in her head told her. The voice reminded her of someone, a woman. Another voice immediatly answered: "What if you don't?! Keep walking, and all your problems will be solved..." This voice was crystal clear, and easy to recognize. It was her mother!!! Her mother had died long ago...Wanda hated her! "Why should I take YOUR advice?" said Wanda to her mother. @{b}Chapter 30: The Crash@{ub} "Fuck! Pull over! Hit the breaks! Do something!!!" screamed CSilla. William (who had dozed off behind the wheel) suddenly came to life again with a deafening yawn. "Huh? What...Shit!". After producing several meters of black stripes, the car came to a stop, but it was to late. It had hit Wanda already. The Problem burst out of the car and gathered around poor Wanda. They picked her up carefully and put her into the car. Next stop was The Problem HQ. Strangly enough, nothing much seemed wrong with Wanda, just a small concussion. "I've had worse..." she said when she came to. "You liar!" said the rest in chorus. The shock had positive effects too, Wanda didn't want any Bugles anymore, because she was afraid that things like this would happen again. Only after several weeks she could bring her self to be in the same room with a bag of bugles. "What ever happend to Steinberg?" asked CSilla. @{b}Chapter 31: To be concluded...@{ub} "Daylight!", yes, finally after hours of rockclimbing, hole-squeezing and cave-walking the old man saw a spark of light coming from a hole in the ceiling. A few minutes later he found a way out. He pushed away several medium sized rocks, and found himself in a basement of somesort. It wasn't daylight, just a Philips 70W lightbulb, but HEY! what do you expect in a low budget story like this! "Hey! Listen! There's someone in the basement!" said Solution. "Let's check it out" Alco said grabbing an axe. "Where did you get the axe from?" asked Wanda. "I found it...No actually it is my pocketknife in disguise!!! Swiss-army-knifes...they're more than meets the eye!" "A 2nd generation armyknife I presume?" Inifity asked. "No, I inherited it." "OK! Forget abou the Transfo...eeuh armyknife, let's go and....Ooooh! What was it..." "Get the burglar?" Wanda filled in. "Eeeuh yeah!" the DJ said with a sheepish grin. He went to the basement door, grabbing a broomstick in the process. "Alright! I know you're I there! Come out, come out where ever you are!". "Stuff it Infinity!" said Solution "and be quiet!". "Hey! I can hear voice up there! Must be my imagination...All these hours in a cave make a man silly. Alright Steinberg, you silly old bugger, you, go and check it out!". He walked to the basement door and tried to open it. Infinity opened the basement door, or at least he tried to, but he couldn't. "It's stuck!" Let me try offered Solution. The DJ let go and Steinberg, who was at the other side of the door (You still didn't notice it was him?!?! This your first The Problem story or what?) was catapulted backward and landed at the foot of the stairs face down in a pile of rubble. "Who ever it is, he's face down in pile of rubble now!" said Wanda. Alcorhythm walked over to the pathetic looking guy in the pile-o-rubble and pulled him up. @{b}Chapter 32: Being Concluded...@{ub} A few weeks later, in the Music room of the The Problem HQ, the computer's monitor was displaying a scrolling field of numbers. The people in the room (AlcoRhythm, Solution, Infinity, Wanda and CSilla) weren't paying much attention to this though. They were talking about the past few months. "Funny when you come to think about it, Steinberg coming out in our basement and stuff..." Wanda said. "I think we should get back to work by now", said AlcoRhythm. "I mean, what are the odds?" "Let's do something productive okay?" "...Exactly under THIS building. That's like... you know... i mean..." "We could try to sample CSilla's voice!?" "...I can still see him laying there, in the... WHAT?! CSilla?!? What about me then?" "Well, finally somebody who heard me!!" AlcoRhythm yelled. "Now, shall we!?" After three hours of pressing buttons: "Please get the Bugles! This is getting us nowhere!", said Alcorhythm to Solution while he was playing another failing attempt of a module... @{i}The End @{ui} WHAT?!?!? THE END?!? WHAT THE HELL HAPPENED TO 'To be Continued'?!? @{i}Well, it's true, this was the very last episode of the Wanda and CSilla story. The Problem Stories Dept. will be back with other great stories soon...Wether they will be about Wanda and CSilla, we don't know! If you want us to continue, tell us! (For Example by filling in our questionaire!) @{ui} @{b}The Problem Stories Dept. would like to thank the following people for their contribution to this story: Wanda CSilla AlcoRhythm Solution Infinity@{ub} Smiths Bye! All characters in this story, are non-fictional. All similarities with real persons, dead or alive, are intended. The WANDA and CSILLA story is written by The Problem, and may not be continued by anyone else! @ENDNODE @NODE WhatsWC "TP-Files.Guide:StoryHome/W&C/WhatsWC" @{fg shine}@{b}It's the * @{fg fill} __ __ __ _ _ ___ __@{fg shine} @{fg fill} / ) / \/_ \ / \ / |/ \ /_ \ @{fg shine} * * @{fg fill} / /\/ / L) \ \ || |\ \ L) \ @{fg shine} * * @{fg fill} / / _ | || |/ )_ | @{fg shine} * @{fg fill} \___/\__/|_/ |_|__/\__//____// |_| @{fg shine}AND @{fg fill} ____ ___ ___ __ __ __@{fg shine} * @{fg fill} / _) / )(___) / )/ )/_ \ @{fg shine} * * @{fg fill} | / / / ---- / // // L) \ @{fg shine} * @{fg fill} | \/\\ \/ // // /_ _ | @{fg shine} * * @{fg fill} \____/(___/____)\____)___)/ |_| @{fg shine} S T O R Y S A Q! ! ! @{b}What's a SAQ?@{ub}@{fg text} SAQ stands for Sometimes Asked Questions! On this page we will try to answer some of the questions asked sometimes about the Wanda&CSilla story. @{fg shine}@{b}What is it then?@{ub}@{fg text} It is a story by @{b}The Problem Stories Department@{ub} about the Artists of The Problem. How they met, what they do, what they are like and what happend with them by making all these modules. @{fg shine}@{b}Isn't that incredibily boring?@{ub}@{fg text} If you don't like horror, suspence, thrillers, excitement, sex, lots of humour and bugles, then....YES! It's boring... @{fg shine}@{b}Where can I get the rest of this story?@{ub}@{fg text} Just download our previous modules and they'll be there! @{"The SM-EP" LINK SMEP} even contains 9 chapters!!! If you want to know which mod to download for which chapters, just read the @{"modules page" LINK All}!!! @{fg shine}@{b}Will it ever be completely available separately?@{ub}@{fg text} Perhaps...If -Ed. the dictator can be persuaded to do so...(I'll pretend I haven't read this! -Ed.) @{fg shine}@{b}Is it true you are going to stop with the story?@{ub}@{fg text} Well, the story has ended, but if you think we should continue with another story about Wanda, CSilla and the rest, let us know by filling in the questionaire... @{" " LINK WC} Let's just read some! @ENDNODE @NODE ShortWC "TP-Files.Guide:StoryHome/W&C/ShortWC" -TP met Wanda and freed her from an evil witch, who ended up dead! The Police started a Goosechase in which Wanda was captured! She had a broken leg and was taken to hospital by a policeman called Frank who nearly raped her. -TP killed Frank and took Wanda home. The phone company sent someone over to get the money TP had spent on calling Wanda. Her name was CSilla. She joined TP too. -Later TP discovered that Wanda was addicted to @{"Bugles" LINK BuglesText}, so tey took her to a special hospital to kick the habit. -The guy in charge of the hospital remembered something about Bugles from his past and started tearing his house apart to find a hidden map. -When he found it, he wrecked his toilet and fell into it... Then Steinberg found himself in a large cave. -In the cave there are several celebreties, mostly dead, except for...aaargh! 2 Unlimited. They are stuck in a cage. Even though Steinberg has the key he leaves them in! (Good Move -Ed.) -Wanda escaped from hospital! -God becomes very angry for not having enough lines in the story and causes an earthquake which not only almost kills Steinberg but also frees 2 Unlimited from their cage! They go after Steinberg! Because of something 2 U say God gets angry again and the earthquaking business starts all over again! @ENDNODE @NODE TPOpi "TP-Files.Guide:StoryHome/TPOpi" @{b}What do other people say about (releases by) The Problem? @{u} @{uu} @{fg shine}|@{bg fill}@{fg text}@{u}o|Martijn Van Exel about CSilla @{bg back}@{uu}| @{fg shine}| @{fg text}| @{fg shine}| @{fg text}"Weeeeeeelllll, the coolest | @{fg shine}| @{fg text}module I've heard in a long | @{fg shine}| @{fg text}time! Keep it up!" | @{fg shine}|@{u} @{fg text}@{uu}| @{u} @{uu} @{fg shine}|@{bg fill}@{fg text}@{u}o|A fan who's name has temporarily slipped my mind... @{bg back}@{uu}| @{fg shine}| @{fg text}| @{fg shine}| @{fg text}"Keep on making those great mods that make the Amiga proud!"| @{fg shine}|@{u} @{fg text}@{uu}| @{u} @{uu} @{fg shine}|@{bg fill}@{fg text}@{u}o| Richard van der Brugge about The Problem in general @{bg back}@{uu}| @{fg shine}| @{fg text}| @{fg shine}| @{fg text}"I don't have a solution, but I admire The Problem!" | @{fg shine}|@{u} @{fg text}@{uu}| @{u} @{uu} @{fg shine}|@{bg fill}@{fg text}@{u}o|Unknown NLA user about The Problem @{bg back}@{uu}| @{fg shine}| @{fg text}| @{fg shine}| @{fg text}"The Problem? What's that?" | @{fg shine}|@{u} @{fg text}@{uu}| @{fg shine}|@{bg fill}@{u} @{fg text}|/@{bg back}@{uu}| @{u} @{uu} @{fg shine}|@{bg fill}@{fg text}@{u}o| Lee Geary about The Problem in general | | @{bg back}@{uu}| @{fg shine}| @{fg text}| @{fg shine}| Lee Geary is Moderator of INTERNAT_UK - Complete @{fg text}| @{fg shine}| weirdo and ZAM editor. @{fg text}| @{fg shine}| @{fg text}| @{fg shine}| @{fg text}"Anyway, in reply to the question - are you're | @{fg shine}| @{fg text}modules good ? I'd have to say.. | @{fg shine}| @{fg text}| @{fg shine}| @{fg text}\\\ /// | @{fg shine}| @{fg text}\\\ /// | @{fg shine}| @{fg text}\\\/// // | @{fg shine}| @{fg text}|||| __ ___ // | @{fg shine}| @{fg text}|||| // / // | @{fg shine}| @{fg text}|||| //= /__ | @{fg shine}| @{fg text}|||| //__ ___/ // | @{fg shine}| @{fg text}| @{fg shine}| @{fg text}| @{fg shine}| @{fg text}Abso-damn-friggin MIND BLOWING !!! Amazed ?! I | @{fg shine}| @{fg text}was in heaven dude ! Oh oh !!! They're GREAT | @{fg shine}| @{fg text}!!! Be sure m8, these modules (apart from Penthe | @{fg shine}| @{fg text}of course!) /will/ appear in the next issue of | @{fg shine}| @{fg text}ZAM !!! I can't resist !!! They're | @{fg shine}| @{fg text}astonishingly good !! :)))) | @{fg shine}| @{fg text}| @{fg shine}| @{fg text}Wow ! That Bells Of New York... phew.. | @{fg shine}| @{fg text}brilliant.. what can I say !? And the Doop | @{fg shine}| @{fg text}remix was terrific ! And .... oh... Bugles... | @{fg shine}| @{fg text}what a module... I tell ya, if that was played | @{fg shine}| @{fg text}in a club live no-one would know it hadn't been | @{fg shine}| @{fg text}done in a big studio... terrific, marvellous... | @{fg shine}| @{fg text}GREAT !!!" | @{fg shine}|@{u} @{fg text}@{uu}| @{u} @{uu} @{fg shine}|@{bg fill}@{fg text}@{u}o|Leo Elsinga ZEC of NLA and ex-DJ @{bg back}@{uu}| @{fg shine}| @{fg text}| @{fg shine}| @{fg text}"You are completely insane! | @{fg shine}| @{fg text}You guys should have had a | @{fg shine}| @{fg text}record-deal eons ago!" | @{fg shine}|@{u} @{fg text}@{uu}| @{u} @{uu} @{fg shine}|@{bg fill}@{fg text}@{u}o|Folkert De Gans about Jungle-Blaze | | @{bg back}@{uu}| @{fg shine}| @{fg text}| @{fg shine}| Folkert De Gans is sysop of The @{fg text}| @{fg shine}| Twilightzone (The Problem Support Board) @{fg text}| @{fg shine}| @{fg text}| @{fg shine}| @{fg text}| @{fg shine}| @{fg text}"Greaaaaaaaaaaaaaaaaaaaaaaaat!!! Get a | @{fg shine}| @{fg text}record deal!!!" | @{fg shine}| @{u} @{uu} |@{u} @{uu}|@{bg fill}@{fg text}@{u}o|Leo Elzinga ZEC of NLA and ex-DJ about Jungle Blaze.@{bg back}@{uu}| @{fg shine}| @{fg text}| @{fg shine}| @{fg text}"It's so boring, there are no beats in it." (???) | @{fg shine}| @{fg text}| @{fg shine}|@{u} @{fg text}@{uu}| @{ub}@{uu}@{fg text}@{bg back} @ENDNODE @NODE ZAM "TP-Files.Guide:StoryHome/ZAM" @{b}ZAM, ZAM, ZAM, Lovely ZAAAAAAM@{ub} What's this ZAM thing anyway? We'll, if you like: -John Major in his undies -Sheep -Lots of vulgar sex -Amigas -Anything even remotely connected to bibbly bop -The odd nuclear power plant You'll LOVE ZAM. Come to think of it, even if you don't like the above, you LOVE it. (Probably...) (And if you don't there is always LOG (tm) by Blammo! -Ed.) ZAM (Zircon Amiga Magazine) is a diskmagazine brought to you by the Zircon Amiga Club from the UK, with as their main man (He is? -Ed.) Gears!!! As all TP fans should know, Gears is also a TP Artist. @{" " LINK ExZAM} Enough bullshit! Let's read some ZAM! If you'd like the complete ZAM 4 (ZAM 5 is on it's way!), contact either @{"Gears" LINK Lee} or @{"Solution" LINK Thijs} ZAM is the only magazine in the universe (well at least the part we know) that is truely interactive! You can comment on anything in the magazine, just by pushing a button! Afterwards you just send your disk to back to Gears and he'll put your comment in the next issue! Better still, he'll send you that issue back on the disk you sent him. Well ladies and gentleman? Does this sound terrific or does this sound terrific? Well? Hello? Anyone there? Ladiiiiieeeees! Gents!!!! HEY! Anybody there?!?!! Heeeelllllooooooo! ...Ah, forget it! I'm getting out of here! @ENDNODE @NODE ExZAM "TP-Files.Guide:StoryHome/ZAM/ExZAM" @{b}This is a small excerpt from ZAM 4!@{ub} EZZA'94 AN INTERVIEW WITH...... ~~~~~~~~~~~~~~~~~~~~~~~ @{b}NUMBER ONE: GAZZA ~~~~~~~~~~~~~~~~~@{ub} Me: Paul Gazza: Yes mon. Me: You're a bit of a twat really, aren't ya? Gazza: No, please (sob!) don't (blart) pick on (sniff) me.... @{b}NUMBER TWO: MADONNA ~~~~~~~~~~~~~~~~~~~@{ub} Me: Mad-onna. (Hah, small joke) (A VERY small joke - Ed) Your latest album has now gone triple quadruple hexidecimal platinum. Many critics have critisized your videos from the album because of explicit sex, while there have also been many fans saying it is clearly your best album yet. What is your personal response to all of this? Madonna: Shut the ---- up and give me that cucumber. Me: ??????!!!?!?!?!?!?!?!!?!?!?!?!??!?!?!?!?!?!? *Can we keep that in?* (Oo-er! - Ed) @{b}NUMBER THREE: JOHN "JAZZIE JEFF" MAJOR ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~@{ub} Me: Why are you still in power, John, me old china? J.M.: Well, I think it is all to do wit- Me: Shut up ya boring git! J.M.: Yes, but if you look at the figures from the last year you will see a definate recovery in progr- Me: John, I won't tell you again..... J.M.: Yes, I agree totally with my right honurable friend, but I mus- Me: Right, that's it. Where's that pair of knuckledusters? @{b}NUMBER FOUR: BEAVIS AND BUTTHEAD ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~@{ub} Me: It doesn't matter what I say, but if its to do with sex you will only make that stupid noise. You don't believe me? Watch.... Beavis, can you tell me something on the subject of sex? Beavis: Sex, cool, huhhuh huhhuh huhhuh huhhuh huhuhuhuhuhuh, cool. Me: Where are those knuckledusters? JOHN.... (Why do people want shiny knuckles ? - Ed) @{b}NUMBER FIVE: ARMISTEAD MAUPIN@{ub} (Who ? - Ed) @{b}~~~~~~~~~~~~~~~~~~~~~~~~~~~~~@{ub} Me: I'd like to talk, if I may, about your book that has now been converted into a series that is being shown on Channel 4. But first, I'd just like to say; isn't Armistead Maupin a stupid name? A.M.: You know you've got a point there. But at least it isn't as bad as Beavis and Butthead. Ha! Ha! Ha! Etc! Etc! Beavis: Hey, huhhuh huhhuh, that's not cool man, huhhuhhuhuhuhhuhuhuh. Butthead: Yeah, huhuhhuhhuh, Maupin, uhhuhuhuhhu. @{b}NUMBER SIX: WWF SUPERSTAR `THE ULTIMATE WARRIOR'@{ub} (Who ? - Ed) @{b}~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~@{ub} Warrior: Feel the power of the Ultimate Warrior... Me: Yes, but you haven't actually got another coherent sentence in your memory, have you? Warrior: Feel the power of the Ultimate Warrior.... Me: Very interesting, but what do you think about the present state of war in the former state of Yugoslavia? Warrior: Feel the power of the Ultimate Warrior.... Me: So, go on give us a scoop.....When are you going to give us a completly different coherent sentence? Warrior: Feel the power of the Ulimate Warrior... Me: I give up. Give me the suicide please.....I'll pay for it.... Warrior: Feel the power of the Ultimate Warrior.... Me: AAAAAAAAAAAAAAARRRRRRRRRRRRRRGGGGGGGGGGGGGGGGGHHHHHHHHHH!!!!!!!!! @{b}NUMBER SEVEN: GARRY KASPAROV AND NIGEL SHORT@{ub} (Who ? Oh them.. YAWN - Ed) @{b}~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~@{ub} Carol Vorderman: So Garry, when did you think the game actually changed and it looked more like you were going to win? Garry: Well, I think it was on the sixteenth move when I moved bishop to C4, and Nigel looked a bit surprised by the move. From then on I think I had the initiative. Carol: Really Garry. How do you memorise the square that you moved a single piece to in the middle of a game that lasted over two and a half hours? I think your making this up aren't you Garry? Let's just look at the sixteenth move to see what actually happened....Oh look, that's the move you lost your queen on, wasn't it Gazza. And another thing Nigel, why do you sound more Russian than Garry? Eh? Explain that you rich bastard, even though your going to lose. @{b}NUMBER EIGHT: JOHNATHON ROSS ~~~~~~~~~~~~~~~~~~~~~~~~~~~~@{ub} Me: O.K. John, we're going to give you a few seconds to advertise your amazing facts series. Well, go for it.... John: Flob Flob Fobbidy Flob. Fob Fob Flobbidy Flobbidy Flob Fob. Me: Why does everybody have speech impedaments? Warrior: Feel the power of the Ultimate War- Me: Piss off, will ya? Beavis: huhhuh huh huh huhhuh huh. Me: Quick, phone the loony bin I've found `em! @{b}NUMBER NINE: OPRAH WINFREY ~~~~~~~~~~~~~~~~~~~~~~~~~~@{ub} Me: Oprah, it has recently been quoted in the press that in the last two years you have `earned' $98million. So, my big question is... Can you please lend me about $3 million so I never have to go to work in my life? Oprah: No. Me: Why, surely you can't spend $98million all on your own. Somebody will have to help and that terrible job might as well fall to me. I can't think of a better person to do it. ------------------------- The End! @ENDNODE @NODE Storynews "TP-Files.Guide:StoryHome/StoryNews" @{b}..and now the 9 o'clock news!@{ub} We here at the stories department are currently working on several new stories, now that the @{"Wanda&CSilla" LINK WC} story has ended. We can inform about a german style @{"krimi" LINK Krimi} that is in the works and also we just finished a story called @{"The Easterbunny" LINK Bunny}. Also some of us are working on @{b}The Ultimate Guide To The Internet For Amiga@{ub}!!! (TUGTTIFA) (What's the use of that abreviation? -Ed.) There are some of these guides around, but they are either crap, not aimed at beginners or amiga-users and most of them only seem to be available on Internet! So what's the use then? If you can find these guides on the Internet, you probably don't need them at all! That is why we are making a guide that explains Internet in a way that everyone can understand. We will also tell you what software you need and how to install it. Nice huh? @ENDNODE @NODE Bunny "TP-Files.Guide:StoryHome/StoryNews/Bunny" @{b}Excerpt from the Easterbunny (c) 1995 TPC/Stories Dept.@{ub} "FUCK!!! Damn it, damn it, BLASTED KID!!!", with their bare hands AlcoRhythm and Solution starting strangling the kid. "GLGGLGGGGLLLLLLLGGGGGRGSGGGDHHH.." said Pete. "You fucking little brat! Stupid son of a gabberhouse-producer!!! You piece of monkey excrement!" "GLGLGGGGLLLLLGGRGRGGRGRGGGGLAWRWRSGHQQQQAAAAAAAHADDG" insisted Pete. "No GLGLGLGLGLGGSTRGRRWWAFSG-ING! Keep your garage-door shut!" "GGLLLLGGGGETEAAAGQGGGAAAH" . This went on for about 1 hour or less until suddenly... "WHAT are you doing with my son!??!". It was the gabberhouse-producer... "We are merely talking some sense into it!" explained Solution with a trembling voice. @ENDNODE @NODE Krimi "TP-Files.Guide:StoryHome/StoryNews/Krimi" @{b}Excerpt from the 'Krimi' (c) 1995 TPC/Stories Dept.@{ub} Okay, enough to drink, let's get down to business!" "I Agree" "I know, thanks for your contribution to this conversation Heinrich. Gut! We've got very little to go on in this case, so this shouldn't take long." As he said this he pointed at a large empty sheet of paper labeled 'Clues'. "I Agree" "Yes...eeeuh, we don't know exactly who 'they' are, but I think we all know what kind of criminals we are dealing with here." "Yes! We all know that, so why tell us?" "I Agree!" "I'm paid by the hour you know! Okay, so they're wanted in every country of the world, except for Latvia, so..." "Why not in Latvia?" "GRRR! Who cares about Latvia?" "I Agree!" "There isn't much Latvia to care about anyway..." "Manner! Pay attention please!" "I Agreee!!!" "What I am trying to say is..." "BRAVO! BRAVO!" yelled Claus "...is that we desperately..." Bzzzzzz, the buzzer again: "Hallo? Jah? THEY were spotted in the otherwise empty warehouse nextdoor!" "Thank you Nena! Well manner, I suggest we get moving!" "I Agree!!!!!" @ENDNODE @NODE Lee "TP-Files.Guide:Artists/Lee" @{b}Gears@{ub} -------------------------------------------------------- Full first name : Lee @{" " LINK LeeQuote} Read his quote... Last name : Geary Town : Cannock Country : England Telephone number : +44-(1922)-416-653 E-Mail : UUCP: gears@zircon.quantum.conqueror.co.uk lee.geary@sentinel.co.uk Age : 19 Equipment : Amiga A1200 Viper accelerator - 68030 / 28 Mhz and 6 Mb total RAM Internal 2.5 " IDE HD - 80 Mb External 3.5 " IDE HD - 540 Mb USR V.Everything modem (V.34) Occupation : Student -------------------------------------------------------- Department : The Problem Stories Dept. Function(s) : Writer / UK distribution / General weirdo -------------------------------------------------------- This man is probably the weirdest Englishman in TP (He's the only english... -Ed.) (Ssssst! -Solution) @ENDNODE @NODE LeeQuote "TP-Files.Guide/Artists/Lee/LeeQuote" Q@{bg fill}uote@{bg back}.@{bg fill}.. @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back}@{fg shine}"Fo@{bg fill}r @{bg back} th@{bg fill}os@{bg back}e ladies out @{fg text}there who don't know me - please cal@{fg shine}l me on +44 1922@{bg fill}.@{bg back}.. @{bg fill} @{bg back}Hehehe... I'@{fg text}m GeArs and I guess I must be the first @{fg shine}UK member of the@{bg fill} @{bg back} PrO@{bg fill}b@{bg back}LeM PosSe. @{fg text}Apart from sunning myself in this mini-h@{fg shine}eatwave we're currently getting I @{fg text}enjoy writing extremely weird and stra@{fg shine}nge articles ! I'm 19 years old and @{fg text}"sort-of" single.. hehe.. I enjoy lic@{fg shine}king the inside of CD boxes and sme@{fg text}lling concrete. @{fg shine}While I'm not l@{fg text}istening to the PrObLem MusIc mOdulEs I'@{fg shine}m usually studying computers at c@{fg text}ollege or having fun with the girls ! (@{fg shine}Sher-wing!) Errmm.. Music.. Apart @{fg text}from the excellent Problem Music my main @{fg shine}fave is anything by The Prodigy, G@{fg text}reen Day and anything dance-orientated.. @{fg shine}I LOvE fAsT bEaTs ! HuH! :)) What makes @{fg text}me tick ?! Madness usually. I've se@{fg shine}en too many people go to clubs and @{fg text}try taking drugs to get a "high" .. S@{fg shine}ee, I'm on a natural high !!! Esp@{fg text}ecially when the sun is out and it's h@{fg shine}ot! Don't mess with drugs people @{fg text}! It'll screw you up !! Keep listeni@{fg shine}ng to GOOD music and you'll enjoy y@{fg text}ourself more ! @{fg shine}I als@{fg text}o edit and compile a disk-based magazine @{fg shine}called ZAM (Zircon Amiga Mag) whic@{fg text}h tends to get released when you're n@{fg shine}ot expecting it! Hopefully the nex@{fg text}t issue (number 5) will include some @{fg shine}music from The Problem aswell a@{fg text}s @{fg shine}mo@{fg text}re very strange news and views from the @{fg shine}weird world of .. @{bg fill} MY @{bg back}H@{bg fill}EAD!@{bg back} :)@{fg text}) @{bg fill} @{bg back} @{bg fill} @{bg back}Ah well, I'd better be leaving you now." @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} @{bg fill} @{bg back} Toodle-dee-doo ! @{bg fill} @{bg back} @{bg fill} @{bg back} Lee @ENDNODE @NODE Contact "TP-Files.Guide:Contact" How To Contact @{b}The Problem@{ub} In Private And Without @{bg text} @{bg back} Utensils! @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} There are several ways of contacting The Problem: @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{b}1. Write us by E-Mail! TP supports all major @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} networks!@{ub} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{fg shine}UUCP: problem@twilight.xs4all.nl @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} FIDO: 2:280/315.2 @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} AMY: 39:150/108.2 @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg back} NLA: 14:102/100.2 @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} PMNet: 17:200/100.2 @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg text} @{bg back} @{fg text}Or leave a message to Thijs Stalenhoef/Solution @{bg text} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg back} at our @{"BBSes" LINK CommsBBS}! @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{fg fill}Advantage: (Miss Graf) It's fast, and using UUCP, @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} quite reliable. @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} Disadvantage: Our UUCP address contains quite a @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} number of letters for you to type @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} in! (What kind of talk is that? -Ed.) @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{fg text}@{b}2. Snail-mail us!@{ub} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{fg shine}The Problem @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} p/a @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} Thijs Stalenhoef @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} Bredevoortsestraatweg 66 @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} 7121 BK Aalten @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} The Netherlands @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{fg fill}Advantage: (For us) One of our little brothers @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} likes to collect stamps... @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} (For you) You can send us ANYTHING. @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} I mean a bag of bugles isn't easily @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} LHARCed!!! @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} Disadvantage: Slooooooooooooooooow!!! @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{fg text}@{b}3. Phone us!@{ub} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} Call Solution at: @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{fg shine}+31-(0)5437-72450 @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{fg fill}Advantage: Fast, Interactive, Personal, Direct @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} Answering Service! @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} Disadvantage: Expensive! Flames right in your @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} face are possible! @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{fg text}@{b}4. Try and yell the distance!@{ub} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{fg fill}Advantage: Fast (Speed of sound!), Cheap! @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} Disadvantage: You either need a voice of steel or @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} a humongous amplifier!!! @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg back} @{bg shine} @{bg text} @{fg text}@{bg back} @ENDNODE @NODE Story "TP-Files.Guide:Story" @{b}@{fg text}The Story (What happened?)@{ub} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} Way back in 1992 there where these t@{fg shine}wo @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}guys, Alco Lammers and William West@{fg shine}rum. @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}They liked to think of them sel@{fg shine}ves as @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}"Makers Of Good House Music" and@{fg shine}, armed @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}with only a keyboard they s@{fg shine}tarted to @{bg fill} @{bg back} @{fg text}explore the world of mus@{fg shine}ic@{fg text}. @{fg shine}Their @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}first serious attempt had @{fg shine}no name and @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}was supposed to be so@{fg shine}rt of a house @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}track with a 'March-l@{fg shine}ike' beat in it. @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}It was... amazing! @{fg shine}And it was CRAP! @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}The second attem@{fg shine}pt was a more @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}structured piece @{fg shine}of 'music'. But it @{bg fill} @{bg back} @{fg text}was still far @{fg shine}from good (actually it @{bg text} @{bg back} @{bg text} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg back} @{fg text}was still far @{fg shine}from music, but hey, it @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}was only @{fg shine}the second try!) Then @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}something @{fg shine}came into their lives that @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}changed t@{fg shine}he 'quality' of their music @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}into 'QU@{fg shine}ALITY!'. It was a machine, and @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg back} @{fg text}it was @{fg shine}obtained by Alco Lammers through @{fg text}a po@{fg shine}stal service called Wehkamp (from @{fg text}som@{fg shine}eone named 'Jimmy'?!). This machine @{fg text}w@{fg shine}as wonderfully named: The Commodore AMIGA 600... @{fg fill}Af@{fg text}ter only a few months Alco and @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg back} @{fg fill}Will@{fg text}iam knocked out their first real @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg shine} @{bg fill} @{bg back} @{fg fill}module@{fg text}! A houseversion of @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg fill}JingleBe@{fg text}lls, using the samples from @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg fill}a module @{fg text}they got from Thijs @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg fill}Stalenhoef (@{fg text}a friend) who recognized @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg fill} @{bg back} @{fg fill}the quality o@{fg text}f this module... in a @{bg fill} @{bg back} @{fg fill}way. Only a f@{fg text}ew weeks later there @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg fill}was another mod@{fg text}ule, and it was @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg fill}called 'The Houser'@{fg text}. This time the @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg fill}music was far more @{fg text}complex than @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg fill}'JingleHouse' but it @{fg text}didn't sound @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg fill}too good though. A whi@{fg text}le later a @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg fill}remix of JingleHouse rea@{fg text}lly got @{bg fill} @{bg back} @{fg fill}things going! This was the @{fg text}first @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg fill}module they all liked. Around @{fg text}this @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg fill}time, Alco and William thought @{fg text}of @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg fill}the name The Problem for their @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} group. @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{fg text}The next mod was @{fg shine}another BIIIIG step @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{fg text}forward for the 'M@{fg shine}akers Of Good House @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{fg text}Music'! It was a re@{fg shine}plication of Rhythm @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{fg text}Invention! That w@{fg shine}as the one where @{fg text}Thijs Stalenhoef wa@{fg shine}s convinced that he @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{fg text}had to be part of @{fg shine}this group! After @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{fg text}this, it was @{fg shine}time for the @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}replication-track @{fg shine}Hell's Party (by @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}Glam), and the int@{fg shine}roduction of Wanda; @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}the module that cau@{fg shine}sed quite some jaws @{bg fill} @{bg back} @{fg text}to drop. Also Th@{fg shine}ijs introduced the @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}fenomenon 'The Mo@{fg shine}dem' to Alco and @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}William. They whe@{fg shine}re abled to spread @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}their music an@{fg shine}d hear peoples' @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} @{fg text}reactions! @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg shine} @{bg fill} @{bg back} Alco now became 'AlcoRhythm', William got to be called 'DJ Infinity' and Thijs started to call himself 'Hypenation'. The Problem discovered the Dutch Dreams BBS when it was only a very small board @{fg shine}(TP was the 15th(!) @{fg text}caller ever...) and they reciev@{fg shine}ed only positive reatio@{fg text}ns from them. And not only fro@{fg shine}m them, because when @{fg text}Wanda, Spectacle, Enraptor hit t@{fg shine}he net, and the mods got @{fg text}spread all over Planet Holland, @{fg shine}the number of reactio@{fg text}ns (all positive) kept growing. @{fg shine}Everybody saw some k@{fg text}ind of quality in the modules by T@{fg shine}he Problem! @{fg text}Thijs "Hype@{fg shine}nation" Stalenhoef lat@{fg text}er renamed himself to "Solution" @{fg shine}(just because the wor@{fg text}d Hype sounds really silly!). T@{fg shine}P kept on creating one @{fg text}mod after an other, and almost all @{fg shine}of them where in som@{fg text}e way better then their predecessor. @{fg shine}In the process they h@{fg text}ad quite some outragous ideas such @{fg shine}as the Problem.TXT @{fg text}file and later the Problem.Guide, the @{"Synchronized Minds" LINK Minds} hype (AAArgh! that Word...!), and loads of other strange things (what about the idea of taking on the impossible challenge to create an Altern8 module!?) Well... the rest is history (mmmyes). @{b}The Problem@{ub} got rich and famous and they got @{u{married@{uu} (and boring...) NOT! They are still operating from their secret underground headquarters, creating @{b}the creme de la creme of music modules, graphics, programs etc.@{ub} @{b}The Problem@{ub} grew from a 'Company' to what they call a 'Collective'. Several people joined The Collective. Ofcourse Folkert de Gans, the guy whose @{"BBS" LINK T-ZoneBBS} has been The Problem support board for ages. Long time TP fanatic Leo Elsinga joined with his @{"Penthe BBS" LINK PentheBBS}. And Arnoud Smit, the guy that has as many talents as beats in a gabbertrack! (Not that he's a gabber...No honestly!!!). The international bit is filled by Lee geary, editor of the famous @{"ZAM magazine" LINK ZAM}! Michel Bijlsma joined up at the last minute before this release! Sorry, no info on him... @{b}And The Problem will keep doing what they must do: Entertain YOU with Quality!@{ub} @{ub}@{uu}@{fg text}@{bg back} @ENDNODE @NODE GraphicsHome "TP-Files.Guide:GraphicsHome" @{b}The Graphics Department Homepage@{ub} @{fg shine}. .:;;:: .. ;;;;:::: . ;;; ;; :: ;:: ... . . ;;;; .;: :::: ... . . . . ; ;; ;::..: : .. . . . . . . ... @{bg text} @{bg back} . ;; ;;;; : ::: : . ...... .. @{bg text} @{bg back} . ; ;;;;;:.. : : ..... . . @{bg text} @{bg back} . ; ;;; . : :: . ... @{bg text} @{bg fill} @{bg text} @{bg back} . . ;.;;;;.;::: @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} . .; :: :::: @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} . . . . @{bg text} @{bg shine} @{bg text} @{bg back} . . @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} @{" " LINK GraphicsNews} @{b}@{fg text}The Graphics Dept. News@{ub} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} The latest stuff under wraps... @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} @{" " LINK GraphicsReleases} @{b}The releases@{ub} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} What did they do so far? @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} @{" " LINK TPAdd} @{b}We are still looking for talented Graphics Artists to j@{bg text}@{fg back}oi@{bg fill}n @{bg shine}u@{bg fill}s!@{ub} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} @{bg text} @{bg fill} @{bg shine} @{bg fill} @{bg text} @{bg back} @ENDNODE @NODE GraphicsNews "TP_Files.Guide:GraphicsHome/GraphicsNews" @{b}News from the inner depths of the TP art studio@{ub} After finishing the work on the Australia EP (Icons, ASCII-graphics) our artists are now pondering over their next move. No-one knows where they will strike next! It might just be your backyard! @ENDNODE @NODE GraphicsReleases "TP-Files.Guide:GraphicsHome/GraphicsReleases" @{b}What graphic stuff has been released so far?@{ub} Released have been: @{b} @{" " LINK ProblemLogo} The Problem Collective Logo @{" " LINK AustrEPLogo} The Australia EP Logo @{b} Both were of these pictures have been released as part of the Australia EP! @ENDNODE @NODE ProblemLogo "TP-Files.Guide:GraphicsHome/GraphicsReleases/ProblemLogo" @{b}The Problem Collective Logo@{ub} This piccie shows a devil screaming out while listening to a track by The Problem. This simple but effective picture is in 16 cols. Hi-Res Laced. It was drawn by Ronald Frey. @ENDNODE @NODE AustrEPLogo "TP-Files.Guide:GraphicsHome/GraphicsReleases/AustrEPLogo" @{b}The Australia EP Logo@{ub} Here we have your average aborigine-playing-the-midi-didgeri@{b}bugle@{ub} routine. Strangely enough he seems to have no interest in eating it! (What a strange person! -Ed.) It was drawn by Ronald Frey (What a strange person! -Ed.) (Ssst! -Wanda) The other artists spent a full 2 weeks scanning and retouching the work. Now it is in 64 cols. Hires Laced. @ENDNODE @NODE Joint "TP-Files.Guide:Joint" This is the page where all our joint efforts are supposed to be. Unfortunately, there are only two entry here. There will be more in the future! @{" " LINK SMEP} @{b}The SM EP@{ub} This was made before the days of the collective. Still it doesn't contain only music, but lotsa other stuff too... @{" " LINK AustrEP} @{b}The Australia EP@{ub} The first truly joint effort of @{b}The Problem Collective@{ub}. @ENDNODE @NODE SMEP "TP-Files.Guide:Joint/SMEP" It's the @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{bg fill} @{bg background} @{b}What's that then?@{ub} Well I'll tell ya: This is actually an attempt by @{b}The Problem@{ub} get better known in the Amiga community. By reading this, you are participating in a ballant advertising scheme!!! Wooooooh! Back out now if this is against your principles! Still with us? SM stands for Sado-Masochism! Wooooooh! Back out now if this is against your principles! :-))) We adopted the term SM because we think that only a Sado-Masochist would be able to dance through all of these great tracks in one go! Besides the music there is a lot more! (Yeah, yeah! Tell us, tell us!!!) For example: @{b}The Rest:@{ub} 6. The Stereo3D program. (A fully featured random dot stereogram program) 7. Wanda&CSilla story, chapter 13 to 21. 8. Some pictures (Stereograms/Logos/Sourcepics and Brushes for Stereo3D). 9. A complete Installer for the entire EP. And for the music part we have: @{b}The Modules:@{ub} 1. @{"Synchronized Minds" LINK Syncminds} 2. @{"Floating Sheep " LINK FloatSheep} 3. @{"Penthe 2 " LINK Penthe2} 4. @{"Jungle Blaze " LINK JungleBlaze} 5. @{"Impulse " LINK Impulse} @ENDNODE @NODE AustrEP "TP-Files.Guide:Joint/AustrEP" @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{b}This is our latest venture! Everything in this package was inspired by the misterious australian outback. Deep in Australia, where the aborigines live, that's the place to be! It contains:@{ub} @{" " LINK AboutGuide} The Wonderful All New TP Files Guide @{b} With amongst others:@{ub} @{" " LINK WC} 4 chapters of the Wanda&CSilla story! @{b} 4 previously unreleased modules! Namely:@{ub} @{" " LINK Outback} Outback @{" " LINK Spring'95} Spring '95 @{" " LINK Euromayor} The Mayor - TP's Eurodance Mix @{" " LINK MellowInf} The Mellow Influence @{" " LINK ASCII-Edit} @{b}The ASCII-editor program@{ub} With lots of example files! @{" " LINK GraphicsReleases} Various new logos! @ENDNODE @NODE Artists "TP-Files.Guide:Artists" @{b}The Problem Collective Artists @{ub}Here they are! In their full glory and with all their silly aliases! Glitter 'n Glamour...(Riiiight -Ed.) @{bg text} @{bg back} @{" " LINK Alco} @{b}AlcoRhythm@{ub} @{bg shine} @{bg back} @{bg text} @{bg back} Main occupations: Compo@{bg shine}si@{bg back}ng/Codi@{bg shine}ng @{bg back} @{bg text} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK Thijs} @{b}Solution@{ub} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} Main occupations: Composing/@{bg shine}Writing @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK William} @{b}Infinity@{ub} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} Main occupations: Sampling @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK Wanda} @{b}Wanda@{ub} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} Main occupations: Singing/Wri@{bg shine}tin@{bg back}g @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} @{" " LINK CSilla} @{b}CSilla@{ub} @{bg shine} @{bg back} @{bg shine} @{bg back} @{bg text} @{bg back} @{bg text} @{bg back} Main occupations: Singing/@{bg shine}Wr@{bg back}iting @{bg shine} @{bg back} @{bg text} @{bg back} @{bg shine} @{bg back} @{bg shine} @{bg back} @{" " LINK Folkert} @{b}Hellraiser @{ub} Main occupations: Sysop-ing/Spreading/PR @{" " LINK Arnoud} @{b}Grinder @{ub} Main occupations: Sysop-ing/Coding/Graphics @{" " LINK Leo} @{b}Leo Elsinga @{ub} Main occupations: Sysop-ing/Spreading/PR @{" " LINK Lee} @{b}Gears @{ub} Main occupations: Writing/Spreading/"General-Weirdo"-ing @{" " LINK Michel} @{b}Cloak @{ub} Main occupations: Writing/Coding Wrong: @{" " LINK Ed} Ed. Main occupations: Bickering/Nagging (Not true! NOT TRUE! -Ed.) Right: @{" " LINK Ed} Ed. Main occupations: Correcting/Ed.iting @ENDNODE @NODE Ed "TP-Files.Guide:Artist/Ed." @{i}C E N S O R E D @{ui} @ENDNODE @NODE Michel "TP-Files.Guide:Artists/Michel" @{b}Cloak@{ub} -------------------------------------------------------- Full first name : Michel @{" " LINK MichelQuote} Read his quote... Last name : Bijlsma Town : Heerjansdam Country : The Netherlands Telephone number : +31-(0)1857-1240 E-Mail : NLA: 14:101/208.11 Age : 19 Equipment : A600, 40MB HD, 2MB CHIP, 14k4 fax modem 18(!) year old colour TV. Occupation : Student -------------------------------------------------------- Department : The Problem Coding Dept. Function(s) : Coding/Writing -------------------------------------------------------- Comment : The only TP artist that lives in a smaller town then @{"Aalten" LINK Aalten} @ENDNODE @NODE MichelQuote "TP-Files.Guide:Artists/Michel/MichelQuote" @{b}Not just yet!@{ub} @ENDNODE @NODE TPAdd "TP-Files.Guide:TPAdd" @{fg text}Lots of people are leading far more interesting lives than you will ever lead...unless, @{b}=> You join The Problem Collective today!!! <=@{ub} @{ub}Do you think you've got the talent to make a difference in the Amiga community, then don't wait,@{b} CALL NOW!!!@{ub} (And remember, if lines are busy, call later, but @{b}DO@{ub} call!) The Problem is looking for people that are willing to put time into making quality products like utilities, graphics, demos, and ofcourse our soon-to-be-released @{b}Cyberzine@{ub}. We can use @{b}anybody@{ub} who can do stuff like: -Programming -Graphics -Writing (Good stories/articles/jokes/reviews/etc. for the mag.) -God knows what else... We will give you all the room you need, to do the things you want. There are no @{b}socalled leaders @{ub}in@{b} @{ub}this group, just two coordinators who will try to help you with things you can't do alone. Let's just say you are coding a wonderful game, but you don't have any graphics for it. @{b}No@{ub} @{b}sweat!@{ub} Just contact another Artist of The Problem that can make them! Every Artist is important to us, and every Artist will get the best support possible. @{uu}This is @{b}NOT@{ub} just your average demo-group, we are a collective of artists that want to make things that are worth having. Good and useful utils, wicked music, solid information, fabulous graphics... All this is non-commercial! We are basically a bunch of strange ideologists that want to make this (amiga-)world a better place... So how's that them? Still not convinced? Then contact us for more info! @{" " LINK Contact} Here is how to order eeeuh...contact them. @ENDNODE @NODE CodeHome "TP-Files.Guide:CodeHome" @{b}The Coding Department Homepage @{" " LINK CodingNews} The News Page@{ub} What are those guys with the quick fingers up to? @{" " LINK CodingRelease} @{b}The Releases@{ub} What have those guys with the quick fingers been up to? @{" " LINK TPAdd} @{b}We are still looking for people that know their way around C, ASM, Blitz Basic etc. etc.@{ub} @ENDNODE @NODE CodingNews "TP-Files.Guide:CodeHome/CodingNews" /*You know what time it is? (Party time? -Ed.) Time for the 9 o'clock news with Alan Patridge. (Who's that? -Wanda) (Dunno! Get him out of here! -Ed.)*/ { In Aalten and Uithoorn several attempts are being made by The Problem at creating the ultimate Amigaguide replacement! Inline graphics, picture buttons, module-support etc. etc. everything is going to be there! } /*Also, rumours have been heard about preliminairy plan for a game. These rumours have not been confirmed, and no information about the nature or release date of this game can be given at this moment.*/ { (Go away! -Ed.) Listen my good man... (I do not want to talk to you no more. Go away! -Ed.) Alright...I'm off! (And good riddence! -Ed.) (Well...I was starting to like him! -Wanda) (Oooooooow! -Ed.) } @ENDNODE @NODE CodingRelease "TP-Files.Guide:CodeHome/CodingRelease" @{b}The Coding Department Released...@{ub} @{" " LINK Stereo3D} @{b}Stereo-3D@{ub} The stereogram generator you always wanted to be (? -Ed.). @{" " LINK Ascii-Edit} @{b}The ASCII-Editor@{ub} The first 2-layer ASCII-Script-AmigaGuide-drawing program ever! @{" " LINK SmallCode} @{b}Some small ones...@{ub} The small utilities and games that make life easier and more fun. Also some internal beta-versions of the AmigaGuide replacement have been released. But they aren't available to the public. @ENDNODE @NODE Stereo3D "TP-Files.Guide:CodeHome/CodingReleases/Stereo3D" @{fg shine}@{b}Stereo 3D@{fg text} (Released in @{"The SM-EP" LINK SMEP}) A goodlooking, easy-to-use, stereogram generating program. You can generate simple 2-colour Random Dot Stereograms, multiple colour RDS's and brushmapped stereograms.@{ub} Also some very nice extra's are in the program, such as it's ability to mix random dots with brushes (looks great!), shifting and cutting of brushes and rendering animations. Good userinterface with functions well layed out over several windows (which can be open at the same time). Included are some examples, brushes and source-pictures as well as a manual-guide. It's all there, but some non-AGA machine seem to crash everytime a picture is displayed... Sorry, but the SM-EP was already released when we discovered this. Anyway, if you like stereograms, then this is as good a program as any. You will have to get the SM-EP though (which isn't a bad idea anyway, if you haven't got it already!) @ENDNODE @NODE ASCII-Edit "TP-Files.Guide:CodeHome/CodingReleases/ASCII-Edit" @{fg shine}@{b}The ASCII-Editor@{fg text} (Released in The Australia EP) The ASCII Editor could be the ultimate ASCII-, Script- and AmigaGuide-tool you've always been waiting for. It is a complete paintprogram for ASCII text. It can also generate AmigaGuides and Scripts. The editor works in two fully independent layers (Foreground/Background, never seen before...) for an amazing flexibility and ease of use. All 'Graphics' in this guide were made using this program. Featurelist:@{ub} (ASCII-EDIT, ©1995 The Problem Coding) Automatic Filetype Recognizing The following filetypes are supported: - Custom project files (.proj) - Custom Brush files (.bsh) - ASCII (text) files (front/back/both, merged) - (nodes from) AmigaGuide files (front/back merged, both) Choice of saving front/back or both (in non-project/brush files) The following filetypes are supported: - Custom project files (.proj) - Custom Brush files (.bsh) - ASCII (text) files - AmigaGuide files (optional fileheader) - Script files (ECHO commands included) Drawing: - four types of freehand drawing (normal/special1,2,1&2) - three types of box drawing (normal/filled/special) - adjustable airbrush tool (size/speed adjust) - draw straight lines - draw circles (open/filled) - fast clear tool (clear front/back freehand) - five drawmodes (normal/invert/swap/recolour/erase) Brushes: - picking up of brushes - adjustable pasting of brushes (front/back/both, also uses drawmode) - view option for brush There are various brush-manipulation options: - flip x, flip y - swap front/back colours - free, load, save - invert colours Display-operations can be performed on entire projects: - clear, fill (front/back/both) - init new (adjust size) - flip x, flip y Text: - Search/Replace/Replace all/Replace Next - Bold/Underlined/Italic fontstyle - Text editor tool Extra: - Visualize invisible characters (background colour same as foreground) - Keyboard controlled extra fast scrolling (arrow keys) - Fully separated front and back layers - Scroll bars in edit window - Separate, dragable tools window (And lot's more? -Ed.) @{b}Coder : AlcoRhythm@{ub} @ENDNODE @NODE SmallCode "TP-Files.Guide:CodeHome/CodingReleases/SmallCode" @{fg shine}@{b}The Small Ones@{fg text} On this page you can find information on the small, tiny and little programs that the The Problem Coding Department has released. 1. SetRGB@{ub} Change the palette of your screen from the CLI. (Australia release) @{b}2...@{ub} just watch, there's more to come! @ENDNODE @NODE AboutGuide "TP-Files.Guide:AboutGuide" @{b}What's a TP? What's a Files? What's a Guide? TP:@{ub} TP stands for @{b}The Problem@{ub} ofcourse. @{b}Files:@{ub} The things on your HD, or the papers that are kept in socalled filing-cabinets. Like for example the @{"X-Files" LINK GuideStuff} @{b}Guide:@{ub} To Guide means to lead someone through something. In this case the guide, leads through everything @{b}The Problem@{ub} wants you to know about them. And that's it really! Everything you always wanted to know about The Problem, but didn't have the heart to ask! Now people who are afraid to E-mail, phone or snail-mail us can also find out who these people are, what they are up to and why they are doing "it"! This guide was made by these persons: @{b}Text (Except for the quotes): No text by:@{ub} Solution Infinity @{b}Graphics: No graphics by:@{ub} AlcoRhythm Infinity @{b}Quotes: No Quote by:@{ub} Grinder Infinity Hellraiser AlcoRhythm @{b}No Thing by:@{ub} Solution Infinity @{b}Cloak joined later, so hasn't had the time to write a quote yet!@{ub} @{i}Interesting links for this release are...@{ui} @{" " LINK BuglesText} The Bugles Page @{" " LINK Cuts} The Problem's Essential Cuts @{" " LINK Remix} The Remix Project @{" " LINK WC} The Final Chapters Of The Wanda&CSilla Story @{" " LINK Tracker} All About All Those New Trackers @{u}...and all the other links aswell ofcourse!!!@{uu} @ENDNODE @NODE Respect "TP-Files.Guide:Respect" @{b}@{u}Respect To@{ub}@{uu} @{b}The Persons:@{ub} Jelma Yvonne Kees Huizer John Hendrikx Richard Willkomm Wiebo de Wit @{b}The Scene:@{ub} One/Genetics Whirlwind/Royal Giz/Overlords @{b}The Artists:@{ub} Seefeel Omni Trio 2 Phases Richard D. James (Aphex Twin) Orbital Reload Erik E & Olav Basoski Point Blank Cloud 9 µ-ziq Jaimy Con-am Roc&Kato Van Basten @{b}The Recordlabels:@{ub} Suburban Base DJAX UP Outland Warp Work Moving Shadow FNAC/F Communication R&S Junior Boys Own Goodlooking Unda'ground Groove @{b}The DJs:@{ub} Dimitri Marcello Lucien Foorth Remy Eddy de Clercq Wessel van Diepen Hype Mickey Finn Sven Väth Laurent Garnier LTJ Bukem And all other top DJs @{b}The Celebs:@{ub} Douglas Adams Steven Spielberg Stephen King Clive 'Hellraiser' Barker Monty Python Rolf X. Wouters @{b}The Institutions:@{ub} Radio 538 Late Commodore Maxon The Coca Cola Company Archos @{"GEM (GEneral Music)" LINK WS2} Smiths (For making Bugles) AND THE REFIGERATOR !!!!! And everyone who supported @{b}The Problem@{ub}, by downloading their modz! All we forgot!!! @ENDNODE