CAGED ARTIST'S
                          D-10/110 EDITOR
                      (c)1988 by Robert Melvin

Supplemental notes for version 1.1 of the D-10/110 Editor:

Print
	In TONE or PENV Edit modes, the "print" command prints 
	out all the un-muted partials only.  Timbre Tables and 
	Rhythm Setups are printed in their entirety (4 and 2
	pages respectively).


Memory Protect
	The D-110's Memory Protect feature does not seem to work
	for MIDI dumps, as I had incorrectly assumed.  Therefore,
	be extra careful if you've programmed something on front
	panel, until it is safely stored on disk or card.  Also,
	if you have an MT-32, I suggest changing the D-110's 
	default unit number to 18, as the D-110 will respond to
	MT-32 messages (although not always correctly).


Parameter List Entry
	This feature lets you choose a parameter's value from
	a list.  It's only available for two parameters: PCM 
	wave number, and tone select number.  Tone select appears
	in PATCH EDIT, TIMBRE TABLE, and RHYTHM EDIT modes.
	The dialog box for choosing a parameter has been changed
	slightly.  There are now two buttons, MORE and EXIT.
	MORE lists additional choices (looping back to the first
	page when all choices have been displayed).  EXIT brings
	you back to the normal edit screen.  Choose a parameter
	value by clicking on it (the change is sent to the synth).
	Click on EXIT when you're done.


Hint...
	If you don't hear anything when you play the mouse, check
	the current patch in PATCH EDIT mode.  A part's MIDI channel
	may be off, or its key range may be limited.  


D-50 and MT-32 Conversion Programs
	D50ToD10 and M32ToD10 convert files created with other
	Caged Artist editing programs to the D-10/110 format.
	The conversion process is hampered by the fact that the
	built in PCM samples are different in each of these machines.
	The MT-32 is fairly similar - enough that most sounds convert 
	well, with a little tweaking (usually to the coarse tuning).
	To use these programs:

	1)	If you're using multiple drives or a RAM disk or
		a hard drive, I suggest you copy the conversion 
		program AND the INITBANK.D10 file to the same drive
		as the data (this makes it a bit easier to use)

	2)	Start the conversion program.

	3)	Select a file to convert (OK or Return).  Then 
		enter the file name for the output (OK or Return).  
		If you have more files to convert, select YES and 
		repeat until you've done them all.

Mouse Scales
	Currently, the mouse can play in the following scales:

		0) Chromatic
		1) Major
		2) Natural Minor
		3) Harmonic Minor
		4) Melodic Minor
		5) Whole
		6) Diminished
		7) Pentatonic
		8) Pentatonic Minor
		9) Enigmatic
		10) Neapolitan
		11) Neapolitan Minor
		12) Hungarian

	This is probably more than you need for an editing program.  But
	if you enjoy playing the mouse as much as I do, this is sure to
	add to that enjoyment.


Extra Parameters
	I have included the ability to edit the Rhythm Part fine tune and
	bend range parameters.  These parameters are not loaded, stored,
	or sent with a patch, but they may be individually changed.  There
	is no way to edit these parameters from the front panel of the
	instrument, but they do seem to work, so why not include them?


Patch/Tone Interaction
	The Patch vs. Tone issue has been resolved as follows
	(this supercedes several comments in the manual):

	There is now a file (D10PRSET.PRE) which contains information
	on all the D10's presets.  This file MUST be in the same directory
	as the program.  It was decided that the 48K extra space was
	worth the extra convenience it buys.

	The program is now able to integrate Patch loading & editing with 
	Tone loading & editing, without bi-directional MIDI communication,
	provided that the computer and the synth have at least the same 
	internal tone data.  When the program starts, it tries to upload
	the internal tone bank from the synth.  If this isn't sucessfull,
	it loads the  INITBANK and DEFAULT files from disk.  This may
	not be exactly what you have in your synth, in which case you
	should either "get all" or "send all" to insure that the internal
	tone banks are identical.  Once you have the computer and synth
	in sync, they will generally stay in sync.

	Tones are automatically loaded into the computer's tone edit 
	buffers whenever a Patch is loaded, or its "tone select" 
	parameter is altered.

	*** NOTE: Because of this automatic tone-loading, be sure to save
	your edited tones before making any changes to the current patch.
	If you accidentally over-write an edited tone, go to the TONE EDIT
	Mode and use "undo" to restore it. ***

	The current Patch is automatically edited when a tone is loaded
	from (or stored to) the INTERNAL MEMORY bank.  This is nothing
	new, but it bears repeating.

	The PART SELECT Box has been updated.  It is now the same for both
	BANK Modes.  The information presented for each part is (left to
	right): part #, original location, edit marker, and name. The
	original location is "---" for tones loaded from the Auxilliary
	Bank, and "off" for tones that are disabled in the current patch.

	Tones AND Patches are immediately sent to the synth's internal
	memory if they are stored in the computer's INTERNAL MEMORY Bank.

That's all, folks