RICHARD ARNOLD AT SILVERCON ----------------------------- Edited by Simon Plumbe ------------------------ One of the more popular guests at STAR TREK conventions is Paramount's Research Consultant for STAR TREK - Richard Arnold. His talks entertain and inform thousands of Trekkers every year and he is frequently asked back time after time. While at Silvercon in Scotland, his 181st convention (!), he gave three separate talks including a slide presentation lasting for a total of over four hours! For those of you who weren't able to make it, or for those of you who can't remember it all, here are the "edited highlights"! Thanks go to Richard Arnold for his assistance in putting this article together. In the beginning.... -------------------- Richard has an enviable job at Paramount. He's their Research Consultant for TREK and is effectively paid to know a lot about TREK and like so many on the show nowadays including artist Mike Okuda and writer Ron Moore, Richard was a fan before getting involved as an employee, but how did he get involved in TREK? "In 1974 I moved to Los Angeles, after 5 years of going to conventions and having met pretty much everybody involved in STAR TREK at that point. Either I was a pleasant enough personality, thanks to my mother, or they felt sorry for me, but they sort of took me in. And I found myself being the 'Resident Trekkie' for Gene and his assistant, Susan Sackett, who is STILL his assistant, by the way, 17 years later. As the 'Resident Trekkie', if you will, or as the person who happened to live within a few blocks of the Studio, who they could call up with questions, they could borrow slides from, I could track down things that they needed. I became more and more relied on, as they were developing the second series that didn't happen - the one that they announced in 1976, it began in 1977, they built the sets and started writing scripts. That became the first movie. Throughout the several years until the film was released in late 1979, I became more and more and more involved. By the third film, I had an office at the Studio, I had a parking place, I had my name on the directory over the office door, I had a charge number, but I was not being paid! I had no salary, I was not an employee of the Studio, I just had all the benefits of people who had worked there for years would have. Gene felt that this was ridiculous, and basically forced the Studio to hire me in 1986, in time for STAR TREK IV, the 20th Anniversary and THE NEXT GENERATION which actually started at the time I was hired. So I was hired before all that happened." But what does his job ACTUALLY entail? "Obviously, there's been plenty to keep me busy since with the new series and two more feature films, well three more - four, five and six. And the 20th Anniversary, now the 25th Anniversary. All of this, the conventions are not part of the job, they're a perk. They're a benefit, if you will, and I'm sure John (deLancie) would agree with that. This is not because the Studio sends us out, it's not because they really see any direct gain from it, but indirectly it's millions of dollars of free public relations for them, that all the cast go out and make these appearances. I go out, not really as a Paramount representative, I go out as sort of the fan who's working on it, who you can ask any question of and hopefully will have some intelligent answer to give! That's what I do basically, everyday at work. I work as an available resource, sort of a 'memory pool', if you will, of the original series, the films, the new series, everything that's gone before that we can certainly gospel, so that people don't have somebody speak in the wrong way, or use the wrong background information on somebody or describe something in the wrong colour so that the costume is made in the way that we've already established they use these colours and so on. You know, Romulans use MIAMI VICE colours, Klingons are all dirty, filthy, greasy you know, and so on. There's certain things established. So that's basically it, I'm there as an available source, I don't hang over anybody's shoulders saying, 'No, you can't do that.' ..... now if anything that's going to go out as merchandise, it's brought past Gene, and because he's so busy with the series and everything else that he's got, once he comes up to the office that Guy Vardaman and I work in, and we read it, go through it, go through the problems in technical, historical and character and we make notations on that, and it all goes back down to Gene and Gene is the one who decides whether 'this story's good for STAR TREK' or it's not, what should change and what is the problem. The merchandise is just one part. Home videos another, public relations, TV Syndication, feature publicity, the series, any film that's in production. I get calls from gameshows looking for questions for their shows. We just did a big thing with the Smithsonian Institute in Washington DC, I'm sure you're familiar with that, a BIG 25th Anniversary display and we tracked down all kinds of photographs from private collections and Studio archives and so on. Same with the 25th Anniversary Coffee Table Book, which is going to be 300 or so photographs in that, many of them never before published. So it's keeping in touch with everything that's going on now, as well as trying to keep track of everything that happened back then, we have current addresses and phone numbers on a couple of hundred actors that worked on the original series and that's great when it's time for a party, which will be coming up shortly! It'll have all coming in as we did with the 20th Anniversary. So to give you a kind of rough idea, I'm a 'Resident Trekkie', I'm a fan who sits there and is just available and some people at the Studio thinks it's great, other people think that I should be thrown off the lot! Because they don't like fans on the lot, fans frequently are a problem." As I said, Richard got his job from being a fan first. How did fellow fan, Ron Moore (author of several episodes including The Best Of Both Worlds) get involved? ".... he started out as a fan, two years ago this month we read his first script, he was brought in, he was paid for that script which was called The Bonding, and it was shot at the beginning of our second season. He then submitted a couple more stories, The Defector was one of those, they made that one very quickly as well. His episode, The Bonding, was shot only two weeks after they bought the script - that's absolutely unheard of. He was then brought in temporarily as a staff writer, to see if he would work out, he worked out tremendously well, he became a full time writer on the show within just a few months. Last season, for the entire season, he was our Executive Story Editor on the show and this fifth season he's now the Co-Producer of the show! This is all in two years! He was a fan outside the studio gates, working for a pizza place and now he's making over a quarter of a million dollars a year!!!! PLUS what he gets paid for each script that he writes which is $22,000 first payment on a script if you write it, so he still occasionally goes 'Brrr' sitting at his desk. He still can't believe it - it all happened so fast!" We proudly present the cast.... or are they? -------------------------------------------- It's rare for a show like STAR TREK to change actors on a character (even though it happens in EVERY Australian programme!), we saw a new Saavik for STAR TREK III, in the shape of Robin Curtis. "Even though Kirstie, for me, was the more alien looking Saavik, she had those incredible eyes, Robin became the Saavik that I think most fans identify as Saavik simply because she was in TWO films and has been very available for conventions and so on." Like all shows, STAR TREK has been prone to cast changes and last minute alterations. In one case, many fans were certain that an actor had changed even when it hadn't! The specific case was in the fourth season TNG episode, Remember Me with Eric Menyuk returning as The Traveller. "Now we heard from some fans who were CERTAIN that this was another actor playing the role, but it was the same actor - Eric started working out with weights after the first episode that he did and four years later he'd gained 40 pounds. So he just looked very different." explains Richard. Other situations have arose over the names of the characters. It isn't until season four that Chief O'Brien actually gets a first name, Miles. However, there was disagreement over his middle name, Edward. "That's not the one he wanted. Did you know the name that HE wanted to be his first name? Alouicious! He wanted to be Alouicious. He really is Irish." Also, Jonathan Frakes had ideas for Riker's middle name. "Not Tiberius! He's a jazz fan - Thelonius! He wants it to be Thelonius as in Thelonius Monk. But they'll only get it if Gene agrees with it - and he didn't like Alouicious!" Another situation concerning Eric Menyuk was that of the role of Data. ".... he and Brent were the last two contenders for the role of Data. That was when they wanted Data to be bald. Eric was almost Data, because he was willing to shave what little there was left - Brent was not about ready to shave his head for this role, right, and then they cast Patrick!! Too bad for Eric!" Occasionally, the cast get the opportunity to play different roles in the series, Brent Spiner playing Lore for example. Others, like Marina Sirtis, just get to play different versions of their character as she did when Troi loses her empathic abilities in The Loss. "Troi got to be kind of bitchy. Infact, her boyfriend says, 'How come when Troi loses her powers, she becomes more like you?!' and that's her boyfriend, Michael. She said that Troi without powers becomes like, what did she call it, 'The Psycho Bitch From Hell!' I think is the way she described herself! You know, like the worst time of the month!! And, you know, Marina admits that that's the way she is and it's difficult for her boyfriend sometimes, but it was interesting the way she played it - she didn't really realise how much of Marina she was putting into the role." A problem Marina has to put up with on the show is the appearance of Whoopi Goldberg as Guinan. If you notice, it's VERY rare that you get to see the two of them in a scene together. One of the rare occurrences is in The Loss. ".... because as Marina keeps saying, 'Guinan is Troi with a hat! They're the same character really - one does it in her office or in turbolifts or corridors, and the other one does it down in Ten Forward.' When Whoopi suddenly becomes available, and they never know in advance when she's going to be available, they'll write out the Troi scenes and write in Guinan scenes, because they're basically BOTH counselors." Remember the classic scene with Brent Spiner and DeForest Kelley in Encounter At Farpoint? This has caused a great deal of confusion amongst fans, most taking it for granted that it was McCoy. Richard had something to say about that, "He's never credited as McCoy. It's just 'The Admiral'. That was not for the audience, that was for the fans. You see, the entire thing about that was to show the fans that it's 100 years from the original series or 80 years from the films. It's a long time later. Okay. And it was simply saying, 'They may still be around, but they're going to be really old and really decrepit! And don't expect to see them on the show!' So that's why that's why he was even on the show and again he was never named - it was just for the fans, okay. That's why, when Riker says, 'Oh, on the U.S.S. Enterprise, NCC 1701, under the command of Captain James T. Kirk...' (The Naked Now) that's why nobody at that point drops to their knees and they play heavenly music! They were trying to establish that, 'Yes' they will know who these people are, but no they're not the only heroes that Starfleet's ever had. They're SOME of the heroes. Okay, and that's why we don't refer to them constantly in the new series. Also you have to understand something, they're still working - those original series actors are still playing those roles - only once every two years, admittedly, but they're still writing stories for them. If we'd established in the new series what had happened to all of them, there's no stories to tell! Because you'll know what happened to everybody. So we can't put then in dangerous situations, you'll know they make it out, okay. So that's not a reason to limit the possibilities." That set looks familiar! ------------------------ In STAR TREK III, the set for the bar where McCoy is arrested is actually the set used for the Sick Bay, but redressed! As Richard says, "They never waste anything on this show." On of the many TNG episodes which re-used old sets was the story Legacy, which featured the sister of Tasha Yar, Ishara, played by Beth Toussaint. "If the sets look familiar go back and watch the episode. Where they're running through all those underground tunnels and everything - it's the Borg ship, redressed! It's still standing." Other familiar scenes include McCoy's Sick Bay from THE MOTION PICTURE. "This examination table, here, is the same one that we use in THE NEXT GENERATION. That's the same medical screen that we use. In fact, on Stage 9, the corridors, the semi-circular ones, the Engine Room, Transporter Room, Sick Bay and Junior Officer's Quarters are all 14 years old. Those sets have been used all that time. Just redressed, so when STAR TREK VI came along, they had to redress everything back, once again, to the feature look and this time they spent a fortune doing it. If you remember in STAR TREK V a couple of times you saw sets that were obviously NEXT GEN? You won't see that this time. Nicholas Meyer was very determined that this would be the look from STAR TREK II." Also, did you know that the Klingon Bridge set from the first film has been seen more than once as well. "This set has been re-used over and over and over in the films and in the series as well. It's been a Klingon bridge, a Romulan bridge, Pakled bridge, torpedo bay etc. A lot of these pieces are still in use." Occasionally, they get it wrong. -------------------------------- Every show, even STAR TREK makes mistakes. The fans seem to take a lot of pleasure in pointing them out, even if they don't actually exist! One of the more noticeable errors was from STAR TREK II: THE WRATH OF KHAN. As you'll remember, when Khan encounters Chekov, they recognise each other. Richard continues the story, "In STAR TREK II: THE WRATH OF KHAN, Khan says, 'Chekov, isn't it?' right, now that's not really possible because considering that Walter Koenig joined the cast the next year! When Space Seed was made he was off working on MR NOVACK or something. So how could Chekov have been recognised by Khan if he wasn't on the ship yet? According to Walter Koenig, who plays Chekov, Chekov was on board the ship already, but he was a latrine orderly on one of the lower decks! The deck that he was working on is the same deck that Khan was being held prisoner on, well, where his quarters were, he wasn't really a prisoner. The quarters that he had was sort of a 'lower grade' quarters. There were no facilities en suite, so Khan had to go down the corridor to use a rest room. The only rest room in that area was currently occupied by one Pavel Chekov, who, while on duty, was suddenly hit by another wave of Malackay's Malany, which is a 23rd Century version of Montezuma's Revenge! He was suffering terribly and he was locked in the bathroom. Khan, whose genetically engineered kidneys were ready to burst after 200 years, was outside the bathroom door, pounding on it, begging to be let in! And when Chekov finally flushed and opened the door, Khan grabbed him, hauled him off the floor and said, 'You, I will never forget your face!' That's according to Walter Koenig, not us, but it sounds pretty good to me!" When they started producing THE NEXT GENERATION, another row was triggered over the appearance of the Romulans and how they stopped looking like the Vulcans. Richard explains what happened, "I don't think Michael Westmore was aware that they were really the same race when he developed the Romulans for the final episode of the first season which was the first time that we saw that new make-up. The studio was already on strike at that point, you see the Writer's Strike had begun. That episode was rushed into production with no writers to work on it, which meant that there was no changes available for the script, which meant there were no meetings, which meant that Michael was pretty much on his own to come up with the make-up and I don't think he knew about the history of the two races. So, when we saw that it was like, 'Oh, god!'. He didn't know, it was too late, they would have had to have gone back and refilmed all of that, so that's one of those things where the only explanation we can come up with POSSIBLY is that in the 100 years between the original series and the new series, other races have gotten infused with the Romulans as well. Doesn't sound like a hell of an explanation, but there it is!" Another argument arose over the accent Marina Sirtis uses for Deanna Troi. "When she was first on the show, at one of the conventions, she was saying that her accent was a Betazoid accent. She'd developed it to be one. Well, actually she hadn't - she was originally being cast as the character Yar, and when she became Troi she just kept the accent she'd developed. It's supposed to be sort of middle European. So it became a Betazoid accent. Then her mother shows up, Majel Barrett as Lwaxana Troi, who does not do accents very well, and she didn't have any time to learn it, so suddenly her mother has a very American accent and Troi has this supposed Betazed accent and the fans are saying, 'Well, wait a minute! If that's a Betazed accent, why doesn't your mother sound like that?' So then she decided that it was her father's accent. And then we heard from a fan who was a child psychologist who said, 'Children don't learn their accents from their fathers, they learn them from their mothers because their mothers are the ones that are around them all the time they're growing up, not their fathers usually!' And we answered that with, 'She learned to speak TELEPATHICALLY from her mother, but VERBALLY from her father!!' There you go, we really work on this sometimes!" Night Terrors, from season four, created another chance for the fans to complain! There is one scene where Worf is about to commit suicide because he wasn't able to dream! However, the fans complained saying that a Klingon would never do that. Richard continues, "... most of Klingon tradition again is based on Japanese Samurai tradition, and believe me, they've got lots of ways to dispatch themselves! So they went through this whole ritual of pouring the hot oil and heating it over the candle and all of that. So it wasn't that he just decided to go down and slit his wrists or anything. This was a ceremony he was going to go through." However, Richard's favourite to date relates to the closing scene of the fourth season TNG episode, Family. "At the very end, Rene goes out and is lying under the tree looking up at the stars. It's a very cute scene, it's a very moving scene - let him dream, right? We got a letter from a fan in Hawaii, who is an astronomer and she said that the Orion constellation that you can see up in the sky would not be visible in France in the fall when the grapes are being harvested! And we wrote back and said, 'Who says it was the fall? Earth is climatically controlled. Grapes could be grown year round.' We have to make it up as we go!" Another from Family is the fact that all of the French people in the episode, including Picard's family, all speak with English accents! "... let's put it this way - it's 400 years from now. 400 years ago, did anybody in the United States have an American accent? No! Everybody in the United States had, at that point, Dutch accents, British accents, Scots, Irish, Indian - whatever! Times change. People's move. And what's to say with The Chunnel opening up soon, half of the English population doesn't end up in France? Maybe in the Lebar region growing wine grapes!' So, why not? Let's just say from now on that English becomes the official language of the city of Lebar, France." Another from season four is from the episode Reunion. As well as seeing the return of Worf's girlfriend K'eyhler, we also see his son, Alexander (funny name for a Klingon!). For those of you who haven't seen the relevant episodes, K'eyhler last appeared in the season two story The Emissary, and that was their (K'eyhler's and Worf's) first meeting for five years or so, and at that time she had no son. Until after their 'meeting' in that episode, anyway. However, if Alexander is only two years old, how is he able to talk, walk and that he is generally much bigger than normal two year olds? "... we came up with a very good answer for that and that is that the more primitive the species, the faster the young are independant of their parents. Well, that's true - humans are about the slowest developing species. We're stuck with our parents until we're 18 and then we're thrown out! But some species are born independant, right, and in this case we figured because Klingons are fairly primitive, their young would grow to maturity alot faster. We also think their life span is alot shorter. They're not like Romulans and Vulcans - an old Klingon would probably be in his 50's or 60's." The joker of the pack! ---------------------- William Shatner is known as being a bit of a practical joker. Most of you know about the running joke over Leonard Nimoy's bike when they were filming the original series (Bill Shatner kept stealing the bike every day!), and it's a habit he still hasn't grown out of. One of the more recent pranks was during the filming of STAR TREK VI. "DeForest Kelley who's, as I said, in his early 70's now, was talking with Bill Shatner on the set - he seemed a little troubled by something, he seemed very serious - and he said, 'Bill, I think I'm starting to lose my mind and I think I'm starting to lose my memory, like Alzheimer's was setting in or something and I'm really worried about it. It happened to one of my uncles and I saw him slowly fade away and he was the age that I am now.' and you would think that would go to Bill's heart, but instead immediately Bill was trying to figure out how to get him! That's Bill Shatner's sense of humour I'm afraid. So later in the day, De Kelley is at the coffee service table and as people of his age are want to do, this is the story that Bill tells, everyday at a certain time he has a cup of tea and a muffin, these raisin muffins. And everyday at 4 o'clock or whatever he does it. So Bill was standing over there eating raw vegetables, you know, keep the waist down, and over comes De and he slices his muffin and puts it into the toaster and pops it down and he's standing there waiting for his muffin to pop up. And it hits Bill, 'Ah, right!' and he says, 'Brian!' who's one of the make-up artists, 'Distract De!' right so Brian goes over and says, 'Er De, can I have a look at you over here in the light, a look at your face here.' and Bill runs over and grabs the muffin out of the toaster! And he goes off to the side, right and he's standing there, looking innocent! And Brian says, 'Okay, okay.' and De goes back and he stands there waiting and, 'chunk', comes up - nothing there and looks at it, looks around the table, goes over and slices the LAST muffin from the sleeve, okay. Puts it in the toaster, 'chunk', puts it down, stands there waiting and Bill says, 'Brian! Distract De!' 'Er De, can I see you over here in the light about here, I'm just worried about something on your face. Okay, fine, right.' and Bill goes over, grabs the muffin and runs down to the end of the table, right and De comes back! 'Chunk', pops up - nothing's there, right! Now, Bill's got nowhere to hide these, so he's stuffing them in his mouth madly like this, right, and De's looking around and he sees Bill down at the end of the table and he says,' You! You son of a bitch! You're driving me crazy!' right, and Bill's going, 'urgh!' (coughing) like this and De said, 'What?' and he said, 'Call 911!'" William Shatner also got a chance to get his own back on Nicholas Meyer while he was directing STAR TREK VI. Nicholas Meyer has a tendancy to smoke cigars almost constantly while he was working. Richard continues the story, "They stink! I don't know if it's because they're not expensive or it's because they are expensive, I don't know which, but they stink! And it was bothering a lot of the actors, even DeForest Kelley, who's a heavy smoker, was bothered by the cigar smoke. And finally, Bill Shatner, who just really had had it, went over to the special effects guys and said, 'Guys, I need a favour.' and they said, 'No, we're really busy. I mean we don't have time for this.' and he said, 'I want something that stinks so much that Nick will stop smoking his cigars.' and they said, 'We'll be right back!' So they came back and they gave him this little bottle and he popped it open and he said it was as though he had just lifted one of his horse's tails and stuck his face right in! That bad, right, only worse than that! So he too the bottle with him on to the set. Now he had already had an argument with Nick about the cigars and Nick had said, 'I need these, you know, I need these in the morning, I need them in the afternoon, and I need them in the evening. I need these, right.' So he walks up. Now, the way Nick works is, you know, he's holding the cigar and directing the sequence, right and he's saying, 'Okay, first (takes a puff and blows out) we're going to have so and so over here and then (takes another puff and blows out) we're going to do this and so on.' it's like, smoke everywhere, right! So he's in the middle of doing one of these and Bill walks up and says, 'Okay, what do you need me to do in this scene?' and he says, 'Okay, well Bill (takes a puff and blows out) we need you over here.' and Bill pops the top on this thing and stands there holding it underneath his nose! And Nick said, 'Okay (takes a puff) so you'll come in.... Oh my God!! Jeesh! What is that?' right and Bill said, 'Oh this? I need this. I need this in the morning, I need this in the afternoon and I need it in the evening!' and Nick said, 'Urgh! Oh, I get it... it's the cigars, right?' and Bill said, 'Yes.' so after two days of this, Nick quit smoking the cigars. Now, he did go back once they got to the bigger sets where it wasn't so bothersome, but it was on the enclosed sets it was really a problem." Another chance he had to play about was during the making of STAR TREK V, in particular, during the filming of the scene in the Turbolift Shaft. "Now for the Blooper Reel they did for STAR TREK V which was great fun, for the Wrap Party, they had at the bottom of the shaft there was just that grated floor. They put a big cushion, sort of a knob, down there. And different people walked up with a huge mallet they made from empty water bottles, with a baseball bat for a handle. They walked up to it, take the mallet and hit the pillow, right and then you saw Kirk, Spock and McCoy shooting up the shaft! And this was all very carefully set up by Bill, as the director, just for fun for the Wrap Party. And they had the little secretary that worked in the office, Mary Beth, she came in, gave it all that she had, and they just sort of went up a little bit. And then Harve (Bennett) came in and took a big swack at it and they went up a little more, and different people had different responses. When they brought in big John Dwyer, who was the set decorator on the original series and the set decorator on STAR TREK V, and John is about six foot six and 300 pounds! And John hit it so hard he almost broke the bat and the three of them go shooting up, incredibly fast, and they're all going, 'Woah!' as they go up and they get almost to the top when they all cover their heads and they stop just in time and Bill pulls out a little gold hammer and hits a bell, 'Ding!' Again, it was all set up for the Wrap Party, it was great fun." What they DIDN'T want you to see. --------------------------------- As well as cutting scenes from the finished films and episodes for one reason or another, there are other scenes that don't even get that far. One example is from the end of the second season story The Schizoid Man. "He (Data) tries the beard to look like Riker at the beginning of the episode and they decided that no, that doesn't work. Geordi was laughing and Troi was having to hold back a laugh. They said, 'Data, that doesn't really work. Why don't you try something else.' At the very end of The Schizoid Man, Data's on the bridge, well they're all on the bridge, and the camera is on the Captain, who is glowering - he's very upset about something. And the camera's pulling back, now Riker's in the shot - he's saying, 'I don't know, I think it looks quite distinguished.' and the camera pulls back farther. Now Troi's in the shot and she says, 'I think it looks very nice.' and the camera pulls all the way up to Data and pulls back to find out you see the top of his head is bald! Data has decided to go bald and the Captain say, 'Well, I don't think it's funny. Engage.' and that was really the end of it and Patrick said, 'No!' and that was the end of that! There was no more to that. There was no question about it going any farther. Patrick does have some say in this!" A major problem the crew had with season four, specifically the later half of the season, was with the hiding of Gates McFadden! As you know, she was pregnant during season four and it caused a few problems, especially in the episode The Host. "This was a difficult episode for Gates because she was having to do a lot of romantic scenes and they could only shoot her from here up because she was seven and a half months pregnant at this point and DEFINATELY showing. In fact, her stand-in had to wear a pillow in front of her so that whenever they were setting up the shots to make sure that you couldn't see it for when she stepped in." Another problem is that the producers and directors of THE NEXT GENERATION don't like the actors to ad lib. Unfortunately, John de Lancie has a habit of doing this, and some of his better work is often found when he is allowed to. Unfortunately, we missed a great line from the fourth season story, Qpid, "When Sir Guy of Gisbourne has just come down with Maid Marian, the Sherriff of Nottingham, Q, is surprised that she's not going to be executed - he's going to marry her. He doesn't quite know what to figure out about this. And she has just said, 'I'd rather stay with Sir Guy.' and he said, 'No, of course you would, my child, but I have affairs of state to attend to' and so on, and he sends her back up to her room. And he says to Q, 'It's going to be a wonderful day tomorrow, a wedding AND an execution.' and that's the end of the scene, but John added in, 'I thought ALL weddings were executions!'" A scene with an unusual story behind it is from STAR TREK III when Sarek performs the mind meld on Kirk in order to find Spock's Katra. "Mark Lenard likes to say that in the one shot, where you see the close up of Bill Shatner's eye with the tear in it - it wasn't that Bill worked up the tear, it's that in the rehearsal he poked him in the eye! That's according to Mark." Remember the scene in STAR TREK III when McCoy is sitting in the bar trying to find transport to Genesis and he is approached by a security guard? "This scene was changed considerably from what was in the script. Originally, it was a standing up situation and after the Neck Pinch didn't work, De was then supposed to slug it out with the guard and do a fist fight with him. And he told Leonard that McCoy would not get into a fist fight and Leonard said, 'Ah, but you're not just McCoy, you're Spock right now.' and he said, 'Fine. Spock would be even less likely to get into a fist fight!' So he won the argument and they played the scene sitting down." A great scene that was left in was from Future Imperfect. "If you recall, there is a point where the young boy, Ethan, somehow distracts them (the Romulans) and Riker punches Tomalok and they escape. You remember that scene? Andreas Katsulas, who's a wonderful actor, must have either leaned in, or Jonathan forgot to pull the punch, but he knocked him cold! Watch the scene and watch his face. He absolutely laid him out! It was one of those things that happens on the show occasionally. I don't know if Andreas is going to want to come back again!" As you know, there was a lot of footage left out of STAR TREK II. Most of Todd Bryant's scenes were removed, along with a lot of the character scenes featuring Scotty's nephew, Peter Preston. "Another one of the scenes that was cut from this film, STAR TREK II, is when Kirk and the young Peter Preston are having it out in Engineering. He's telling him, Kirk is telling Peter Preston, who is Scotty's nephew, what a pain in the ass Scotty is, always complaining about the engines and, 'Do you know the ribbing I have to take from everybody because of the conditions of the engines of this ship all the time?' and Peter Preston is saying back if the Admiral can't see the Enterprise is the best ship in the fleet, he's as blind as a Denebian Bat! And Scotty steps over and says, 'That'll be enough of that.' and says, 'My sister's youngest - crazy to go to space.' So there's a whole relationship between Scotty and the nephew and Kirk that we never saw as well as between the nephew and his best friend, this young cadet here, who is Todd Bryant. And Todd was, of course, later Captain Klaa in STAR TREK V and Todd is in STAR TREK VI as well." Fortunately, when ABC television in America transmitted the film, they had it re-edited and a lot of the lost footage like this scene was put back in. Another 'trim' was near to the end of STAR TREK III where McCoy talks to Spock in the Sick Bay on the Klingon vessel. ".... this is the sequence where McCoy says, 'It seems I've missed you. I don't think I could stand losing you again.' that wonderful sequence. If you recall, Kirk was not in that scene, right. That's because this scene was cut dramatically. Originally he's in there saying, you know, 'What can you do for him? Can you help him?' and whatever and he decides to go back to the Bridge and he's heading out the door when McCoy starts to talk to him and he stands in the door, he's turned and he's listening and you see tears welling up in his eyes. Is it the ship being destroyed, the Enterprise, is it the death of his son, is it getting Spock back is it just all the last two movies, you know, coming to him at once? They decided that they were going to cut the scene because it 'weakened' the character of the Captain to see him crying! There's another one of those decisions that you can't explain." What of the future? ------------------- When STAR TREK: THE NEXT GENERATION finishes it's contracted run of six years, it looks likely that it will move into films, but how soon after? "There are two scripts in the works right now for some time in 1994.... The fifth season has just begun last Monday on THE NEXT GENERATION. They will have completed the sixth season by the spring of 1993, a nice hiatus to give everybody a rest, and they could make the movie in the fall of 93, and have it out by the summer of 94." But what of the original cast? "Well, all the actors have said this is the last one, with two exceptions. Of the seven cast members, five have said, 'This is it.' Both Jimmy Doohan and DeForest Kelley are in their 70's, and they just don't want to keep up this kind of work. It's very long days and it's several months straight.... Both De and Jimmy have said that this is it. Leonard has said this is it. Walter has said that he wants to get on with his career - he's the youngest of all of them and for the last 20 years he has hardly been able to get work because STAR TREK is still a going concern. I think Nichelle and George are probably the only two who would really want to see it continuing. You know George, he wants to see STAR TREK XII: CAPTAIN SULU MEETS WHATEVER! so, there's still that, but as the original crew of the original Enterprise, the way this movie ends it really is the last film. Now, that doesn't mean they can't do a STAR TREK VII, if this one makes a HUGE amount of money, the Studio will probably start pursuing them, but at this point, they're saying no. This is really the last." Livingston the Fish! -------------------- In Picard's Ready Room, in the one corner is a spherical glass bowl. This fish tank is the home of Picard's Lionfish, Livingston, named after one of the Producers on the series, David Livingston. However, it's not just one fish that we've ever seen - they're now up to Livingston the Sixth! What happened to the other five? "Livingston the First and Second - the cleaning crew kept unplugging the fish tank at night! If there's a light that's on, they'd unplug it. So the first two were found floating......." If you think that's bad, just wait until you hear what happened to the third! As you know, studio lights are very bright, they have to be. Unfortunately, as a side effect they also get quite hot. However, when they filmed, a light is actually needed at the back of the tank so you can see anything in there. Richard explains the fate of Livingston the Third, "On the Friday night everybody left, and the cleaning crew DIDN'T unplug it and Monday was a holiday. So when we came in Tuesday the first thing that everybody said who was on the set was, 'Somebody had FISH for breakfast?'. Livingston was hard-boiled!" Luckily, the fate of the others was less fatal! "Livingston the Fourth turned out to be a LivingstonA and had babies, and Livingston the Fifth turned out, under the lights, to be the wrong colour! He was a little too white. They use a more reddish type of Lion Fish, so we got Livingston the Sixth. Now, we'll probably have Livingston the Seventh this year - they keep changing Livingston's on us!" An Enterprising ship! --------------------- Have you ever wondered how come a new Enterprise was constructed for Kirk and Co. so quickly at the end of STAR TREK IV? I mean, it could have only been a few months since the old one was destroyed. Richard gave the explanation, "They are given their new ship, the NCC-1701-A Enterprise, which is not a new ship, in fact, it's a refit Constitution Class, as the Enterprise had been and this was the old Yorktown, renamed Enterprise. If it was a brand new ship, they wouldn't have put an 'A' on it." Another question often raised by fans is concerning THE NEXT GENERATION. Have you ever wondered why the Federation STILL hasn't got cloaking devices, even though they are now the Klingon's allies? "Because they're not a military organisation. The Klingons definately are, but the Federation is not. They're an exploratory organisation." The Federation DID have a cloaking device once (The Enterprise Incident) but Kirk only stole that so that the Federation could defend against their use. The final word on this has to lie with Gene Roddenberry, "Gene says, 'We don't sneak around in space.', okay and we all said at the beginning of this new series, 'Gene, what about the saucer section? At least when you separate the secondary hull, shouldn't that be able to be cloaked?' and Gene said, 'No, we don't use cloaking devices.' So believe me, we all tried to argue him in to it, but he was stubborn." Also with THE NEXT GENERATION, if you look at the underside of the saucer section, you'll see a small disk. This is, in fact, a smaller vessel - the Captain's Yacht. So why haven't we seen it used yet? "I'll give you a probable reason why not. To build the miniature would be probably $25,000 or more. To build the interior set that they'd have to build to show us inside of it would probably be another $50,000 - $75,000. And then to do all of the post production special effects and to change the bottom of the saucer and to build the close up section of the bottom of the saucer would be that much more again. So you're talking an enormous percentage of the budget in one episode. However, there's a script in the works for the fifth season that necessitates the use of the Captain's Yacht so if that script is approved, we will finally see it, but it has to be important enough to bother spending that much money. They don't throw money away on the show." One of the difficulties in writing science fiction is keeping the technological advances believable. How do they manage? Well, most of the technology is based on information supplied by scientific groups. Richard continues, ".... JPL, NASA, The American Medical Association, all kinds of groups are very much involved and McDonald Douglas, who are currently working with Space Station Freedom, I believe, just had one of their scientists up to the show to the art department. We plan to visit their facilities as well. We had David Kreeger as one of our consultants, we've got somebody different this year, but we use REAL people, involved in REAL science to make sure that everything makes some sense. And in spite of the fact that we're trying to project 400 years in the future, it's amazing how fast it catches up with us. If you look at the original series, the hypo spray that McCoy uses - that exists now! And the bio-beds that they used in the original series - there is already a form of that - it doesn't have the eight readings, but it has three already! So there are advances constantly in medical fronts and scientific fronts and computer fronts and so on, that we try and project WAY ahead and it catches up quickly." Writing for TREK. ----------------- Season four saw the return of Lore in the episode Brothers, written by the show's Executive Producer Rick Berman. It was an unusual experience for him, as Richard relates, "..... he discovered just how difficult it is to work for himself when he wrote that, because he got into terrible fights with the other producers on the show and found himself saying things that he would normally laugh at in Writer's Meetings. You know, people say, 'But this works so much more better, dramatically.' and they would say, 'Yes, but it's just much too expensive and we can't do it.' and he found himself having to be argued out of things by the other producers who were actually in lower positions than him, but as a writer he had to accept it. So I think he understands and respects far better what it is that the writers now go through. This was probably a blessing for the writers on the show that he went through this experience." D.C. or not D.C.? ----------------- Regular readers of D.C. Comics STAR TREK titles will know of a special set of 2 4-issue mini-series launched this year to tie in with the 25th Anniversary called The Modala Imperative. It consists of one series featuring the original cast, and then the follow up is a story with THE NEXT GENERATION crew with Spock and McCoy as well! Normally, Paramount are over protective when it comes to major events like this, so how did it get past Gene Roddenberry? "We're talking 25-30 million a week for the series, less than 200,000 a month by books and less than 100,000 by the comics, so it was a very small audience. I don't think it was much of a concern that they had to be absolutely as cautious as we make everybody else. So yes, Gene did allow, for that time only, the Spock and McCoy story, but with the understanding that the writer could not later say that we were wrong if we established anything different. I hope that's clear to everybody that if, in THE NEXT GENERATION, they decide to show McCoy in a very different kind of a story and Spock with a completely different background story, as to why he's there and so on, that does not make us wrong because the comic was there first. Anything that we do differently, the comic immediately becomes wrong, because that's the way it goes. Anything that we do is fact, anything anyone else does is fiction." Richard continues, "Peter David accepted that, that what he was writing was not going to be gospel. Gene approved the USE of those two characters in the new series time frame, but with the understanding that no gospel was being established at that point. And it does not mean that Spock is even alive, it just means that the story was okay for this particular time and yes, we're planning at some point to use Spock in THE NEXT GENERATION anyway." Also, if you recall, there used to be a lot of extra characters in the comics that literally disappeared overnight. Why did they disappear? "It wasn't Paramount, it was Gene Roddenberry that wanted them removed and it's because STAR TREK is about Kirk, Spock, McCoy, Scotty, Sulu, Chekov and Uhura..... the story should circle around Gene's family of characters, not some other writer's created Universe that's only using HIS characters as sideline characters. That's why he wanted them out. Very blunt!" Richard then went on to present an interesting analogy on the subject, "Gene's built a house, in the back yard is a sandbox. He lets his kids play in it and anyone that wants to come and play in the sandbox with his kids is more than welcome to, but there are certain rules - you don't beat up his kids, you don't go to the bathroom in the sandbox, you don't kick out all the sand and drag in your own dirt. Okay, simple rules, very easy to understand. So if you want to play in his Universe, please feel free to do so, just don't push his kids out bringing in your own friends to play with." Dressed to kill! ---------------- The designs of the costumes for THE NEXT GENERATION are wonderful, but did you know that some of the cast wear padding underneath? "Michael, because of all the make-up and the wig looks kind of funny unless he's padded up so that his head seems to match the rest of him. So they make Worf even bigger than Michael is and Michael's six three and a half! So they make him that much thicker looking. Patrick is padded in some areas, not in others, because he's very powerfully built, but he is rather short so they sort of pad his heels, if you will, and they pad his chest a little bit as well. Wil Wheaton was padded from head to toe! Wil is just incredibly thin, and then we have a couple of actors who are 'girdled' on the show, but we won't mention Jonathan or LeVar!!" Do you remember the scene in The Best Of Both Worlds part 2 where Picard is standing in Data's lab, hooked up to the computer, covered head to toe in Borg implants? Richard describes the costume Patrick wore, ".... he is actually not wearing any costume in this scene - he is technically nude - these are simply rubber pieces that are GLUED to his skin! If you look closely in the episode, all this stuff is just stuck on him with surgical adhesive which you then rip off! And he was in this get-up on his birthday and it wasn't just any birthday - it was his 50th birthday and he walked into his trailer - there was a big bunch of sterling silver roses - 50 of them - with a little card, 'Happy half a century'. Not what he needed to hear in the mood that he was in! And they had organised for a stripper - they cancelled her! He was in no mood to go through that!" William Shatner has had his problems with costumes as well. If you remember at the end of STAR TREK III, Kirk lays his jacket over the body of David before battling with Krugge. Richard continues, "At the beginning of filming of STAR TREK IV, they're on the planet Vulcan, well they're actually in the Paramount parking lot again, and they're about to start shooting the sequence standing outside of the Bounty and Bill says, 'Where's my jacket? I want my jacket.' and they said, 'We don't know. We weren't going to use that in this film.' and he says, 'Well, I want the jacket.' because he likes this leather jacket, right. There was a mad scramble for it and it was pointed out to Leonard that his jacket was on top of David when Genesis was destroyed. He beamed up without it so he couldn't have had it. So Leonard said, 'Ah Bill, you don't get your jacket because it was destroyed when Genesis blew up.' and Bill thought about it for a second and said, 'Well how about he bought a new one on Vulcan?' So Leonard came back to us and said, 'He says he bought a new one on Vulcan.' and we said, 'Tell him that Vulcans would not sell leather goods. It goes against their philosophy.' Anyway, he lost his argument!" Not so much, a costume, but did you know that Patrick Stewart was auditioned for the role of Picard.... in a toupee! "Patrick is very open to the fact that he has a 'receeding hairline' as he puts it! And he started losing it when he was 19, or something like that, and he's played a lot of roles throughout his career with or without his toupee, which is named George! It really is, he needed George, I think he wore George when he was playing Sejanus in I, CLAUDIUS. And they wanted him to try out for STAR TREK with and without the toupee. So he called Sheila and said, 'Can you send George over in an envelope!' and she sent him through some airline where they literally courier it from the airport to the plane, to the airport again. And he went down to pick George up and he was a little squashed so he took him in, had him cleaned, they applied George the Monday morning, this was after the Friday they called him and said, 'We need it.' and he did the reading and the producers and the executives looked at him and said 'Thankyou.' and then they asked him if he could please take it off which he did and they came in and looked at him again and said, 'Okay' and they decided to do it without. I think only because it just made him that more distinguished." The Old vs. the New. -------------------- For the first year or so of THE NEXT GENERATION, there were countless rumours going around that the original crew didn't actually like the show. The real story? Richard reveals all! "At first, there was a little tension there, from the original cast, not from the new cast. The new cast were in awe of the original cast and when STAR TREK V started up production, it was the first time that they were on the lot at the same time and a lot of the cast from the new series wanted me to take them over to watch them filming STAR TREK V. And there was very much an 'us and them' attitude at that point, from the original series cast people, and the crew for some reason, I don't know why. That was brought to a head with an incident that happened with Wil Wheaton. Wil was one of their biggest fans and Wil wanted to go over and watch filming and he was in awe of Bill Shatner and Bill was directing. So he snuck over with Mike Okuda's badge on. Now he was wearing his uniform and Mike Okuda's Japanese! Okay, so obviously he should have been recognisable, but he couldn't get in without a badge on, the security guards are dense! So he walks into the stage and he's like, 'Oh my god!' because it's the Shuttle Bay set, which was huge, it's the whole Sound Stage, and he's walking in and who's the first person that he sees walking towards him? Bill Shatner! And Bill takes one look at Wil, up and down, and says, 'Hiring 'em kind of young aren't we?' and he keeps walking. Now that's Bill's sense of humour. Bill knew who it was, right, but Wil was crushed! He thought that Kirk hated him! And he went back over to THE NEXT GENERATION set and said, 'Bill Shatner hates me! I want to get out of this!' really upset. And that went on for a couple of months while they were filming it and one day Guy and I were walking back from lunch with Wil and he started up again about, you know, 'I'll never watch the original STAR TREK again!' and so on and we said, 'Can't you get over this?' and we grabbed him by the elbows and dragged him into Stage 4 where they had the Bridge built, and where they were filming scenes on the Bridge. We dragged him in, right up to the cast, who were all sitting there in their chairs waiting for the scene to start, and he loosened up and started talking to Jimmy, George, Walter and Nichelle who were all sitting there and De Kelley, right. And then Bill walked by, right, and just sort of looked over at us and went into the set because he was director and getting it all ready and Wil did this (cowered) and Nichelle said, 'What's the matter?' and he said, 'Bill hates me!' and she said, 'What are you talking about?' and he said, 'I was on the set, a while ago and he said, you know, hiring them a little young!' and she said, 'Come on. That's his sense of humour.' and she grabbed him and dragged him into the set and pushed him right in front of Bill and said, 'Bill, this is Wil Wheaton, Wil this is Bill Shatner.' right and he said, 'Hello young man. How are you?' he shook his hand and they started talking, right, absolutely normal. And Wil was starting to, like, float off the floor! And in comes Leonard and the rest of the cast and eventually he's surrounded by the ENTIRE original cast, all talking with him about how it's going on THE NEXT GENERATION and everything else. Somebody was saying, 'Loved your work in STAND BY ME' and Wil was, like, on the ceiling at this point! And then they had to shoot the scene so we had to drag him out. That ended that problem and it ended the rumours that were going around about the fights between the two series which didn't exist. It was just this one incident that spurred all of that." However, at that stage none of the original cast had OPENLY praised the show. "Of the original series cast, the first one to acquiesce was Nichelle Nichols. She was at a convention and the fans were trying to get her to say negative things about the new series and she said, 'Look, I haven't watched much of it. I've seen a couple of episodes and I don't think they have the same feeling that we had, but they're probably not supposed to. They're probably supposed to be different.' And she said, 'You don't seem to understand something, the fans WON. They wanted new STAR TREK, they've got new STAR TREK. They've got new STAR TREK every week, instead of having to wait every two years. So it's different, that's the one thing that STAR TREK's always been about, it's being different.' So she was the first one to REALLY give us support and then Walter and George, and Jimmy came along, and one by one they started dropping by and visiting us on the new series sets and then De, who'd already been in Encounter At Farpoint, but was sort of reserving judgement on the new series, and then Leonard was the second to last - you all know who the last was! Leonard was at a convention in Durboune, Michigan, and he was up in his hotel room flipping channels, killing time, and an episode came on and it just happened to be one of the better episodes, fortunately. He came in right at the beginning of it, got hooked on it and watched it right through to the end and was late getting downstairs to his talk! He was going to watch it right through, and when he came on stage somebody asked him, 'Have you watched THE NEXT GENERATION?' they were looking again for something negative, and he said, 'As a matter of fact, I've just finished watching one, which is why I'm late getting down here.' and he said, 'It was very good, I was very impressed.' and he thinks it is a worthy follower, if you will, to the original series. Bill Shatner - Bill had not seen the show and whenever he was asked he was saying, 'No I haven't had time to watch it.' or whatever and people kept thinking, 'Yeah, right! He just doesn't want to say anything.' but he never had. He was busy with 911, which was his new series, his horses, directing STAR TREK V - everything else that he was working on kept him too busy to be watching TV on Wednesday evening at 8 o'clock in Los Angeles. So, he hadn't seen it, he really hadn't and he was filming that Power commercial, you remember the one, what was that, British Power or something? And he was on Stage 9 in THE NEXT GENERATION Transporter Room and they also shot in the Engineering Section, can truly recognised in the episodes as being NEXT GEN. Our cast was on the next stage, Stage 8, filming on the Bridge, and somebody came in and said, 'Do you know that Bill Shatner and Jimmy Doohan are filming next door on our sets?' and, you know, 'Maybe we should go over and visit them.' and Patrick said, 'Let them come here!' Anyway, Marina said, 'Oh screw all of you!' and she went over there to watch some of the filming and she was standing there at the doorway to the Transporter Room with her Troi make-up and hair, but her own clothes, right. And Bill sort of looked over and saw her and she waved and he just sort of and she thought, 'Oh my god, he doesn't know who I am! He really has not watched the show. He doesn't know who I am.' So she waited until he was finished and came off the Transporter Platform and she said, 'Hi, I'm Marina Sirtis, I work on STAR TREK: THE NEXT GENERATION.' and he said, 'Oh, hi! I'm sorry, I haven't watched the show.' and she says, 'I understand that.' and they started talking and she said, 'So, what do you think of our sets?' and he says, 'Where are you shooting?' and she thought, 'What a stupid question, I mean these are our sets! We're shooting on our sets, right!' but it wasn't until later that when she told me that she thought he was being kind of stupid, I said, 'No, Marina, he doesn't realise that THE NEXT GENERATION is using THEIR sets because the sets that he was on today are still HIS sets in his mind, because that's where they've made five of the STAR TREK feature films.' and she didn't realise that the sets for THE NEXT GENERATION were in fact 14 years old, that they were THEIR sets as well as OUR sets. All the 'us and them' and 'theirs and ours' gets confusing, I know, but that was when Marina realised he was absolutely sincere, not only had he never watched the show, he didn't even realise what their sets were. So after that, he was still the only hold-out, and then he did a convention in New York with Patrick Stewart and the two of them were on stage together at one point in the convention and somebody asked Bill, again it was a set up, 'Have you watched THE NEXT GENERATION?' everyone was expecting him to say, 'No, I really haven't had time.' and he said, 'Before I came to this convention, I had a feeling that I probably should because I was going be on stage with this gentleman here, and I watched it, I think it's excellent, I think this gentleman is a marvellous actor and I'm very proud to have them follow us.' and the room was stunned! Absolutely in shock and Patrick was blown away by that! And later they went out and had a tremendous time, the two of them. So he was the last hold-out. So now the original series cast are very supportive of us and the original series cast - half of them are fans of the original series, so the original series and THE NEXT GENERATION casts get along beautifully now. They do conventions together as well." Speaking of conventions.... "There was a very funny question asked of the two captains, it was called the Two Captain's Show, in New York. I think DeForest Kelley had been on just before and he was asked, 'If Kirk and Picard got into a fight, who would win?' and De thought about it and said, 'Well, I'm not going to give you the answer I'm giving you because of my loyalties, but I'll explain it. Kirk would win the fight. Not because he's in better shape, but because he would be the first one to throw a punch! Because Picard would want to talk about it!' And that's the difference in the philosophy's of the two shows isn't it? You see Kirk is, 'I'm going to count to three and fire. One... two... fire!' And Picard was always, 'I'm going to count to three and fire. One... two... three... I'm not kidding... four... five... six... I'm still serious about this!' So there's the two approaches there from the two captains. I can tell you some of the hysterical events that went on that evening. The two of them had a great time poking fun at each other. Somebody asked Patrick, 'Is it true that he had had something to do with the designing of his sleep attire on the series?' and Patrick said, 'Yes, I must confess, I designed Picard's Jim-Jams!' and Bill turned to him and said, 'Jim-Jams?' and Patrick said, 'You know, pyjamas.' and Bill said, 'Oh, well there's a difference between Kirk and Picard right there.' and Patrick said, 'What? That Picard says Jim-Jams instead of pyjamas?' and he says, 'No, Kirk wouldn't wear them!' So it was great fun, that evening." Not everything goes to plan.... ------------------------------- As with all shows, problems occur while filming, but none were as troubled as the season four finale, Redemption. "They had to rebuild from scratch this set because when it went into storage somehow it got destroyed. It happens - it's happened too many times to us. We use a lot of storage, indoor and outdoor, I think sometimes they're just not reading what it says. When it says 'hold' that means DON'T destroy it. This had to be built from scratch. It was too big a set for the budget of the episode to build completely because of everything else they were doing in the episode, so they only built one end of it. And they kept redressing it as BOTH ends." But that wasn't all of it, as Richard illustrates, "Especially considering that they just about killed the film lab because they LOST an entire day's filming! And they had to go back and re-shoot EVERYTHING on this again from that day, which was infuriating - we were already far enough behind schedule as it was." Another problem cropped up a year earlier with the previous season's cliffhanger, The Best Of Both Worlds as Richard disclosed, ...the sets of the Borg ship were built on Stage 16, which is our cavernous planet stage, the one that Patrick Stewart calls 'Planet Hell' because it's hell to film there. They always have alot of smoke and dust - it's terrible for the actors. It's funny, the crew walk around with gas masks on, and everybody keeps telling the crew 'Oh, this stuff doesn't harm you at all - it's fine, don't worry about it!' So the sets had to be kept intact, because they were going to be coming back in 2½ months to film again. So they very carefully wrapped it all up with plastic and then sealed off the sound stage. Paramount decided that the alleyway between stages 16 and 15 needed to be resurfaced and they were going to cut some grooves to run some power lines through. So what they did instead of running the traffic through that alleyway, was they opened up the huge doors at each end of Stage 16 and ran the traffic THROUGH our Sound Stage! And of course, the tours wanted to go through there and the tour guides eventually, over what must have been a couple of weeks, tore open all the plastic and everybody was being paraded through our sets! And sets are very fragile - they're not meant to be tour items - and some damage was done to the sets, until one day, somebody noticed that one of the Sound Stage doors was open and walked inside and saw all these track marks on the floor of the Sound Stage and called the Production Office and our producers absolutely flipped. Called the studio to find out what the hell was going on and it was very quickly locked up again and the studio had to pay to clean up and fix the sets. It's amazing what they don't understand about STAR TREK and that is that more people that are on that studio tour want to see STAR TREK than anything else on the lot, and it's the one thing you CAN'T do is go into the STAR TREK sets. When you take that studio tour, you're only allowed to go into CHEERS - you know, the less popular shows!" Also , remember the scene from TREK IV, where Chekov tries to make his escape from all the U.S. Marines? "Leonard is explaining that he's got all of these marines about to come charging in, and he wants him (Walter Koenig) to run across the inside deck of the Ranger, which was doubling as the Enterprise, and these guys were all going to be chasing him. And Leonard said, 'Now run as fast as you can but we won't have the camera going to fast because we don't want to make this difficult for you.' and that ticked Walter off, because he had just, I believe, turned 50 and was very proud of the fact that he was running some seven miles a day at this point, which was more than he'd ever run in his life, so he was very proud of himself. So when that called 'Action' he took off like a bat out of hell! And the camera was lost in his dust, right. So Leonard came over and said, 'Okay, slow it down and we'll try and keep up with you, okay.' However, when they called 'Action' for real, the marines this time all came charging out and it scared the hell out of Walter and he ran like a bat out of hell again! They were really frightening, you know, all the yelling and the weapons and the sounds and the boots and everything - it was frightening." Did you know that there was originally supposed to be an extra scene in STAR TREK IV? "When you see Sulu and McCoy and Scotty walking down that hill and Sulu looks into the restaurant and then they stop in front of the great big 'Yellow Pages' sign - they're trying to figure where can they get a helicopter and plexiglass, right. This little boy comes running down the hill in the story, and says something like, 'Uncle Harato.' and says something rapidly in Japanese. And they all look sort of surprised and Sulu says in very formal Japanese, 'I'm sorry, I think you have me confused with someone else.' and the little boy says, 'Oh, yeah, you're not my Uncle Harato' and starts to run off and he says, 'Wait a minute, wait a minute. What's your name?' and he says, 'My name is Hariochichu (whatever-it-is) Sulu.' and runs off down the hill. And Sulu just smiles and turns to the other two and says, 'Gentlemen, that was my Great Great Great Great Great Grandfather!' Unfortunately, the little boy is absolutely terrified. They could not get him to do anything when the camera was rolling, he was so scared. So they just had to lose the scene. It's too bad." STAR TREK V had it's problems as well, as Richard explains. "STAR TREK V begins out up just North of the Redlands, California, Southern California. They're filming out in the desert here. Rex Holman, who had been in the episode Spectre Of The Gun as one of the Earps, as J'onn and Sybok here, Laurence Luckinbill. They had so many problems filming out on location, they needed to get some very heavy equipment out into the desert. The desert is a National Park, I believe, and you cannot do any damage to the lakebed there. So they had to build a road to get the trucks and the equipment in, and the cranes in order to shoot all this. And then run the tracks out as far as they could, which had to lay down on these little pieces of wood so they didn't damage the floor, because it's all considered a historical site or whatever - it's a National Park. They had to get a geological survey done before they could build the roads. So it was all these delays for this film. If you haven't read Bill Shatner's book, the Captain's Log: The Making Of Star Trek V you really should, because they went through hell to get this done." Why did they need the roads? Well, do you remember when the Enterprise's shuttle lands in Paradise City? "That shuttle which weighed 9000 pounds empty, had to be lowered by crane for the landing sequence!" The story BEHIND the story... ----------------------------- There are hundreds of small anecdotes that Richard can remember about the episodes and films. One of the more memorable concerns The Best Of Both Worlds and a young woman who was dying of ovarian cancer. Richard continues the tale, "And she had watched part one of it, Best Of Both Worlds, and when it ended with 'To Be Continued', she was in a state of panic, which was not good in her condition, she was terminal. And her doctor called up to find out if in fact it was true, was she going to have to wait until the beginning of the fourth season to find out what happened. And we said 'Unfortunately, yes' and she said 'Well, can you tell her what it's about?' and we said 'No - it hasn't even been written yet! Because we are always barely keeping our deadline.' We had not written or filmed The Best Of Both Worlds Part 2 until July, so it was about a month later. In any case, the young lady who was terminal was very distraught by this and I told the doctor, 'Well, let me check a couple of things and we'll call you back.' Called the number she gave, it was a hospital, I asked if they had that patient, they said, 'Yes, infact they did, she was terminal.' and so we verified it, it was for real. You'd be surprised how often we get calls from somebody saying that they have a son or a daughter or a friend who is dying and can we fly the actors out to visit them and can we send them the set or something! Some really outrageous requests, so we verified it, I talked to the producers and we came up with a way to deal with it. On the Monday, we called the hospital. The patient's husband was in the room along with her parents, some friends, her children, other nurses and doctors - quite a crowd. They all knew that she was a big STAR TREK fan, they all knew that she'd be getting a special phone call - they didn't know exactly what. She was put on the line and I said, 'I understand that you're quite upset about the outcome of The Best Of Both Worlds' and she said 'Yes', because she's a very big Captain Picard fan and she was really concerned that he might not make it and I said 'Well, tell you what, why don't I let HIM tell you', and handed the phone to Patrick Stewart! And Patrick spent the next 20 minutes talking to her on the phone, telling her, 'Oh don't worry, I have a very resourceful crew, they'll come up with some sort of a solution!' and kept telling her, 'No, no, no, this is really MY pleasure. It's very rare that we get a chance to talk with our fans one on one - it's nice to know that there's somebody out there that really watches and cares that much.' and he made her feel wonderful. In fact, so wonderful that later that day we got a call from the doctors saying, 'Well, you'll be happy to know that we had to give her TRANQUILISERS to bring her down! She was so excited, which was also not good in her condition, that her family, her parents in particular, had been out in the hall in tears because she had more colour in her cheeks than they had seen in a LONG time. She was determined to see that episode. She not only outlived the 30 days she supposedly had, but as of this month it's been a year and she's still living! Because she's determined to see each new episode as it airs. And certainly by giving her another cliffhanger at the end of this season, we've given her three more months she has to last! So, it was great news and she's now home with her family - she's no longer in the hospital." Do you remember the scene in Data's Day where Doctor Crusher tries to teach Data to dance? Richard does! "...... he did most of his own dancing, Brent Spiner. He had a double for the trenches and the turns because he's got a bad back - he can do them, but he can't do them as well as he really wanted to and as well as Gates thought the android should be able to. She choreographed the scene, by the way. Gates McFadden, as Cheryl McFadden, used to be a choreographer and she choreographed THE MUPPETS TAKE MANHATTAN and LABYRINTH among other things. So she did all of her own dancing and the choreography and everything - she gets a credit at the end of the episode." Did you know that the fourth season episode, The Devil's Due, was written in 1977! "It was written by Worley Thorne for Kirk, Spock and McCoy. Kirk and Spock were supposed to beam down to this planet, and face the devil. It was The Devil and Daniel Webster really. However, the script was written for the second STAR TREK series that never happened, that became the first movie - you know the history up until now. And it was a script that they kept thinking they could do something with and they finally did. They re-wrote it, re-wrote it, re-wrote it, to this, The Devil's Due. Unfortunately, with Picard in the Kirk role, and Data in the Spock role, the first day on the set Jonathan Frakes comes up to me and says, 'Was this written for the old guys?' and I said, 'What do you mean Jonathan?' and he said, 'There's nothing for ME to do in it!!' which was true. They'd taken the two, like, number one and two positions and there really wasn't an in-between character in the original series. That was one thing that was so obvious from the script was there was NOTHING for Riker!" Do you remember the scene in STAR TREK IV when Chekov and Uhura were looking for the nuclear wessels and Chekov is standing on the street corner asking everyone in his Russian accent, in front of a policeman? ".... this policeman over here was a REAL San Francisco Police Officer, who was supposed to be keeping the traffic and the real pedestrians away from the scene that was being filmed. Now the camera was obviously a motion picture camera, so anybody that was nearby knew what was going on, that they were controlling the traffic and the pedestrians. When they walked over to the cop, right - this whole scene was ad lib - they only had sort of a general background to what they were supposed to be doing. They walked over to him, the camera followed and he just stood there staring at them - he was a cop! And then this young lady approached and they thought she was just another extra and they asked her the same question, 'Can you tell us where the nuclear wessels are in Alamida?' and she said, 'Oh, I think it's across the bay in Alamida.' Watch Walter's eyes, they almost pop out! Extra's are not supposed to say anything and she wasn't an extra - she was walking her dog!! So when they cut the film they had to track her down and get a waiver from her so they could keep the piece - it was cute!" Linguistically speaking.... --------------------------- Have you ever wondered why so few humans speak Klingonese and yet almost ALL of the Klingons we ever see speak perfect English? Richard gives the answer, "Which answer do you want - the official answer or the real one! The real answer is the audience speaks English! So, you know, everybody has to learn to speak English except, I mean we don't have to speak other languages except people like Picard who learn a few lines, because subtitling is a pain, so we just assume that everybody speaks English, because that's the easiest way for the audience. We also have something called the Universal Translator, so if you can't understand someone speaking to you, you just do something to your communicator or it can be preset to just automatically translate and you're hearing everything in English. Now, I know that's, like bull, but it's a 20th Century show being made for an English speaking audience so it's just sort of convenient that the one language in the Universe, or at the known galaxy that everybody is sort of agreeing upon, is English, and again, it's probably not even the same English we speak now, it's probably very different. Languages change dramatically over centuries, but your television set has a Universal Translator in it too!" In STAR TREK II, we saw a short scene where Saavik (Kirstie Alley) and Spock were talking to each other in Vulcan. "Well, they didn't, they spoke English - it was later looped." However, that proved to the the first work on STAR TREK for language expert, Marc Okrand. "Marc was asked to create the Vulcan language for the two of them to speak. What they did in THE MOTION PICTURE for the Klingon language - Jimmy Doohan created that! Jimmy Doohan is a master of languages and dialects and accents and he created this little bit of Klingon language for Mark Lenard to speak in THE MOTION PICTURE. Marc Okrand took the tapes of that and created the ENTIRE Klingon language based on what Jimmy Doohan did! And for that little bit of Vulcan ..... Vulcanese? He watched their mouths and came up with words that fit their lip movements - that's why the Vulcans sound a little strange." Sometimes, relationships can be a difficult thing.... ----------------------------------------------------- When Troi loses her abilities in The Loss, there was a scene where Riker was comforting Troi and they end up kissing (it was cut!). "This would have been at the very end of the episode, but the producers said, 'Friends only!' That's never going to change - that's the way it is in the Writer's Guide, that's the way they created it, that's the way Gene wants to keep it. Their relationship is very much the same as the relationship was supposed to be between Decker and Ilia. They met at her home planet, if you remember The Motion Picture, he was stationed there when he was a young lieutenant, he left to go off and pursue his career, they met again when they were assigned together on the Enterprise. What had been a relationship was now just a friendship - the whole set up was the same. So, Gene feels that it should be kept this way." However Marina is quite pleased that the relationship between Troi and Riker is in the past, mainly due to Riker's more promiscuous nature! "..... as Marina points out, that Riker does it at the drop of a hat! 'You wanna have sex?', 'Uh, oh SURE! HEY!', 'You didn't have to ask!'. Where as Troi's always very very good about, you know, who she chooses to be with. Now this is because we were just with Marina, in Nurnburg last weekend and that's all still fresh in my mind. That HE goes on about how she's, you know, always in bed with guys, rubbing oil into their chests and so on, and she says, 'Hah! She's had two and he's - we've lost count already!' that's why the producers have decided to keep it the two of them apart as she puts it, 'To make him free to shtuck the bimbo of the week!'. And Marina doesn't think that's fair at all, because she says if that's true, Troi's middle name would be 'Doormat'. So there's obviously no relationship going on there, just it simply wouldn't be fair." Sex and Religion in the 24th Century... --------------------------------------- One episode that really caused difficulties for Richard was Galaxy's Child. Why? Well, in America the show has recently been on the receiving end of some unfair criticism from the gay community. "You see, it's one of those things that wouldn't have occurred to us either. This episode was written by a writer who CHOSE to make Leah Brahms married. We've been under pressure from the gay community for a long time now to establish that heterosexuality and homosexuality is completely equal. Equally acceptable, that is, in the 24th Century. And they were asking us why couldn't we have made her a lesbian? You know, why couldn't she have said to Geordi, 'Hey, didn't the computer tell you I'm a lesbian?' instead of, 'Didn't the computer tell you I'm married?' And of course, either one would have been fine, but the writer didn't write it that way. And to basically attack us on that front is really unfair. Yes, of course, all sexual preferences, all religious choices, all political choices will be equally respected in the 24th Century. But to specifically address it in episodes that has nothing to do with the story whatsoever doesn't really work on STAR TREK - it's pacification of a minority and we try not to do that on STAR TREK. Yes, absolutely, she could have been lesbian, why not? Unfortunately, it wasn't written that way and we're not trying to force the writers to write that way. So it just didn't happen. And we're going to try and address that in the fifth season, but again it can't be forced." Unfortunately, Richard has also come under personal attack on this, simply because he was mis-quoted on the matter. "I was asked at a convention in Boston why we had never seen a homosexual or gay character put on STAR TREK and I asked, 'What does one look like?' And the person asking said, 'You know what I mean.' and I said, 'No, I don't know what you mean. What does one look like? How do you want us to show that somebody is gay? Do you want us to have them act differently? Because that's offensive. You should not be able to tell somebody's preference by just looking at them. Do you want us to have them walking around sacheting with pink triangles on their uniforms?' Right, now you laughed at that. This person didn't think that was funny and I was quoted as saying, 'If we're going to show gay people on STAR TREK, it's going to be with pink triangles on their uniforms!' so I am suddenly a neo-nazi homophobic! I'm not kidding, we have had hundreds of letters from the gay community because of that. And it's sad because, unfortunately, they're so focused that they don't realise that if they had actually found out what the full question was and what the answer was, that I'm very aware of the problems that they're facing in the community and that certainly if a good story came along we would DO that story. But, so far one HASN'T. How do you address a non-issue? In the 24th Century, it should be a non-issue. So how do you show the problems the gay community face in the 20th Century when they should be having no problems in the 24th Century? One of the people in our writing staff said, 'When they ask you that question at conventions, why don't you just tell them that they found a cure for homosexuality in the 24th Century!' I should have thrown him off the fourth floor! Most of the people on the show are sensitive to the situation. So it's not an easy one, it really isn't." However, they aren't just a target for the gay community. The show has also been attacked on religious grounds. "We've had a religious group, and I can't think of the name of the group - it's probably best that I don't even mention it, who have been saying that, 'STAR TREK is some kind of communist plot' or is 'to ploy the devil' or something! Because we're showing people in the 24th Century and we're saying that the 'second coming' still hasn't happened in 400 years! Now, that never occurred to me or anybody I don't think, but 'Oh Jees, we're sorry!' - I'm sorry, I should have said Cheese! We slipped up, I'm sorry - I've just offended all the Christians out there who are expecting a second coming any day now! So, it's so hard to please everybody, it really is, we try not to tackle those subjects. Sex, politics and religion are very tricky." Another, admittedly smaller, problem the show has to put up with is sexism, one incident specifically in the episode Qpid, in the scene where Riker and Co. disguise themselves as monks and go to rescue Picard, "And what bothered me and what bothered Marina and Gates and unfortunately didn't bother enough people on the show was that the guys got to draw swords and the girls got to smash bowls over people's heads! Just a little sexist! However, we're trying. It's hard when you've got 6 out of 6 producers that are male. Okay, we've got one Head Writer/Co-producer on the show who is female and that's Jerri Taylor and I think between her and Ron Moore and Michael Piller who's really terrific, I think it should get better. I HOPE it will get better. But don't forget, this is a 20th Century show being made by 20th Century men. I was DEFINATELY with Marina last weekend wasn't I!!" Guess who's dropped in for dinner! --------------------------------- The show is no stranger to getting guests on the set while filming. One such time was during the filming of part one of Redemption when ex-President, Ronald Reagan turned up! "You never knew who's going to be a STAR TREK fan do you? He'd been trying to get over to the sets for a long time. He actually wanted to see the movie sets, but there weren't any movie sets at this point. They weren't about to become movie sets for another week or so, so if he could have just waited another week! However, they were busily starting to redress for STAR TREK VI over on Stage 8 and 9 at this point. All of the sets of THE NEXT GENERATION, which are redresses of the feature sets anyway, since they're all 14 years old, were being redressed for STAR TREK VI. The former President knows the original series quite well, I can tell that, I had the privilege, if you will, of taking him around the sets and showing them to him. He was, as I said, more familiar with the original series - he'd seen a couple of THE NEXT GENERATION episodes and what was interesting was his reaction to the Klingons. He liked the Klingons - he said they reminded him of some of his former cabinet members! But he was telling a story about working on a film at Paramount years and years before, and he sort of lost track of what he was talking about and stood there looking a little confused. And he said, 'I'm sorry. I have that condition that you get, that old people get when they can't remember anything. What's that called?' and in unison, everyone said, 'Alzheimer's!' right, because that's something everybody worries about and it was so embarrassing because everyone had said it at the same time! Everybody felt about that big! And he said, 'That's right, Alzheimer's, but I have Irish Alzheimer's.' and everybody said,, 'What?' and he said, 'I forget everything but a grudge!' He set us up for a joke! I couldn't believe it! He hadn't forgotten his story at all! Okay, he was actually kind of interesting. Brent Spiner is our one cast member who doesn't want visitors on the set. And he's not a Republican - he's made that very clear! So when he found out the President was coming he made a big stink about, 'I don't want him visiting our sets!' and so on. Well Brent wasn't working these scenes as you may know, if you've seen the episode, but yet when the President was there, Brent came in on his day off to see him!!" Making Whoopi! -------------- One of the great things about working on THE NEXT GENERATION is that Richard has had the chance to meet and work with Whoopi Goldberg. She has a tendancy to play around on set almost as much as Bill "Whoopi's always a character on the set. I think I've mentioned several times before she swears like a sailor, but not to shock people, it's just the way she is. She kids around. She uses some words that most of us don't use very often - just as sort of like colourful metaphors - remember that line? And when she blows a line she lets fly! At herself, mostly. But she's really great fun to watch. I remember particularly in this one, where she's blown the scene about six times and she stopped and just sort of swore to herself and then turned around and started to walk out the funny way that Oda Mae walked in GHOST and says, 'Excuse me just a minute, I have to go outside and fart!' which really released the tension on the stage! Everybody laughed, she went out, probably blew on her arm or something, got everybody laughing, came back in and she got the scene done. She's interesting to watch work - she's an Academy Award winner now. She is really terrific and yet you can see that when she's on STAR TREK she's having a lot of fun, because she's probably our single biggest fan." The episode In Theory, Patrick Stewart's first episode as a director, was Whoopi's first on the show after she had won her OSCAR... and she made sure that EVERYBODY knew about it! "Whoopi brought her Academy Award with her that day and made sure that EVERYBODY posed for a picture with her Academy Award! She also set it very carefully down at the end of the bar when Patrick wasn't looking and then was up here polishing it like this. Patrick's over here with the camera for the scene where she's pouring the liquids - watch the scene. And Patrick looked around the camera, looked down the end of the bar and said, 'What's that... Whoopi, would you please get your OSCAR off the bar!' and she said, 'Whoops, how did that get there!' She's so proud of that Academy Award." ----------------- All the material in this article was recorded over a three day period at Silvercon in Glasgow, Scotland between 13th and 15th July 1991. Thanks to Richard Arnold and to the Silvercon Committee for a great convention. Also thanks to Mark Haggett, Terence Haggett and Andrew Wilk for their assistance in putting this all together. Next issue.... John de Lancie and Guy Vardaman!