CAMEL. English group formed in 72 by Peter Bardens (keyb); Doug Ferguson
(bass); Andrew Latimer (guitar, flute, vocals) and Andy Ward (drums). The
three last mentioned played together 68-70 in the group Strange Brew, later
known as Brew. After their split up they played with Philip Goodhand-tait
and appeared on his album "I think I'll write a song" from 71. Bardens is
an ex-Them, Shotgun Express and Village member.
 Both on stage and in studio their music is based on an idea of long
musical pieces. It's a very complex type of music, progressive, melodic and
often close to symphonic. A good example is (3), which was performed at The
Royal Albert Hall in London in company of London Symphony Orchestra
directed by David Bedford.
  1. Camel (73) 2. Mirage (74) 3. The Snow Goose (75) 4. Moonmadness (76)
5. Rain Dances (77) 6. Breathless (78) 7. A live record (78) 8. I can see
your house from here (79) 9. Nude (81) 10. The single factor (82) 11.
Stationary traveller (83) 12. Pressure points - Live in concert (84) 13. Dust
and Dreams (91) Observe that this listing isn't complete! 

  EMERSON LAKE & PALMER. English trio formed in 70 by Keith Emerson (keyb);
Greg Lake (bass, vocals, guitar) and Carl Palmer (drums, perc). Emerson was
before ELP a member of The Nice (23-27), but as the group split up in 70 he
started a cooperation with Lake. Lake then left his place as
vocalist/bassplayer in King Crimson and soon thereafter Palmer (ex-The
Crazy World of Arthur Brown, Atomic Rooster) joined the group. All three of
them are technically harmonius musicians, and with music varying from
jazz and electronic-experimental music to classical pieces (7-8), the trio
quickly became a top name in progressive rock music. Both at concerts and
on albums their music was performed in a grandious and ambitious way
concentrating mostly on variation pieces and technical artistery. Beside
their own music they've also played arrangements of pieces written by among
others Modest Mussorgsky (3) and Aaron Copeland. They have also formed
their own recording company, Manticore, which released (5).
 The members stopped their cooperation after (9) and Palmer became, after
leading his own group PM 79-80, a member of Asia. ELP reunited 85 as
Emerson Lake & Powell (12) with participation of Cozy Powell (drums, perc)
(ex-Jeff Beck Group, Rainbow and Whitesnake), but split up again. After
another failure in trying to reunite the group in Oct 87 ELP lay low until
92, when they were reunited with the original line-up to make (11). They
also made a number of concerts in USA in July the same year and in October
they performed in Europe. 88 Emerson and Palmer recorded (13) together with
Robert Berry (ex-Hush). It was released under the name "3". Emerson has
made the soundtrack to the film Nighthawks (81) released (14-20). Lake has
as a solo artist released (21-22).
 1. Emerson Lake & Palmer (70) 2. Tarkus (71) 3. Pictures at an exhibition
(live 72) 4. Trilogy (72) 5. Brain salad surgery (73) 6. Welcome back my
friends, to the show that never ends - ladies and gentlemen - Emerson Lake
& Palmer (live 74) 7. Works (77) 8. Works vol II (77) 9. Love beach (78)
10. In concert (live 79) 11. Black moon (92) EMERSON LAKE & POWELL: 12.
Emerson Lake & Powell (86) 13. To the power of three (88) KEITH EMERSON:
14. Honky tonk train blues (76) 15. Honky (soundtrack 87) 16. Murderock
(soundtrack 86) 17. Best revenge (soundtrack 86) 18. The Emerson collection
(86) 19. Harmageddon/China free fall (soundtrack 87) 20. The inferno
(soundtrack 90) GREG LAKE: 21. Greg Lake (81) 22. Manoeuvres (83) THE NICE:
23. The thoughts of Emerlist Davjack (67) 24. Ars longa vita brevis (68)
25. The Nice (69) 26. Five bridges (70) 27. Elegy (71).

  GENESIS. English group formed in 67 at the public school Charterhouse as
a unification of the school orchestra The Garden Wall and the group The
Anon, with Peter Gabriel (vocals, flutes); Tony Banks (keyb, piano); Chris
Stewart (drums); Anthony Phillips (guitar, vocals) and Michael Rutherford
(bass, guitar, vocals). Stewart was replaced by John Silver (drums) in June
68 when the debut LP (1) was recorded with Jonathan King as producer.
Silver left the band in August the next year and John Mayhew (drums,
vocals) joined. The group made a contract with Charisma and recorded (2)
before Phillips and Mayhew left in July 70 to be replaced by Steve Hackett
(guitars) and Phil Collins (drums, vocals). With this line-up the band
found their form and released a couple of praised albums (3, 4, 6) before
hitting the world commercially with the concept-album (7). A world tour
followed with a greatly arranged show with giant slides and with Gabriel in
the leading part, dressed up in colorful costumes. At the end of the tour
in May 75 Gabriel left the group, and 400 new singers were tested before
they finally chose Phil Collins. At coming tours they were to use en extra
drummer - Bill Bruford (Yes) until Nov 76 and after that Chester Thompson.
  In June 77 Hackett left the group to - as Gabriel - go solo. Reduced to a
trio Genesis the same year recorded (12) with a following tour featuring
many guest appearances and grandious special effects. In Nov 79 they
recorded (13), an album with which they marked a change in the group's
musical style. A more simple and direct style had succeeded the earlier,
complex records. This style has followed the group since. But it has been
hard for them to transform this music into live appearances. Earlier the
stageshows were built around great musical pieces as The Musical Box from
(3) and in particular Supper's Ready from (4). The group was in 82 out on a
huge world tour. Three weeks later the old line-up Gabriel, Collins, Banks,
Hackett and Rutherford gathered for one concert, Oct 2,  82. After that there
have been long periods of silence around Genesis due to private interests.
They've had numerous single hits during the eighties featuring a very
professional pop music, far beyond their original basis. 
 Genesis is the most important of the symphonic rockgroups to appear in the
early 70's and they have been inspiring for groups like Marillion. With
time they developed to be perhaps the most popular rock group in the 80's.
Collins is, apart from his work in Genesis, solist, producer and one of the
most sought after guest drummers. Banks made his solo debut in 79 with (22)
which was followed by (23) in 83. The year before he had written the
soundtrack to the Michael Winner film The Wicked Lady (24). Furthermore
Banks has written soundtracks to several other films, collected on (25), on
which Fish (vocals) (Marillion) appears. 90 he formed the group
Bankstatement. Rutherford made his solo debut in 80 with the somewhat banal
concept album (28), on which he is helped by Anthony and Simon Phillips.
After yet an album (29) he 85 formed the hobbygroup Mike & The Mechanics.
The following years they released several albums and gained success in USA
with their radio friendly pop music. Banks is together with Rutherford the
only member to have been there from the very beginning in 67, and both of
them are paradoxally enough the least known members, first in the shade of
Gabriel and later on Collins. They are both technically very skilled
musicians, almost virtuose.
  1. From Genesis to revelation (69) (firstly released as Rock roots, later
as Where the sour turns to sweet) 2. Trespass (70) 3. Nursery Cryme (71) 4.
Foxtrot (72) 5. Live (live 73) 6. Selling England by the pound (73) 7. The
lamb lies down on Broadway (74) 8. A trick of the tail (76) 9. Wind &
wuthering (76) 10. Spot the pigeon (EP 77) 11. Seconds out (live 77) 12.
And then there were three (78) 13. Duke (80) 14. Abacab (81) 15. 3 X 3 (EP
82) 16. Three sides live (live 82) 17. Genesis (83) 18. Invisible touch
(86) 19. We can't dance (91) 20. The way we walk (volume one: the shorts)
(live 92) 21. The way we walk (volume two: the longs) (live 92) TONY BANKS:
22. A curious feeling (79) 23. The fugitive (83) 24. Music from the film
"the wicked lady" (83) 25. Soundtracks (86) 26. Still (91) 27.
Bankstatement (89) MIKE RUTHERFORD: 28. Smallcreep's day (80) 29. Acting
very strange (82) MIKE & THE MECHANICS: 30. Mike & The Mechanics (85) 31. 
The living years (88) 32. Word of mouth (91).

  GENTLE GIANT. English group consisting of Derek Schulman (vocals, sax);
Ray Schulman (bass, vocals, guitars); Phil Schulman (sax); Gary Green
(vocals, guitars); Martin Smith (drums) and Kerry Minnear (keyb). Formed in
70 by the Schulman brothers (all ex-Simon Dupree and the Big Sound). G worked
a lot with uniting rock with elements of both jazz, newer classical music and
medieval folk songs. Characteristic for the group was skillful vocal
harmonies. G had similarities to King Crimson and Jethro Tull but never
reached anything but a cultlike fame and split up in 80. Most of the group 
repertoire has during the 90's been re-released on the German recordlabel
Line, and by that G has had a certain renaissance. Derek Schulman has
during the 90's been working in USA as a talent scout producer together
with groups like Kingdom Come, Black Crowes and Sugarcubes.
  1. Gentle Giant (70) 2. Acquiring the taste (71) 3. Three friends (72) 4.
Octopus (73) 5. In a glass house (73) 6. The power and the glory (74) 7.
Freehand (75) 8. A giant step (comp 75) 9. Interview (76) 10. Playing the
fool (live 76) 11. the missing piece (77) 12. Pretentious (comp 77) 13.
Giant for a day (78) 14. Civilian (80). 

  JETHRO TULL. English group formed in Nov 67 and concentrated around
composer and lyric writer Ian Anderson, born 10 Aug 47 in Edinburgh,
(vocals, flute, guitars) and guitarist Martin Barre (ex-Gethsemane) as the
only original member. Consisted in 68 of Anderson, Mick Abrams (guitars)
(1); Glenn Cornick (bass) (1-3) and Clive Bunker (drums) (1-4). The group
played with a very personal bluesrock-style (1-3). Turned from (4) into an
ambitious, symphonic rock style. The band split up after (6) - for six
days! J:s most weld-together line up is heard on (4-13).
  Anderson is a virtuose flutist and strongly influenced by Rahsaan Roland
Kirk. He is J:s undisputed leader and has also recorded the solo album
(23). During the time the group has existed Anderson has gradually changed
their style to a more synthesizer-oriented one (14), but the influence of
old English folk music has always been there. (14) was originally meant to
be a solo-album for Anderson, but by using new musicians he instead
reorganised the group, which since then - except for Barre - has cooperated
with musicians as Gerry Conway (drums); Dave Pegg (bass); Eddie Jobson
(keyboard, violin); Peter-John Vettesse (keyboard, percussion) and Mark
Craney (drums). The group's popularity is despite this radical change of
musicians at the same level as before and J:s concerts are characterized by
a warm atmosphere and an original stageshow. 
  1. This was (68) 2. Stand up (69) 3. Benefit (70) 4. Aqualung (71) 5.
Thick as a brick (72) 6. A passion play (73) 7. War child (74) 8. Minstrel
in the gallery (75) 9. Too old to rock'n'roll - too young to die (76) 10.
Songs from the wood (77) 11. Heavy horses (78) 12. Bursting out (live 78)
13. Stormwatch (79) 14. A (80) 15. Broadsword and the beast (82) 16. Under
wraps (84) 17. Crest of a knave (87) 18. 20 years of Jethro Tull (5LP-box
88) 19. Rock island (89) 20. Catfish rising (91) 21. Rocks on the road
(live 91) 22. A little light music (live 92) IAN ANDERSON: 23. Walk into
light (83).

  KING CRIMSON. Eng group formed in Jan 69 in London by Robert Fripp
(electric guitar); Michael Giles (drums, perc, vocals); Greg Lake (bass,
vocals); Ian McDonald (sax, flute, mellotrone, vocals) and Pete Sinfield
(lyrics). Fripp and Giles had, together with Giles' brother, bass player
Peter Giles, played together as a trio since 67 and released the concept
album (14). K debuted live in April 69 on the Speakeasy Club in London and
got a contract with Island immediately after it. They made their record
debut with (1), which got overwhelming critics. The album has become a
rock classic. During a tour in USA in 70 Giles and McDonald left the group
to make the duo LP (15) with help from Steve Winwood and Peter Giles. The
group's membership was very floating during the next years - some names can
be mentioned though: Mel Collins (sax, flute); Keith Tippett (piano) and
Ian Wallace (drums). Lake left the band in 70 to form Emerson Lake &
Palmer. Sinfield left 71 and produced Roxy Music's debut LP before he in 73
debuted as a solist on (18). In the end of 72 K consisted of Fripp; David
Cross (viola, mellotrone); Jamie Muir (perc); Bill Bruford (drums) (ex-Yes)
and John Wetton (bass) (ex-Family). After (6), an LP highly praised by the
critics, the group was reduced to the trio Fripp, Bruford and Wetton. After
an USA tour, during which (9) was recorded, the band dismembered in Oct 74.
Fripp and Bruford started solo careers while Wetton continued with Uriah
Heep. The latter afterwards formed UK with bruford, and later on Asia. K
was the most prominent of the English experimental groups and the first to
seriously use the mellotrone in their recordings. K played a refined
freeform-rock where beautiful harmonies contrasted with dissonances.
 In 81 Fripp reunited the group (for a while under the name Discipline)
with Bruford; Tony Levin (bass) and Adrian Belew (electric guitars, vocals)
as members. Their music never reached the earlier heights; now they played
a rhythmic experimental minimalmusic inspired by Philip Glass. Immediately
after the recording of (13) K definately split up. The members continued as
solists or in cooperation with other musicians; Fripp with his wife Toyah
Willcox, Bruford with Patrick Moraz (The Moody Blues) and Levin as studio
musician for a number of artists.
  1. In the court of the Crimson King (69) 2. In the wake of Poseidon (70)
3. Lizard (70) 4. Islands (71) 5. Earthbound (72) 6. Lark's tongue in aspic
(73) 7. Starless and Bible black (74) 8. Red (74) 9. USA (live 75) 10. The
young person's guide to King Crimson (compilation 76) 11. Discipline (81)
12. Beat (82) 13. Three of a perfect pair (84) 14. The compact King Crimson
(compilation 86) 15. Frame by frame - The essential King Crimson (4-CD
compilation box 91). GILES, GILES & FRIPP: 16. The cheerful insanity of
Giles, Giles & Fripp (68). MCDONALD & GILES: 17. McDonald & Giles (70).
PETE SINFIELD: 18. Still (73).

  MARILLION. English group from Aylesbury formed in 81 by the Scotsman Fish
(Derek William Dick) (vocals); Steve Rothery (guitars); Mark Kelly (keyb);
Mick Pointer (drums) and Diz Minnitt (bass). The latter one was in Apr 82
replaced by Pete Trewavas. After an intense period of touring M signed a
contract with EMI in Oct 82, and debuted shortly thereafter with the single
Market square heroes, followed up by the debut-LP (1). With carefully
rehearsed and colorful stageshows, built up after concepts of tales and
sagas (the name of the group is taken from the Tolkien novel Silmarillion)
and with technically refined light effects their concerts were very 
theatrelike. Strongly influenced by Genesis M played a pompous and melodic
but not very original kind of rock music. The group's material was written
very personally by their foreground figure, the almost two metres high
Fish. Pointer left the band in May 83 and was replaced by Andy Ward
(drums) (ex-Camel) until Ian Mosley joined in Nov the same year. With the
release of (4) the trilogy about "the break of a relationship" was
fulfilled - (1) described the period when the relationship cracks up, (2)
the very crack up and (4) the repercussions and the lookbacks. The girl in
the story was Fish's girlfriend Kayleigh, who in the beginning of 85 came
up with the name of their first English top hit. After another record (6)
and a major world tour 87-88 Fish in Sept 88 decided to leave the band,
since he was dissappointed with the musical direction. The live-2-LP (8)
became a worthy finish, since M with Fish was more a live band than a
studio band.
 Fish was in Apr 89 replaced by Steve Hogarth (ex-Europeans), but he
doesn't possess the same charisma as Fish, and on the following albums
(9-12) M were reduced to an anonymous MOR-pop band. Fish, at the time
settled down in Scotland, continued as a solist with music that became more
and more folk orientated; accordingly (14) has its roots in Scottish
folklore. As a solist Fish has also recorded with Tony Banks (Genesis).
  1. Script for a jester's tear (83) 2. Fugazi (84) 3. Real to reel (live 84)
4. Misplaced childhood (85) 5. Brief encounter (Am live-MLP 86) 6. Clutching
as straws (87) 7. B'sides themselves (compilation 88) 8. The thieving
magpie (live 88) 9. Seasons end (89) 10. Holidays in Eden (91) 11. A
singles collection 1982-1992 (compilation 92) 12. Brave (94) FISH: 13.
Vigil in a wilderness of mirrors (90) 14. Internal exile (91) 15. Songs
from the mirror (cover-CD 93) 16. Suits (94).

  OLDFIELD, MIKE. English multiinstrumentalist and composer, born on March
15, 53 in Reading, Berkshire. Played in 68 with his sister Sally in
Sallyangie with John Collins (el. guitar); Ray Warleigh (flute) and Terry
Cox (drums). They split up in 69, and O formed the short-lifed group
Barefeet. Later he played bass and thereafter lead guitar in Kevin Ayers'
group The Whole World together with amongst others David Bedford. Ayers'
group dismembered in Aug 71, and O continued as a studio musician. Worked
on a large composition and recorded a 50-minute demo with pilot studies for
Tubular Bells (2). Only the newly started record company Virgin was
interested and gave O free hands in the Abbey Road studio in London. O
worked with Jon Field (flute); Steve Broughton (drums) and Viv Stanshall
(vocals). (2) became an enormous success and appeared on the English hit
charts for 264 successive weeks, and had in 81 been sold in 11 million
copies worldwide. A chosen passage of the record has been used in the movie
Excorcisten and a single from it became a hit. Recorded in 74 (3) and
played almost all instruments himself. (3) also turned out to be a hit and
those two albums (2 and 3) became the financial basis for Virgin's grounder
Richard Bartons many activities. In 74 O appeared as guitarist on David
Bedford's LP "Stars end" with The Royal Philharmonic Orchestra. With them
he also recorded (4) with Bedford as arranger and (5) with musicians from
the African group Jabula. On the latter one, Celtic and African inspired 
music was mixed together successfully. Gradually he ended the long and
repeative style and got a single hit with the Christmas song In dulce
jubilo and with Horseback aswell as Portsmouth.
 Worked for three years with (7). Then he went on tour in 79 with a 50 men
orchestra directed by Bedford. It became an economical catastrophy for O.
During the years 79-83 he recorded (8-12) and produced and played together
with amongst others Phil Collins and Gong. Got a world hit with Moonlight
shadow, which appeared on (12).
 In 84 he wrote the music for the Am film The killing fields. In 85 a part
of Tubular bells was used in Paul Hardcastle's hit Nineteen. O protested,
and demanded to be mentioned as co-author, which also happened. Recorded
his first music video, the ambitious Pictures in the dark. Recorded (16) in
France with a long composition on the A-side and pop songs on the B-side,
including the title song sung by Bonnie Tyler. Jon Anderson (Yes), Maggie
Reilly, Kevin Ayers, Roger Chapman and Anita Hegerland also appeared on
this album. In May 90 he released (18), an over one hour long composition
with a blend of electronics, choirs and acoustic instruments, but also such
strange "instruments" as shoes, a hoover, spoons and contents of an
aeromodeller's toolbox!  
 O:s biggest success was (2-3) and he was during the 70's representant of
symphonic rock. After 79 he moved towards shorter movements with overtones
of rock and pop. He's succeeded in making both pop hits and compositions
with great orchestration, often with repeatative patterns. 
 Twenty years after the release of Tubular bells, a sequel was made. The
original performance held place in Edinburgh castle in Sept 92. 
 SALLYANGIE: 1. Children of the sun (68) MIKE OLDFIELD: 2. Tubular bells
(73) 3. Hergest ridge (74) 4. The orchestral tubular bells (75) 5. Ommadawn
(75) 6. Boxed (4-LP box 76) 7. Incantations (78) 8. Exposed (79) 9.
Platinum (79) 10. QE 2 (80) 11. Five miles out (82) 12. Crises (83) 13.
Discovery (84) 14. The killing fields (soundtrack 84) 15. The complete Mike
Oldfield (compilation 85) 16. Islands (87) 17. Earth moving (89) 18. Amarok
(90) 19. Tubular bells II (92) 20. Oldfield versus The Orb (techno mixes of
(19))

 YES. English group formed in London 68 by Jon Anderson (vocals); Chris
Squire (bass); Peter Banks (electric guitars); Tony Kaye (keyb) and Bill
Bruford (drums). One of the group's first appearances was as warm-up to
Cream's farewell concert in Nov 68. Yes had in the beginning tailwind with
the critics and after the debut album (1) the group was announced as the
next super group in English rock. After (3) - when Banks had left them to
form Flash and was replaced by Steve Howe (electric guitars) (ex-Tomorrow)
- Yes exclusively played own material. It consisted of long, suite-like
compositions which made great demands upon the musicians' musical skill.
This style was to be called "technoflash", and Yes are still the style's
most typical practicians.
 In 71 Kaye left the group and formed Badger. He was replaced by Rick
Wakeman (keyb) (ex-The Strawbs). Later Bruford left to join King Crimson,
and Alan White (ex-Plastic Ono band) became their new drummer. After the
release of the ambitious fiasco (7) in 73 Wakeman left the band and was
replaced by the Swiss Patrick Moraz. In 75 they had a one year break due to
solo projects, and afterwards Wakeman returned and appeared on (9-10)
before again leaving Yes, this time together with Anderson. With two new
members - Trevor Horn (vocals) and Geoff Downes (keyb), both ex-Buggles -
Yes released (11) and split up shortly thereafter.
 Howe and Downes formed the group Asia. Howe later joined GTR together with
Steve Hackett (ex-Genesis). Horn made a name as a producer and Anderson
continued as a solo artist, but he also worked together with Mike Oldfield
and the Greek keyboard player Vangelis. In 83 Yes reunited with the crew of
Anderson, Squire, White, Kaye and the South African guitarist Trevor Rabin.
They made a colossal comeback with (13) - an album which marked a new
musical line with shorter, more melodic songs, i.e. Owner of a lonely heart
which turned out a great hit in 84.
 Anderson left in 87 and beamed together with former Yes-members in the
group Anderson, Bruford, Wakeman, Howe. After some confusion and juridical
arguments about who had the right to be called Yes, all parts finally
decided to reunite under the name Yes. On (16) they consisted of Anderson,
Bruford, Howe, Kaye, Rabin, Squire, Wakeman and White.
 1. Yes (69) 2. Time and a word (70) 3. The Yes Album (71) 4. Fragile (71)
5. Close to the edge (72) 6. Yessongs (live 73) 7. Tales from topographic
oceans (74) 8. Relayer (74) 9. Going for the one (77) 10. Tormato (78) 11.
Drama (80) 12. Yesshows (live 80) 13. 90125 (83) 14. 9012 live - the solos
(85) 15. Big Generator (87) 16. Union (91) 17. Yesyears (4-CD compilation
91) 18. Talk (94) STEVE HOWE: 19. The Steve Howe album (79) 20. Turbulence
(91) CHRIS SQUIRE: 21. Fish out of water (75) JON ANDERSON: 22. Olias of
Sunhillow (76) 23. Short stories (79) (with Vangelis) 24. Songs of seven
(80) 25. The friends of mr Cairo (81) (with Vangelis) 26. Animotion (82)
27. Three ships (85) 28. In the city of angels (88) 29. Page of life (91)
(with Vangelis) ANDERSON, BRUFORD, WAKEMAN, HOWE: 30. Anderson, Bruford,
Wakeman, Howe (89) RICK WAKEMAN: 31. Six wives of Henry VIII (73) 32.
Journey to the centre of the earth (74) 33. Myths and legends of King
Arthur (75) 34. Lisztomania (soundtrack 75) 35. No earthly connection (76)
36. White rock (soundtrack 77) 37. Criminal record (77) 38. Rhapsodies (79)
39. 1984 (81) 40. Burning (soundtrack 81) 41. G'ole (soundtrack 82) 42.
Rock'n'roll prophet (soundtrack 82) 43. Cost of living (83) 44. Silent
nights (85) 45. Live at Hammersmith (live 86) 46. Country airs (86) 47.
Time Machine (87).

 Other groups belonging to the progressive, symphonic or psychedelic
cathegory:

 Pendragon, Pink Floyd, Gong, Kaleidoscope, Hawkwind, Art Bears, The
Beyond, IQ, Castanarc, Caravan, The Enid, Gracious, Henry Cow, Brian Eno,
Steve Hillage, Intercontinental Express, The Nice, Van Der Graaf Generator,
Peter Hammill, Twelfth Night, Pallas, Dream Theatre, Abel Ganz, Aragon,
Black Jester, Chandelier, Deyss, Final Conflict, Multi Story, Landmarq,
Kaipa, Masque, Magma, Kebnekajse, Triangulus, Bo Hansson, Quaterna Requiem,
Museo Rosembach, Neuschwanstein, Dogma, Montefeltro, Solaris, Le Orme,
Dice, Tabula Rasa, Rush, Saga, Barclay James Harvest, Isildurs Bane,
Iskander, Mastermind, Magellan, Galleon, Eloy, Runrig, Madrigal, Neo,
Quantum, Renaissance, Taurus (yes!), Yezda Urfa, Anglagard, Landberr and 
Solaris. There are many, MANY more, but listing them all here would take me 
all day. For more information about everything that concerns symphony rock, 
write to:

FUGAZI/TAURUS
Robin Forsberg
Norrtullsgatan 37B III
S-82637 Soederhamn
SWEDEN

For the Swedes; there are some symphony rock clubs in Sweden. Here are a 
couple of addresses:

RIVENDELL MAGAZINE
c/o Stefan Polzer
Tulegatan 2A/NB
S-652 21 Karlstad
SWEDEN

CRIMSON (prog rock society)
c/o Per Lindh
Froeshult
S-746 96 Enkoeping
SWEDEN

Other addresses:

MUSEA (for a catalogue with ALL kinds of prog rock!)
68 La Tinchotte
57117 Retonfey
FRANCE

SIGMASOUND (same as above)
Ulf Danielsson
P.O. Box 255
S-781 23 Borlaenge
SWEDEN