These pieces were transcribed using Adlib's Visual Composer
& Instrument Maker programs.  The data on the floppy may not
be useable with other playback programs.

The characters in brackets [] indicate the names on the
floppy by which the pieces are known.

ORGAN WORKS OF JOHANNES BRAHMS

Prelude & Fugue #1 in Am [john1.rol]
Prelude & Fugue #2 in G minor [john2.rol]
Fugue in Ab minor [john3.rol]
Chorale Prelude & Fugue on "O Traurigkeit, o Herzeleid"
[john4.rol]

11 Choral Preludes, Op. 122
Mein Jesu, der du mich [john5.rol]
Herzliebster Jesu [john6.rol]
O Welt, ich muss dich lassen [john7.rol]
Herzlich tut mich erfreuen [john8.rol]
Schmcke dich, o liebe Seele [john9.rol]
O wie selig seid ihr doch [john10.rol]
O Gott, du frommer Gott [john11.rol]
Es ist ein Ros' ensprungen [john12.rol]
Herzlich tut mich verlangen [john13.rol]
Herzlich tut mich verlangen [john14.rol]
O Welt, ich muss dich lassen [john15.rol]

ORGAN WORKS OF FELIX MENDELSSOHN

Prelude in Cm, Op. 37 [felix1.rol]
Fugue #1 in Cm, Op. 37 [felix2.rol]
Prelude & Fugue #2 in G, Op. 37 [felix3.rol]
Fugue #2 in G, Op. 37 [felix4.rol]
Prelude & Fugue #3 in Dm, Op. 37 [felix5.rol]
Fugue #3 in Dm, Op. 37 [felix6.rol]
Sonata #1 in Fm, Op. 65 [felix7.rol]
Sonata #2 in Cm/M, Op. 65 [felix8.rol]
Sonata #3 in A, Op. 65 [felix9.rol]
Sonata #4 in Bb, Op. 65 [felix10.rol]
Sonata #5 in D, Op. 65 [felix11.rol]
Sonata #6 in Dm, Op. 65 [felix12.rol]

ORGAN WORKS OF ROBERT SCHUMANN.
6 fugues on the name Bach, Op. 60

There's a small difference in the way in which the Germans
name the notes in comparison to the English.  Our B
(natural) is called H in Germany while our Bb is called B.
This allows Bach's name to be notated Bb, A, C, B (natural)
in our method.

Fugue #1 in Bb [bob1.rol]
Fugue #1 in Bb [bob2.rol]
Fugue #1 in Gm [bob3.rol]
Fugue #1 in Bb [bob4.rol]
Fugue #1 in F [bob5.rol]
Fugue #1 in Bb [bob6.rol]

The "instruments" for these pieces are located in a
directory named INS.  I've included all the instruments I've
developed for pipe organ simulation so that if you have a
suitable program (such as Adlib's Visual Composer) you may
experiment your own registration.

As usual I urge you to use a high quality headset or
loudspeakers and associated electronics for auditing.  It
helps greatly if you have the necessary signal processor to
add simulated acoustic ambience.  I would be pleased to hear
from you if you have any comments &/or helpful hints.

Roy V. Childs
17421 69th Ave., S.E.
Snohomish, WA  98290-8359
USA