2 8 959 9bd 36a Ê 4: DISHARMONY. ÉVery good drum-/precussion-line. Though it sounds like an old TR-808 sequence, it's very charming. Very interesting use of chords. But yet again, a tune lacking a good melody. An analog-lead can do so much to a tune like this. Oh the melody is good, but not strong enough. Oh and speaking about disharmony, Tip and MTX does NOT know much about music. They wrote, in CS2, that harmony is one of music's most important sides, which is dead wrong. It's not harmony that seperates music from sound. Ê 5: LIFE-PHOBIA. ÉDoes this tune use 5-DAC's? Bah! Just because you digitize several sounds in one? Oh what a fucking great sercet! Very amusing! Europe's most popular musicians doesn't know that a multidigitized sound is a multi-sample. 5 fucking voices my ass, happy fucking Easter! Anyhow, this is not a bad tune. It's good, but very boring. Very charming bass-line, but it lacks variation. Good, yes, but the tune lacks pressure. Ê 6: THE SEARCH FOR ME. ÉThe first part of the tune is good. Nice bells, very moody. But that silly up-beat sounds like some hi-tech sound from the late 60's. In fact, it sounds like shit! It's so very tame, like just about all tunes on CS2, due to their lack of pressure. ÈAny final comments about CS2? ÉIt's a good musicdisk, but the arrogance, the hatred, the childish SHIT written in its many scrolltexts make me sick just thinking about the product. The crap written about me is so stupid that I don't even mind. Besides, I can take a push in the back. But the SICK boasting and arrogance is just unbelievable! Fucking up one's name just be cause he didn't like the tunes in CSI? Demanding Europe's most popular diskmag a full apology for having printed an article where someone spoke his mind? Telling a truly talented musician to go fuck off just because he used a BIT of their work, when they themselves used more than twenty of my samples without even THINKING about crediting me? I could go on for ages! But deep down, I think they are two nice guys, but fame has gone to their heads. Huh! Fame is nothing! There are a LOT of musicians that could have taken your places ages ago, so get those damn feet of yours back on the ground! ÈTip and Mantronix suddenly changed their name to Mantronix and Tip. Don't you think Tip and Mantronix sounds better? Why do you think they changed the order of their handles? ÉThe truth is that Mantronix is a far more talented musician than Tip. MTX is the stronger side of the duo, making it more fair on Martin to call the duo Mantronix and Tip. Oh, but God knows what made Tip agree to put his name last! ÈIn CSII, Tip and Mantronix wrote; computer-music is rather ridicolous. What is your opinion about that? ÉBah! Nearly ALL popular music today is done with computers. Do you think computer-music is another term for what, 4 DAC 8-bit Amiga music? It's MIDI. Even the Gravis Ultrais a small CPU. Michael Jackson, Jean Michel Jarre, Vangelis, Mezzoforte, Brad Fiedel, you name it! It's all computer-music. Oh yes; you ment blah-blah-blah, and not blah-blah- blah, I know. ÈYou've heard Tip and Mantronix make both fast disco tunes and so-called symphonies, which style do you think is best? ÉI prefer their fast work; the first and last part of Overload was brilliant! No offence Tip, but you'll never become a respectalbe pro. Not composing with 4-DAC's 8-bit. You'd be a far better musician if you'd do something with 16-DAC's 16-bit. I took the fast way to paradise; went to the bank and raised a fat loan. Then I rented an appartment, fixed it up real nice, and moved in. Then I built up my own studio (5 units), and went full-time pro. Oh sounds better than a blow-job, doesn't it? It bloody well is! Well, aeh, sort of. Like, uh, in a way. Oh, anyhow, think about raising a loan for your studies. You can end up with 5000£, and you need, what, 400 for your studies? Give it a thought, Robert. È < Flip Page > ÿ