$0cc|1-Adobe After Effects 3.1 Production Bundle by Bolty/Carnage |1-"Cor Blimey!" $0ffI have finally got my mits on this seriously powerful bit of software, and as you may have guessed from the subtitle, I'm a tad impressed! $0ccSo what is After Effects then? Put simply, it is the most powerful digital video compositing and special effects software in the world! And you can run it on your PC (or mac) at home! This type of work is often done using mega-bucks high-end video paintboxes such as "Harry" or "Flame". These machines are looking increasingly redundant however as After Effects becomes the industry standard tool. If you see any cool advert or film special effects, it is quite likely that After Effects (AE) was involved in some way. $0ffWhat is so powerful about AE then? Well if you have used Photoshop a bit, and suddenly been smacked in the face by the power of layers, then After Effects is similar, only it smacks you even harder. After Effects is video with layers and key framed everything. As many pieces of video as you want can be placed over each other, scaled, rotated, masked, chroma keyed, made transparent, plus a million other effects. Each variable and each co-ordinate of each video or effect can be controlled independently using key frames and spline graphs. This can be daunting at first, as AE's interface is quite complex, but you soon get used to the twirly arrows which hide or reveal more detail about the clip. Adobe Premiere is a very useful sister tool to AE, as one thing AE is not designed to do is edit final sequences together - Premiere is much better for this. The interfaces are very different between the programs however, as AE was acquired when Adobe took over Aldus, so they were originally developed separately. $0ccSo you still don't get it? Here are a couple of examples: $0ffI had a short 4 second clip done in Lightwave of a zoom through a computer matrix, but I wanted to spice it up a bit. I imported the clip into AE and dragged it 5 or 6 times into separate layers. Each layer was given a feathered spline mask, which changed over time. This basically turns each clip from a square video into a smoothed pulsating blob. Each blob was then faded onto screen at different times, and set to follow a curved motion path, while rotating slowly. Several filters were applied to make the matrix glow more impressively and to alter its colour slightly. The end result is a vastly more complex computer matrix, pulsating and moving across the screen. This took about 30 minutes to sequence and 20 minutes to render the final 7 second movie. $0ccAfter effects also features incredibly powerful motion tracking. I had a movie of a car being driven towards and then past the camera. To add perfect headlights to the car I simply placed a lens flare on the picture, then selected the area of the headlight within the motion tracker. The headlight is then tracked through every frame, even though the camera is wobbling and its size, position and perspective are changing. These co-ordinates are then mapped onto the lens flare, and the flare is key framed to get bigger as the car gets nearer. Repeat for the other headlight, and hey presto! Perfect headlights! Of course this is a bit useless, as my mate said "it would have easier if I just turned my lights on," but hopefully it demonstrates the power of this software. $0ff Well it's a few weeks later now and I've been using AE loads. I've just discovered AEs built in programming language. This gives you imense power and control over keyframing. Its similar to C type languages in that you have to use lots of { } ; and == but all the commands can be accessed and put into the script from pull down menus. AE comes with a number of usefull scripts, such as one that can vary any other element in your video depending on the audio volume - good for VU meters, lip sync etc. The first script I wrote simply gives a random value to any other variable in your movie. $0cc So to sum up, After Effects gets a Jizz Factor 10/10, and I've only just brushed the surface of this package so far...