2
5
abd
09a
46b

ÌÉ             DISHARMONY
Ê------------------------------------
Ë
ÉJASON/SILENTS-
ÈYes...This  is  also one of the BEST
pieces     on    the    disk.     An
extraordinary    good   composition.
Disharmony??...  Where?  This is one
of the most harmonic melodies I ever
heard.   Personally I like to listen
to this one when I go to sleep after
a  though  day at school & work.  It
is quite RELAXING.

ÉAXEL/BRAINSTORM-
ÈYes,  a  coompetition  song  of  the
X-Mas  party  in Denmark.  This song
should  be  nominated  for  the most
beautiful  chord  arrangements  (Hey
Tip!   How  much  chords?).  After a
while  a  melody comes in which fits
the tune perfectly.  Nothing else to
add.

ÉPETER/PMC-
ÈWhen  I  heard  this tune I wondered
why   they  chose  such  a  name  as
'Disharmony'.    To  me  it  doesn't
sound  disharmonic,  but  rather the
opposite.   Anyway  I guess the name
is not that important.

This piece could have been much more
expressive.  It had good themes, but
the arrangement didn't 'support' the
themes  as  it should.  An exception
is   the   middle   part  where  the
arrangement,    instrumenting    and
melody  works  excellent together to
create   the  specific  athmosphere.
But the rest of the song sounds more
'empty'  to  me.  Another weak point
is  the  melody  (or  maybe I should
call  it  improvisation) in the main
themes,  which is rather cheap.  The
beginning   (intro)  was  too  long,
something that made it a bit boring.
However  I  like  the  way  the main
themes and the middle theme were put
together;   It   was   smoothly  and
beautifully performed.



ÉJESTER / SANITY-
ÈThis  one  kicks off with soft drums
and  voluminous  strings.   A melody
played  with a "bell-piano" is added
by  which  the  composers  manage to
enlarge  the  highly  pathetic  feel
about  this song.  Unfortunately the
theme    is    once   again   rather
uninteresting  and unoriginal so for
quite   some  time  the  piece  just
passes  you  by  while you sit there
and  wait  for  the  big surprise to
come.   Luckily  enough this passage
is  succeeded  by a rather different
intermission.    Here   we  find  an
extremely    intelligent   flow   of
harmonies which I believe could also
be  a  part  of  a  classical piece.
After  a  humorous positive solution
the   composers   continue   with  a
variation of the main theme (noticed
the structure ?).

ÉRESUMEE: 

Èaverage samples and very boring main
part  but  great  intermission  (!),
still  not  a  stunner and 

ÊTherefore only 55%.
ÿ