Example 2a.

\input karlmusic

\oneinstrument
\signaturegenerale{-2}	% Two flats.
\generalmeter{\meterfrac 3 4}
\autolines 841		% spacings/bar, bars/line, lines/page


\beginscore{15pt}
%
% measure 1
\beat1	 {\offset{\zqu g}\ubeam0b{-1}\skneg\lbeam1D{-2}}
	 {\zqu g\offset{\zqu d}\lhltiep0\g}
\beat1	 {\endlbeam1C\skneg\endubeam0a}
	 {}
\beat3	 {\dotted\zqu a\lhltie1C}
	 {\lhutie2e}
\beat{.5}{\ubbeam0c{-3}}
	 {}
\beat{.5}{\endubeam0b}
	 {}
\barre
%
% measure 2
\beat1	 {\endtie1\zql C\ubeam0c{-2}}
	 {\zcharnote f\soupir\off{2pt}\endtie2\endtie0\lhutiep2e\lhltiep0\g}
\beat1	 {\endubeam0a}
	 {}
\beat3	 {\dotted\zqu{^f}\lhltie1C}
	 {\uhutie4A}
\beat{.5}{\ubbeam0c{-3}}
	 {}
\beat{.5}{\endubeam0b}
	 {}
\barre
%
% measure 3
\beat1	 {\endtie1\zql C\ubeam0a{-2}}
	 {\endtie4\zqu A\endtie2\offset{\zqu e}\endtie0\lhltiep0\g}
\beat1	 {\endubeam0E}
	 {}
\beat2	 {\qu E}
	 {\zhu A\lsh f\offset{\zhu f}\offset{\offset{\hu c}}}
\beat2	 {\trillo e\ubeamp0D{-1}\tbbu0\endubeam0C}
	 {}
\barre
%
% measure 4
\beat3	 {\dotted\qu B}
	 {\endtie0\lhltiep0\g\uhutiep1g\lhutiep2d}
\beat1	 {\cu A}
	 {}
\beat2	 {\qu G}
	 {\endtie0\endtie1\endtie2}
\endscore