4XXk. `4$$k. 4XXXXk. `4$$k.`4$$$$k. `4$$k.`4$$$$k. `4$$k.`4$$$$k. `4$Qll$$$$$$k. XXXXXXXXXXXXXXXXXP lQQ$$$$$$P` ¥¥¥¥¥$$$$¥¥¥¥¥¥P` .d$$$$$$$P` mmmmmm lQQ$ mmmmmmmmxxxùù ù ù the haji remix project .d$$$$$$QQlyyyyyy ÕËË$$$$yy© .d$$$$$³$$³$$$$$$P` .$$$$$$$P` the haji remix project first entered my .d¥¥¥¥¥P` `4$$P` ,d$³$¥lÀ` head sometime back when i was still consid- .d\ ]$ j$P` erably productive. in fact, there's a textual .d¥P` ,$$_ $$ reference to it in my h4-man.txt, which i believe .d¥P` ``'4$k$$ i released with odelay oh-so-long ago (it was the 200 .d¥¥¥¥¥¥¥¥¥¥ ]$$$ plus line flowing abstract piece). any damned how, ..,d$lQQ it seems i actually got off my ass to release the $$` $$ fucking thing - bully for me. i know it's not much i $$ $$ terms of quantity (my original aspiration was 20 $$ $$ remixes), but these things are far tougher to crank $$ ¥ out than one might think. it was a lot of fun dig- $$kÚ¿ ging up old asciis which looked modifiable and fuck- ``'4$L ing them to pieces. i'd like to give some thanks and ”o. `4 respect to everyone who, to their knowledge or other- mmmm k. wise, had their art thoroughly thrashed by me. i yyy$$k know a lot of people are going to decry this release $$$$$$ and this entire notion, but i frankly don't give a ```'/$ fuck. i'm doing something productive. i'm giving .. ´ back to the scene in which i play a decent-sized Úùùùùù ù part. whether i act like it or not, i love the ascii ; ::.... scene and the many people whom i've met through my ù ||:: art. this isn't me saying, "get off your ass and . ³³|| produce - the scene needs it." this is me saying, ºº³³ "I GOT OFF OF MY ASS - IT'S YOUR TURN." Ìκº ÌÎι let's destroy the future from here. ÈÊʼ from now. ÉËË» WE ARE THE RESISTANCE>>> ```` pat hajduch. mmoney19@idt.net ÄÄÄÄ