Image Processing Operations The AVT system offers a number of specialized image processing operations the are optimized for use with slow scan images; These are generally available in the RoboSynth window, and when you press the "Lcor" button that is actually IN the RoboSynth window - that opens yet another process window with some very, VERY nice goodies in it. Let's stick to the RoboSynth window for the moment, however. In here you will find Four transmit convert buttons (discussed in the file headed RobotColor.doc, along with the post-receive tint control). You will also find a button headed "Luma". This button takes the contents of the Red, Green, and Blue buffers and creates a Black and white image according to the forumla used for NTSC composite images: 59% from the green buffer, 30% from the red buffer, and 11% from the blue buffer. This has two effects; One obvious (it makes it black and white) and the other not so obvious: it makes a smoothed image from a color one that may have been quite rough. You will also notice two sets of arrow buttons. One pair has small "b"'s in them, and the other has small "c"'s. In the center of these four arrows are three small square buttons labled "H", "N" and "Z". The Arrows are for stepping the brightness and contrast up and down, the "H" button generates a histogram, the "Z" button allows you to "zoom in" on an image, and the "N" creates the color or B&W negative of the image. For all of these operations, you MUST be in the correct resolution and color/bw setting, or you may get a surprise! Like most functions in the AVT system, if you are in B&W, then the contrast and brightness functions, the histogram, image negative, and the zoom only affect that particular buffer - red, green OR blue. If you are in color, all three of the red, green and blue are affected, and the color image is redrawn for you when the operation is completed. As a reminder, if any of the following buttons are "lit", you are in color: CMP AVT 111 25.5 51 102 Otherwise, you are in black and white. If you WANT to be in black and white, then make sure that the correct button of the RED, GREEN, and BLUE buttons is selected BEFORE you attempt one of these operations. If any of these buttons are lit, you are in HIGH resolution: 36/24 72/36 90/17a 34 *94/17b 51 102 Otherwise, you are in low resolution. Tinting Another control available in the RoboSynth window is the "Post-receive tint control". This control is for adjusting the effective receive frequency after you have received a Robot color image. For instance, let's say you receive a Robot color (12,24, 36, or 72) image, and it's a little bit too red. Open this window, and press the left mouse button with the pointer positioned to the right of the knob in the tint control - this is the side marked "green". Click the left button once. Now wait a few moments... watch for the process cursor to travel down the left side of the screen. When the knob "snaps" back to the center, it's done - and you can do it again, of you like. Until the knob snaps back, you should NOT touch it again - it can be quite confusing if you ask it to queue up several tint operations. You can also drag the knob a fair distance in either direction, and then release it - that will heavily tint the image. What about other types of images, like AVT images? You can use the tint control on them, too, but first you'll need to do a synthesize on them. We suggest, for tint purposes, that you only use the 24 second synthesis for lo-res (24 sec AVT, etc) and the 72 second synthesis for hi-res (90 sec AVT). You can not use the tint control on 94 second AVT images - the format is incompatible with the robot x:y formats. Once synthesized, the image can be treated as if it was a newly received Robot-format image - which, in effect, it is. You'll notice the loss of resolution that is the Robot's virtual signature on an image. The composite format reduces by at least 1/2 the amount of color information in an image - and that's in the 24 and 72 second modes. In the 12 and 36 second modes, color information is a mere 1/4 of that contained in an AVT image. But, if you want to tint, this is the way to accomplish it within the program. Line Correction If you press the "Lcor" button, a new window opens and you have a number of Image processing tools available to you that have to do with single line error correction (hence the name - Lcor = Line CORection). The first thing to notice is the small "keypad" of arrow keys, with the square button in the center. The up and down arrows (and the up and down cursor keys on the kbd, if you prefer) move a small cursor up and down along side the image you are working on. If you press the square button in the center of the keypad, then this action is multiplied - the small white cursor moves in ten line steps instead of 1 line steps. The right and left arrows (and the right and left on the keyboard) actually shift the line you are on to the right or left - you can correct many of the positioning errors that are inherent in the old, error-prone protocols like Robot composite color, and 8 second B&W. In addition, the action of the center shift button is duplicated by the ENTER key on the numeric keypad - note that this is NOT the "RETURN" key on the main keyboard. That does something else, of course, as you will see in a moment. Look at the right edge of the window. You will see three small buttons. Two have small 'c's adjacent to arrows in them, and one has a line with two arrows pointing at it. The 'c' buttons are line-copy buttons. They cause the line below or above the line that the cursor is on to be copied into the current line. The line with the two arrows pointing at the line in the center is a line synthsize initiator. This causes the line that the cursor is positioned upon to be completely replaced with a line that was created from the average of the line above it and the line below it. Try each of these three options on each line you want to be working on, see which works best for you. You'll also see a button labled "Shft". This is for use with the Line-sequential modes such as Volker-Wrasse or WA7WOD's line sequential modes (25.5, 50,102). If you receive an image that seems to go to some wild (and WRONG) color combination in the middle of the image, bring up the window, move the cursor to the scan line where the problem occurs, and press the Shft button once or twice. That should clear it up. You may find that you might have to do that multiple times in order to completely clean up the image, but it's quite easy to do. The RETURN key on the keyboard does this too, when this window is open. There are three pairs of arrows, red green and blue. These move the red, green or blue memories contents down or up on scan line each time they are pressed. This is useful after receiving an RGB image which has lost a line, that is, it's one line shorter due to QRM or whatever. These functions are available from the keyboard also, on the numeric pad - the 7-8 are red-up and red-down, the 4-5 are green-up and green-down, and the 1-2 are the blue-up and the blue-down. In addition, the two copy and the synthesize options are available from the three keys at the top right of the numeric keypad. The 9 is copy down, the 6 is copy up, and the 3 is synthsize. Remember that you can use the Amiga programs "Butcher" and PixMate" to do REALLY heavy-duty image processiing work for you; But these operations are specific to SSTV, and are unlikely to be included in a standard image processing suite.