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ÉLETHAL WEAPON
Ê#È When  Roger  is  complaining about
his  life  being  over  with so many
years on the force and not a scratch
on  his record, the car he's driving
is  moving  but  the  shifter  is in
park.  Ê #È Riggs handcuffs himself to
the   depressed  businessman.   They
jump  off  the  building but they're
not  handcuffed  to  each  other any
more.

ÉLOOK WHO'S TALKING
Ê#È While  John  Travolta  and Kirstie
Alley  drive  around  in search of a
missing    child,    Travolta    has
sunglasses  on  in  the  shots taken
from  outside  the car but not those
taken inside.

ÉTHE LOST BOYS
Ê#È There is a scene where actor Jason
Patric  is  flying uncontrollably in
his   room.    In  his  scramble  to
control   himself,  he  accidentally
knocks his phone off the hook.  This
is  quite clear.  We then cut to the
next  room,  where  the phone rings.
Corey  Haim  picks it up, and begins
to  talk only to have Patric talk on
his  phone.   How  could  the  phone
ring?   Wouldn't it have been a busy
signal?  Ê #È  There  are two or three
scenes  where  the  camera simulates
the  vampires flying into and out of
their  lair.   One  of the scenes is
clearly just the previous one played
backwards  (as the camera flies over
the  ocean,  the  waves  head out to
sea.)

ÉMERMAIDS
Ê#È Bob  Hoskins'  character discusses
how  "AstroTurf" will ruin baseball.
The   movie  is  set  in  1963,  and
AstroTurf  was  not introduced until
1967 or so.

ÉNORTH AND SOUTH
Ê#È In  one  battle  scene, the camera
pans across the battlefield and gets
a  shot  of  another  camera filming
away.

ÉPARENTHOOD
Ê#È During   the   scene  where  Jason
Robards  talks to his wayward son in
the  garage  in  front of his prized
green  car,  the entire film crew is
visible  in  the  reflection  of the
car.  # The horse that the kids ride
is a docile looking, skinny chestnut
colored  horse.   Then  Steve Martin
gets on the horse and rides him down
the  street and attempts to jump him
over  a hedge - the horse is now bay
colored, and has a lot more energy.

ÉPET SEMATARY
Ê#È While daddy Dale Midkeff kneels by
his  son's grave, the nearby flowers
change from purple to yellow.
ÉPRESUMED INNOCENT
Ê#È Check out the tape recorder shoved
into one character's face.  There is
no tape in it, and he talks into the
empty recorder.

ÉPRETTY WOMAN
Ê#È On  the  movie poster, Gere's hair
is  brown.   In the movie it's grey.
While  they  are  having  breakfast,
watch  the  donut/roll/pancake Julia
Roberts   is   eating.    It   keeps
switching.   #  In  the  scene where
Gere  and  Roberts  are  dining with
Ralph  Bellamy,  the meals they have
in  front  of  them  chop 'n change.
Julia   Roberts   starts  undressing
Richard  Gere; Gere's tie and collar
go  from being untied and unbuttoned
to  being  tied  and  buttoned, then
back  again,  all  in  a  matter  of
seconds. Ê  # È Also,  Julia takes off
his  shoes and socks.  A few seconds
later they are magically back on his
feet again.

ÉRAIDERS OF THE LOST ARK
Ê#È In the scene where Indy and Marion
emerge  from their entombment in the
crypt  after crashing through a wall
with   a   statue.   Indy  pushes  a
massive   stone  block  out  of  the
outside  wall - and you can see from
the block's shadow that when it hits
the  ground,  it  bounces! Ê #È In the
same scene, I noticed that when Indy
and  Marion  run down the slope from
the  wall,  there  is an unconscious
man  sitting  under the hole left by
the  rock.   His  presence  is  left
unexplained (or is it an intentional
joke?).   Ê # È  Note   the  tell-tale
reflection  of  the  glass pane that
keeps  Harrison Ford safe during his
tete-a-tete  with the cobra.  # Indy
goes  to  Marion's  bar  to  get the
medallion.   She  tells  him  to get
lost.  After he leaves she sits down
an pulls the medallion, which she is
wearing  on a chain around her neck,
out of her blouse.  Straight-on shot
of  Meriam  looking at the medallion
with  the  chain  still  around  her
neck.   Cut  to a profile shot where
she   is   still   looking   at  the
medallion and the chain is no longer
around her neck.

ÉSCARFACE
Ê#È Set  in 1980, the movie includes a
billboard  for a 1984 Corvette and a
vending machine for USA Today, which
began in 1982.

ÉSEE NO EVIL/HEAR NO EVIL
Ê#È Pryor & Wilder are on the run from
the police.  They ditch their stolen
police  car  in  a muddy bog.  Their
clothes end up being covered in mud.
In  next scene, they show up squeaky
clean.
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ÿ