TITLE:THE SCENOLOGY JOURNAL - EDITORIAL PALETTE:0223 099b 0cc9 08ba 3 THE SCENOLOGY JOURNAL 3 Introduction 2 By Macno Scenology is a reality. Since its foundation it was clear that the Science of the Scene was going to grow, to find more supporters and to discover endless fields of study. More or less silly attempts of imitation, the heretical 2SceMology1 just to mention one, can't stop the steps of progress and research, scene is still an unknown and mysterious world which must be studied, analysed and preserved, in its own natural environment or in museums, if necessary. Scenology is a young child who has already lost its father. 2Beppe1, the holy rat, founder and ideologist of the Science has died somewhen between May and June. He is gone but the seeds of his intuitions have been spreaded, we hope to be good plants of the first generation, able to duplicate ourselves in a successful way. Beppe has left us a well-started science and a brand new Scenology Faculty, which is hosted in Milan, Italy, and boasts four scene famous scenologists as scholars and unique members. 2 Mop1 from Malta,2 Rokdazone1 from Germany,2 Nimrod from Norway and my very humble self, 2Macno1 from Italy. There are no students yet, but we are confident that things may change in the future, after all the possible works for who manages to finish the Scenology Faculty are many. Not least the possibility of writing for The Scenology Journal. We welcome also every kind of external contribution. We have seen with pleasure independent Scenology publications by 2Cyclon of Eskimos1 (Germany), 2El Loco of 2Talent1 (Norway), 2Parsec of Mystic1 (Italy) and2 Mount of Polka Brothers1 (Denmark). We hope to see more from them and from whoever else feels the charme of scenologism. In order to help everybody in the search for Scenology articles we report here all the Scenology works published so far in scene magazines. We indicate title, author and publication for a fast and practical use. 3The complete list of Scenology publications so far: 2Scenology: Centrality of a science1 - Macno - Abnormalia 3.14 2A deep scene analysys1 - Mop and Macno - Abnormalia 3.14 2Basic thoughts about party sceners1 - RokDaZone - Abnormalia 3.14 and 42 2 2The Meaning of chip tunes in Sledge Hammer1 - Macno - Abnormalia 3.14 2Coders' mental disturbs: The easy intro syndrome1 - Macno - Propaganda 3 2A Scenology dossier: Wolfman/Balance1 - Macno - Upstream 8 2Dynamics of northern Lapland's swap letters1 - Macno - Compass 1 2The new priests of the scene1 - Macno - The Outer Limits 5 (*Abnormalia5*) 2A Scenology comment on Scenology1 - Nimrod - 42 1 2The sheep tendency in the scene1 - Macno - RAW 7 2Dynamics and phenomenology of the AGA syndrome1 - Macno - RAW 7 2Reaction to "Dynamics and phenomenology of the AGA syndrome"1 - RokDaZone - 42 2 2Lemmingitis1 - RokDaZone - 42 2 2Eastern Europe's coming1 - El Loco - 42 2 2Scenglish, the scene language1 - Macno - 42 2 2The Scenology explanation of everything1 - Macno - ROM 1 2A Scenology introduction to ROM1 - Macno - ROM 1 2Best fathers in the scene1 - Mount - Upstream 9 3In this issue of The Scenology Journal you can read: 2The Pandemic Scenology Debate1 - Mop, RokDaZone, Nimrod and Macno 2Questions about the philogenesis of sceners1 - Macno 2Gawping - The art of informing the sheeps1 - RokDaZone 2A Guide to Socio-Scenology1 - RokDaZone 2The spandimerda phenomenon. A close analysys1 - Macno 2An external opinion about Scenology1 - Cyclon 2Psicological motivations behind So-What? articles1 - Macno 2Phenomenology of the Modem Chatter1 - Parsec If you find these articles too difficult, don't worry, join your local Scenology course in order to start to grasp the inner concepts of the Scene Science. Two severe final words for: - The so-called 2Watcher of the World1 who has heavily attacked the Scenology Academy from the pages of 42. Our official reply to his filthy and calumnious accuses is in this issue of the Journal. - 2The SceMology Foundation1, who has accused us of being the authors of such a low article in order to give some kind of publicity or resonance to our work. For them there's no official reply, it doesn't even deserve our precious space.